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Palais Royal–Musée Du Louvre Station
Palais Royal–Musée du Louvre () is a station on Line 1 and Line 7 of the Paris Métro. Situated in the heart of the 1st arrondissement, it most notably serves the Palais-Royal, Comédie-Française and Louvre. Location The station is located under the Place du Palais-Royal, between the Palais-Royal and the Louvre Museum, the platforms being established (almost parallel): * on Line 1, under the Rue de Rivoli; * on Line 7, under Rue Saint-Honoré. History It is one of the eight original stations opened as part of the first section of Line 1 between Porte de Vincennes and Porte Maillot on 19 July 1900, under the name ''Palais Royal''. The Line 7 platforms were opened on 1 July 1916 with the extension of the line from Opéra. It was the southern terminus of the line until it was extended to Pont Marie on 16 April 1926. From the 1970s until the 2010s, the station was modernized with the installation of orange ceramic tiles typical of the ''Mouton-Duvernet'' style, laid horizontal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Métro Line 1
Paris Métro Line 1 (French language, French: ''Ligne 1 du métro de Paris'') is one of the sixteen lines of the Paris Métro. It connects in the northwest and in the southeast. With a length of , it constitutes an important east–west transportation route within the City of Paris. Excluding Réseau Express Régional (RER) commuter lines, it is the busiest line on the network with 181.2 million travellers in 2017 or 496,000 people per day on average. The line was the network's first to open, with its inaugural section entering service in 1900. It is also the network's first line to be converted from manually driven operation to fully automated operation. Conversion, which commenced in 2007 and was completed in 2011, included new rolling stock (MP 05) and laying of platform edge doors in all stations. The first eight MP 05 trains (501 through 508) went into passenger service on 3 November 2011, allowing the accelerated transfer of the existing MP 89 CC stock to Paris Métro Lin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palais Royal
The Palais-Royal () is a former French royal palace located on Rue Saint-Honoré in the 1st arrondissement of Paris. The screened entrance court faces the Place du Palais-Royal, opposite the Louvre. Originally called the Palais-Cardinal, it was built for Cardinal Richelieu from about 1633 to 1639 by architect Jacques Lemercier. Richelieu bequeathed it to Louis XIII, before Louis XIV gave it to his younger brother, Philippe I, Duke of Orléans. As the succeeding Dukes of Orléans made such extensive alterations over the years, almost nothing remains of Lemercier's original design. The Palais-Royal is now the seat of the Ministry of Culture, the Conseil d'État and the Constitutional Council. The central Palais-Royal Garden (Jardin du Palais-Royal) serves as a public park; its arcade houses shops. History Palais-Cardinal Originally called the Palais-Cardinal, the palace was the personal residence of Cardinal Richelieu. The architect Jacques Lemercier began his design in 1629; ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tuileries (Paris Métro)
Tuileries () is a station on Line 1 of the Paris Métro. Located in the 1st arrondissement, it serves the Jardin des Tuileries. The station, along with Concorde and Champs-Élysées-Clemenceau were closed from 17 June to 21 September for the 2024 Summer Olympics. Location The station is located underneath the Rue de Rivoli along the Jardin des Tuileries. History The station opened on 19 July 1900 with the entry into service of the first section of line 1 between Porte de Vincennes and Porte Maillot. From the 1960s until the end of the 20th century, the station walls were clad in metal sheets with green horizontal posts and illuminated gold advertising frames, and the metal beams supporting the station ceiling were painted green, and the station was fitted with white ''Motte'' style seats. In 2000, to celebrate the métro's centenary, the station was redecorated with wooden benches and wall covered with photo panels showing major events from 11 decades of history. In May 2023 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Défense–Grande Arche (Paris Métro)
LA most frequently refers to Los Angeles, the second most populous city in the United States of America. La, LA, or L.A. may also refer to: Arts and entertainment Music *La (musical note), or A, the sixth note *"L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson *''L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 *The La's, an English rock band *L.A. Reid, a prominent music producer *Yung L.A., a rapper *Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 *"La", a song by Australian-Israeli singer-songwriter Old Man River *''La'', a Les Gordon album Other media * l(a, a poem by E. E. Cummings *La (Tarzan), fictional queen of the lost city of Opar (Tarzan) *''Lá'', later known as Lá Nua, an Irish language newspaper *La7, an Italian television channel *LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and government agenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Platform Screen Doors
Platform screen doors (PSDs), also known as platform edge doors (PEDs), are used at some train, rapid transit and people mover stations to separate the platform from train tracks, as well as on some bus rapid transit, tram and light rail systems. Primarily used for passenger safety, they are a relatively new addition to many metro systems around the world, some having been retrofitted to established systems. They are widely used in newer Asian and European metro systems, and Latin American bus rapid transit systems. History The idea of platform edge doors dates from as early as 1908, when Charles S. Shute of Boston was granted a patent for "Safety fence and gate for railway-platforms". The invention consisted of "a fence for railway platform edges", composed of a series of pickets bolted to the platform edge, and vertically movable pickets that could retract into a platform edge when there was a train in the station. In 1917, Carl Albert West was granted a patent for " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Side Platform
A side platform (also known as a marginal platform or a single-face platform) is a platform positioned to the side of one or more railway tracks or guideways at a railway station, tram stop, or transitway. A station having dual side platforms, one for each direction of travel, is the basic design used for double-track railway lines (as opposed to, for instance, the island platform where a single platform lies between the tracks). Side platforms may result in a wider overall footprint for the station compared with an island platform, where a single width of platform can be shared by riders using either track. In some stations, the two side platforms are connected by a footbridge or tunnel to allow safe access to the alternate platform. While a pair of side platforms is often provided on a dual-track line, a single side platform is usually sufficient (trains are usually only boarded from one side) for a single-track line. Layout Where the station is close to a level crossing (g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hector Guimard
Hector Guimard (, 10 March 1867 – 20 May 1942) was a French architect and designer, and a prominent figure of the Art Nouveau style. He achieved early fame with his design for the Castel Beranger, the first Art Nouveau apartment building in Paris, which was selected in an 1899 competition as one of the best new building facades in the city. He is best known for the glass and iron Aedicula, ''edicules'' or canopies, with ornamental Art Nouveau curves, which he designed to cover the entrances of the first stations of the Paris Metro. Between 1890 and 1930, Guimard designed and built some fifty buildings, in addition to one hundred and forty-one subway entrances for Paris Métro, Paris Metro, as well as numerous pieces of furniture and other decorative works. However, in the 1910s Art Nouveau went out of fashion and by the 1960s most of his works had been demolished, and only two of his original Metro edicules were still in place. Guimard's critical reputation revived in the 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santos De La Torre
Santos Motoapohua de la Torre (born April 28, 1942 in Santa Catarina Cuexcomatitlán, Jalisco) is one of the most world renowned Huichol artists. His works aim to capture the mystery and magnificence of the Wixárika (Huichol people) and their spiritual beliefs. His main works are located in places like Paris, Chicago, Zacatecas and Nayarit. His Huichol name, "Motoapohua", translates to "Echo of the Mountain, Echo of the mountain". Career When he was young, Santos de la Torre lived in extreme poverty. On his conversations with Mexican writer Fernando Alarriba, he described his first experience with Hikuri (peyote), where he found a mystic reality that he gradually understood with the help of his father, a Mara'akame (Huichol Chaman) that guided him in the interpretation of his visions and dreams. His artistic career started at 23 years old, right at the top moment of Huichol contemporary art portrayed globally by artists like José Benítez Sánchez and Tutukila Carrillo Sandova ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
