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Os Lusíadas
''Os Lusíadas'' (), usually translated as ''The Lusiads'', is a Portuguese epic poem written by Luís Vaz de Camões ( – 1580) and first published in 1572. It is widely regarded as the most important work of Portuguese-language literature and is frequently compared to Virgil's ''Aeneid'' (1st c. BC). The work celebrates the discovery of a sea route to India by the Portuguese explorer Vasco da Gama (1469–1524). The ten cantos of the poem are in ottava rima and total 1,102 stanzas. Written in Homeric fashion, the poem focuses mainly on a fantastic interpretation of the Portuguese voyages of discovery during the 15th and 16th centuries. ''Os Lusíadas'' is often regarded as Portugal's national epic, much as Virgil's ''Aeneid'' was for the Ancient Rome, Ancient Romans, or Homer's ''Iliad'' and ''Odyssey'' for the Ancient Greece, Ancient Greeks. It was written when Camões was an exile in Macau and was first printed in 1572, three years after the author returned from the ...
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Luís De Camões
Luís Vaz de Camões (; sometimes rendered in English as Camoens or Camoëns, ; c. 1524 or 1525 – 10 June 1580) is considered Portugal's and the Portuguese language's greatest poet. His mastery of verse has been compared to that of Shakespeare, Milton, Vondel, Homer, Virgil and Dante. He wrote a considerable amount of lyrical poetry and drama but is best remembered for his epic work '' Os Lusíadas'' (''The Lusiads''). His collection of poetry ''The Parnasum of Luís de Camões'' was lost during his life. The influence of his masterpiece ''Os Lusíadas'' is so profound that Portuguese is sometimes called the "language of Camões". The day of his death, 10 June OS, is Portugal's national day. Life Origins and youth Much of the information about Luís de Camões' biography raises doubts and, probably, much of what circulates about him is nothing more than the typical folklore that is formed around a famous figure. Only a few dates are documented that guide its trajectory ...
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Ancient Greece
Ancient Greece ( el, Ἑλλάς, Hellás) was a northeastern Mediterranean civilization, existing from the Greek Dark Ages of the 12th–9th centuries BC to the end of classical antiquity ( AD 600), that comprised a loose collection of culturally and linguistically related city-states and other territories. Most of these regions were officially unified only once, for 13 years, under Alexander the Great's empire from 336 to 323 BC (though this excludes a number of Greek city-states free from Alexander's jurisdiction in the western Mediterranean, around the Black Sea, Cyprus, and Cyrenaica). In Western history, the era of classical antiquity was immediately followed by the Early Middle Ages and the Byzantine period. Roughly three centuries after the Late Bronze Age collapse of Mycenaean Greece, Greek urban poleis began to form in the 8th century BC, ushering in the Archaic period and the colonization of the Mediterranean Basin. This was followed by the age of Classica ...
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Jupiter (mythology)
Jupiter ( la, Iūpiter or , from Proto-Italic "day, sky" + "father", thus " sky father" Greek: Δίας or Ζεύς), also known as Jove ( gen. ''Iovis'' ), is the god of the sky and thunder, and king of the gods in ancient Roman religion and mythology. Jupiter was the chief deity of Roman state religion throughout the Republican and Imperial eras, until Christianity became the dominant religion of the Empire. In Roman mythology, he negotiates with Numa Pompilius, the second king of Rome, to establish principles of Roman religion such as offering, or sacrifice. Jupiter is usually thought to have originated as a sky god. His identifying implement is the thunderbolt and his primary sacred animal is the eagle, which held precedence over other birds in the taking of auspices and became one of the most common symbols of the Roman army (see Aquila). The two emblems were often combined to represent the god in the form of an eagle holding in its claws a thunderbolt, frequen ...
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Lusus
Lusus is the supposed son or companion of Bacchus, the Roman god of wine and divine madness, to whom Portuguese national mythology attributed the foundation of ancient Lusitania and the fatherhood of its inhabitants, the Lusitanians, seen as the ancestors of the modern Portuguese people. Lusus thus has functioned in Portuguese culture as a founding myth. History of the name With the Roman conquest of the Iberian Peninsula (between 219 and 17 BC), the Roman province of Lusitania was established, broadly in what is today Portugal south of the Douro river together with Extremadura in Spain. There are no historic records of the eponyms ''Luso'' or Lusus amongst the Pre-Roman peoples of the Iberian Peninsula (in this specific areas, Celts or pre-Celts). The etymology of ''Lusitania'', like the origin of the name ''Lusitani'' who gave its name, is unclear. The name may be of Celtic origin (''Lus'' and ''Tanus'', "tribe of Lus"), or derive from ''Lucis'' or ''Lusis'', an ancient p ...
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Golden Ratio
In mathematics, two quantities are in the golden ratio if their ratio is the same as the ratio of their sum to the larger of the two quantities. Expressed algebraically, for quantities a and b with a > b > 0, where the Greek letter phi ( or \phi) denotes the golden ratio. The constant \varphi satisfies the quadratic equation \varphi^2 = \varphi + 1 and is an irrational number with a value of The golden ratio was called the extreme and mean ratio by Euclid, and the divine proportion by Luca Pacioli, and also goes by several other names. Mathematicians have studied the golden ratio's properties since antiquity. It is the ratio of a regular pentagon's diagonal to its side and thus appears in the construction of the dodecahedron and icosahedron. A golden rectangle—that is, a rectangle with an aspect ratio of \varphi—may be cut into a square and a smaller rectangle with the same aspect ratio. The golden ratio has been used to analyze the proportions of natural o ...
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In Medias Res
A narrative work beginning ''in medias res'' (, "into the middle of things") opens in the midst of the plot (cf. ''ab ovo'', ''ab initio''). Often, exposition is bypassed and filled in gradually, through dialogue, flashbacks or description of past events. For example, ''Hamlet'' begins after the death of Hamlet's father. Characters make reference to King Hamlet's death without the plot's first establishment of said fact. Since the play is about Hamlet and the revenge more so than the motivation, Shakespeare uses ''in medias res'' to bypass superfluous exposition. Works that employ ''in medias res'' often later use flashback and nonlinear narrative for exposition to fill in the backstory. In Homer's ''Odyssey'', the reader first learns about Odysseus's journey when he is held captive on Calypso's island. The reader then finds out, in Books IX through XII, that the greater part of Odysseus's journey precedes that moment in the narrative. In Homer's ''Iliad'' there are fewer fla ...
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Sebastian Of Portugal
Sebastian ( pt, Sebastião I ; 20 January 1554 – 4 August 1578) was King of Portugal from 11 June 1557 to 4 August 1578 and the penultimate Portuguese monarch of the House of Aviz. He was the son of João Manuel, Prince of Portugal, and his wife, Joanna of Austria. He was the grandson of King John III of Portugal and Holy Roman Emperor Charles V. He disappeared (presumably killed in action) in the battle of Alcácer Quibir, against the Saadians of Morocco. Sebastian I is often referred to as ''the Desired'' ( Portuguese: ''o Desejado'') or ''the Hidden'' ( Portuguese: ''o Encoberto''), as the Portuguese people longed for his return to end the decline of Portugal that began after his death. He is considered to be the Portuguese example of the King asleep in mountain legend as Portuguese tradition states his return, in a foggy dawn, in Portugal's greatest hour of need. Early life Sebastian was born shortly after eight in the morning of 20 January 1554 (the feast of Sain ...
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Tagus
The Tagus ( ; es, Tajo ; pt, Tejo ; see below) is the longest river in the Iberian Peninsula. The river rises in the Montes Universales near Teruel, in mid-eastern Spain, flows , generally west with two main south-westward sections, to empty into the Atlantic Ocean in Lisbon. Its drainage basin covers – exceeded in the peninsula only by the Douro. The river is highly used. Several dams and diversions supply drinking water to key population centres of central Spain and Portugal; dozens of hydroelectric stations create power. Between dams it follows a very constricted course, but after Almourol, Portugal it has a wide alluvial valley, prone to flooding. Its mouth is a large estuary culminating at the major port, and Portuguese capital, Lisbon. The source is specifically: in political geography, at the Fuente de García in the Frías de Albarracín municipality; in physical geography, within the notably high range, the Sistema Ibérico (Iberian System), of the ...
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Nymph
A nymph ( grc, νύμφη, nýmphē, el, script=Latn, nímfi, label=Modern Greek; , ) in ancient Greek folklore is a minor female nature deity. Different from Greek goddesses, nymphs are generally regarded as personifications of nature, are typically tied to a specific place or landform, and are usually depicted as maidens. They were not necessarily immortal, but lived much longer than human beings. They are often divided into various broad subgroups, such as the Meliae (ash tree nymphs), the Dryads (oak tree nymphs), the Naiads (freshwater nymphs), the Nereids (sea nymphs), and the Oreads (mountain nymphs). Nymphs are often featured in classic works of art, literature, mythology, and fiction. Since the Middle Ages, nymphs have been sometimes popularly associated or even confused with fairies. Etymology The Greek word has the primary meaning of "young woman; bride, young wife" but is not usually associated with deities in particular. Yet the etymology of the noun rem ...
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Theme (narrative)
In contemporary literary studies, a theme is a central topic, subject, or message within a narrative. Themes can be divided into two categories: a work's ''thematic concept'' is what readers "think the work is about" and its ''thematic statement'' being "what the work says about the subject". Themes are often distinguished from premises. The most common contemporary understanding of theme is an idea or point that is central to a story, which can often be summed in a single word (for example, love, death, betrayal). Typical examples of themes of this type are conflict between the individual and society; coming of age; humans in conflict with technology; nostalgia; and the dangers of unchecked ambition. A theme may be exemplified by the actions, utterances, or thoughts of a character in a novel. An example of this would be the thematic idea of loneliness in John Steinbeck's '' Of Mice and Men'', wherein many of the characters seem to be lonely. It may differ from the thesis—the ...
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Rhyme Scheme
A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other. An example of the ABAB rhyming scheme, from "To Anthea, who may Command him Anything", by Robert Herrick: Function in writing These rhyme patterns have various effects, and can be used to: * Control flow: If every line has the same rhyme (AAAA), the stanza will read as having a very quick flow, whereas a rhyme scheme like ABCABC can be felt to unfold more slowly. * Structure a poems message and thought patterns: For example, a simple couplet with a rhyme scheme of AABB lends itself to simpler direct ideas, because the resolution comes in the very next line. Essentially these couplets can be thought of as self-contained statements. This idea of rhyme schemes reflecting thought processes is often discussed particularly regarding sonnets. * Determine whether ...
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Canto
The canto () is a principal form of division in medieval and modern long poetry. Etymology and equivalent terms The word ''canto'' is derived from the Italian word for "song" or "singing", which comes from the Latin ''cantus'', "song", from the infinitive verb ''canere'', "to sing"."Canto"
''The Merriam-Webster Dictionary''. Retrieved 27 September 2015.
In Old Saxon poetry, Old English poetry, and poetry, the term ''
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