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Out Of Doors (Bartók)
''Out of Doors'' is a set of five piano solo pieces, Sz. 81, BB 89, written by Béla Bartók in 1926. ''Out of Doors'' (Hungarian: ', German: ', French: ') is among the very few instrumental compositions by Bartók with programmatic titles. Pieces ''Out of Doors'' contains the following five pieces with approximate duration based on metronome markings: # "With Drums and Pipes" – Pesante. 1 min 45 s # "Barcarolla" – Andante. 2 min 17 s # "Musettes" – Moderato. 2 min 35 s # "The Night's Music" – Lento – (Un poco) più andante. 4 min 40 s # "The Chase" – Presto. 2 min – 2 min 12 s Period and circumstances of composition After World War I (1914–1918), Bartók was largely prevented from continuing his folk music field research outside Hungary. This increased the development of his own personal style, marked by a sublimation of folk music into art music. Bartók composed ''Out of Doors'' in the 'piano year' of 1926, together with his Piano Sonata, his First Piano ...
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Béla Bartók
Béla Viktor János Bartók (; ; 25 March 1881 – 26 September 1945) was a Hungarian composer, pianist and ethnomusicologist. He is considered one of the most important composers of the 20th century; he and Franz Liszt are regarded as Hungary's greatest composers. Among his notable works are the opera ''Bluebeard's Castle'', the ballet ''The Miraculous Mandarin'', ''Music for Strings, Percussion and Celesta'', the Concerto for Orchestra (Bartók), Concerto for Orchestra and List of string quartets by Béla Bartók, six string quartets. Through his collection and analytical study of folk music, he was one of the founders of comparative musicology, which later became known as ethnomusicology. Per Anthony Tommasini, Bartók "has empowered generations of subsequent composers to incorporate folk music and classical traditions from whatever culture into their works and was "a formidable modernist who in the face of Schoenberg’s breathtaking formulations showed another way, forgi ...
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Suite (music)
A suite, in Western classical music, is an ordered set of instrumental or orchestral/concert band pieces. It originated in the late 14th century as a pairing of dance tunes; and grew in scope so that by the early 17th century it comprised up to five dances, sometimes with a Prelude (music), prelude. The separate Movement (music), movements were often thematically and tonally linked. The term can also be used to refer to similar forms in other musical traditions, such as the Ottoman Classical Music, Turkish fasıl and the Arab music, Arab nuubaat. In the Baroque music, Baroque era, the suite was an important musical form, also known as ''Suite de danses'', ''Ordre'' (the term favored by François Couperin), ''Partita'', or ''Ouverture'' (after the theatrical "overture" which often included a series of dances) as with the orchestral suites of Christoph Graupner, Georg Philipp Telemann, Telemann and Johann Sebastian Bach, J.S. Bach. During the 18th century, the suite fell out of fav ...
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European Fire-bellied Toad
The European fire-bellied toad (''Bombina bombina'') is a species of fire-bellied toad native to eastern parts of mainland Europe, where it can be found near waterbodies such as ponds and marshes. It is known for its red colored belly used to ward off predators, an example of aposematism, and its distinctive "whoop" call. Description The European fire-bellied toad is a medium sized frog, growing up to approximately . The dorsal coloration can vary from gray to brown to green, while the stomach is red with thick black mottling. The backs of these frogs are covered in warts. When threatened by a predator, the fire-bellied toad will lift up its arms (sometimes flipping over) to expose its red coloration and show off its toxicity to the potential predator. This is known as Unkenreflex, and is an example of aposematism. Distribution The European fire-bellied toad is found throughout Central and Eastern Europe. More particularly, its range starts in eastern Germany (including ...
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Bombina Bombina 1 (Marek Szczepanek)
The fire-bellied toads are a group of six species of small frogs (most species typically no longer than ) belonging to the genus ''Bombina''. The name "fire-bellied" is derived from the brightly colored red- or yellow-and-black patterns on the toads' ventral regions, which act as aposematic coloration, a warning to predators of the toads' reputedly foul taste. The other parts of the toads' skins are green or dark brown. When confronted with a potential predator, these toads commonly engage in an unkenreflex, ''Unken-'' being the combining form of ''Unke'', German for fire-bellied toad. In the unkenreflex, the toad arches its back, raising its front and back legs to display the aposematic coloration of its ventral side. Species The currently recognized species are: Biology The female of the species typically lays 80–300 eggs that can be found hanging off plant stems. The offspring develop in pools or puddles. Their metamorphosis is complete within a few weeks, peaking in J ...
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Sostenuto Pedal
Piano pedals are foot-operated levers at the base of a piano that change the instrument's sound in various ways. Modern pianos usually have three pedals, from left to right, the soft pedal (or una corda), the sostenuto pedal, and the sustaining pedal (or damper pedal). Some pianos omit the sostenuto pedal, or have a middle pedal with a different purpose such as a muting function also known as silent piano. The development of the piano's pedals is an evolution that began from the very earliest days of the piano, and continued through the late 19th century. Throughout the years, the piano had as few as one modifying stop, and as many as six or more, before finally arriving at its current configuration of three. Individual pedals Damper pedal The ''damper pedal'', ''sustain pedal'', or ''sustaining pedal'' is to the right of the other pedals, and is used more often than the other pedals. It raises all the dampers off the strings so that they keep vibrating after the player rel ...
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François Couperin
François Couperin (; 10 November 1668 – 11 September 1733) was a French Baroque music, Baroque composer, organist and harpsichordist. He was known as ''Couperin le Grand'' ("Couperin the Great") to distinguish him from other members of the musically talented Couperin family. Life Couperin was born in Paris, into a prominent musical family. His father Charles was organist at the Saint-Gervais-Saint-Protais, Church of Saint-Gervais in the city, a position previously held by Charles's brother Louis Couperin, the esteemed keyboard virtuoso and composer whose career was cut short by an early death. As a boy François must have received his first music lessons from his father, but Charles died in 1679 leaving the position at Saint-Gervais to his son, a common practice known as ''survivance'' that few churches ignored. With their hands tied, the churchwardens at Saint-Gervais hired Michel Richard Delalande to serve as new organist on the understanding that François would replace him ...
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Bagpipe
Bagpipes are a woodwind instrument using enclosed reeds fed from a constant reservoir of air in the form of a bag. The Great Highland bagpipes are well known, but people have played bagpipes for centuries throughout large parts of Europe, Northern Africa, Western Asia, around the Persian Gulf and northern parts of South Asia. The term ''bagpipe'' is equally correct in the singular or the plural, though pipers usually refer to the bagpipes as "the pipes", "a set of pipes" or "a stand of pipes". Bagpipes are part of the aerophone group because to play the instrument you must blow air into it to produce a sound. Construction A set of bagpipes minimally consists of an air supply, a bag, a chanter, and usually at least one drone. Many bagpipes have more than one drone (and, sometimes, more than one chanter) in various combinations, held in place in stocks—sockets that fasten the various pipes to the bag. Air supply The most common method of supplying air to the bag ...
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Musette De Cour
The musette de cour or baroque musette is a type of Baroque bagpipe. Visually, the musette is characterised by the short, cylindrical shuttle-drone and the two chalumeaux. Both the chanters and the drones have a cylindrical bore and use a double reed, giving a quiet tone similar to the oboe. The instrument is blown by a bellows. The qualification "de cour" does not appear in the name for the instrument in original musical scores; title-pages usually refer to it simply as a ''musette'', allowing occasional confusion with the piccolo oboe, also known as the (oboe) musette. History First appearing in France, at the very end of the sixteenth century, the musette was refined over the next hundred years by a number of instrument-making families. The best-known contributions came from the Hotteterre family:chiefly Martin, responsible for the ''petit chalumeau'', and his son Jacques who published a complete ''Méthode'' Martin Hotteterre added a second chanter, the ''petit chalumeau ...
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Trombone
The trombone (, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's lips vibrate inside a mouthpiece, causing the Standing wave, air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the Pitch (music), pitch instead of the brass instrument valve, valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the flugelhorn, the Baritone horn, baritone, and the euphonium. The most frequently encountered trombones are the tenor trombone and bass tr ...
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Bassoon
The bassoon is a musical instrument in the woodwind family, which plays in the tenor and bass ranges. It is composed of six pieces, and is usually made of wood. It is known for its distinctive tone color, wide range, versatility, and virtuosity. It is a non-transposing instrument and typically its music is written in the bass and tenor clefs, and sometimes in the treble. There are two forms of modern bassoon: the Buffet (or French) and Heckel (or German) systems. It is typically played while sitting using a seat strap, but can be played while standing if the player has a harness to hold the instrument. Sound is produced by rolling both lips over the reed and blowing direct air pressure to cause the reed to vibrate. Its fingering system can be quite complex when compared to those of other instruments. Appearing in its modern form in the 19th century, the bassoon figures prominently in orchestral, concert band, and chamber music literature, and is occasionally heard in pop, rock, a ...
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Contrabassoon
The contrabassoon, also known as the double bassoon, is a larger version of the bassoon, sounding an octave lower. Its technique is similar to its smaller cousin, with a few notable differences. Differences from the bassoon The Reed (mouthpiece), reed is considerably larger than the bassoon's, at in total length (and in width) compared with for most bassoon reeds. The large blades allow ample vibration that produces the low register of the instrument. The contrabassoon reed is similar to an average bassoon's in that scraping the reed affects both the Intonation (music), intonation and response of the instrument. Contrabassoons feature a slightly simplified version of bassoon keywork, though all open toneholes on bassoon have necessarily been replaced with keys and pads due to the physical distances. In the lower Register (music), register, its Fingering (music), fingerings are nearly identical to bassoon. However, the octave mechanism used to play in the middle register wo ...
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Bass Drum
The bass drum is a large drum that produces a note of low definite or indefinite pitch. The instrument is typically cylindrical, with the drum's diameter usually greater than its depth, with a struck head at both ends of the cylinder. The heads may be made of calfskin or plastic and there is normally a means of adjusting the tension, either by threaded taps or by strings. Bass drums are built in a variety of sizes, but size does not dictate the volume produced by the drum. The pitch and the sound can vary much with different sizes,Norman Del Mar, Del Mar, Norman (1981). ''Anatomy of the Orchestra''. . but the size is also chosen based on convenience and aesthetics. Bass drums are percussion instruments that vary in size and are used in several musical genres. Three major types of bass drums can be distinguished. * The type usually seen or heard in orchestral, ensemble or concert band music is the orchestral, or concert bass drum (in Italian: gran cassa, gran tamburo). It is the ...
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