Orphée Et Euridice (Paer)
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Orphée Et Euridice (Paer)
''For the Monteverdi opera, see L'Orfeo, for the opera by Gluck, see Orfeo ed Euridice.'' Orphée et Euridice is a one-act opera, composed by Italian composer Ferdinando Paer in 1791, performed in French with a French-language libretto. The opera was the first stage work by Paer. After becoming Maestro di cappella ( , , ), from German (chapel) and (master), literally "master of the chapel choir", designates the leader of an ensemble of musicians. Originally used to refer to somebody in charge of music in a chapel, the term has evolved considerably in i ... in Parma, he wrote the work. Following the success of his first, he quickly moved onto his second work, ''Circe'', an opera based on the Persian Ruler Xerxes I. His 1792 opera, ''Le astuzie amorose,'' was also successful with the public. References Operas based on myths and legends 1791 operas Operas about Orpheus {{Opera-stub ...
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L'Orfeo
''L'Orfeo'' (Stattkus-Verzeichnis, SV 318) (), or ''La favola d'Orfeo'' , is a late Renaissance music, Renaissance/early Baroque music, Baroque ''favola in musica'', or List of operas by Claudio Monteverdi, opera, by Claudio Monteverdi, with a libretto by Alessandro Striggio the Younger, Alessandro Striggio. It is based on the Greek mythology, Greek legend of Orpheus, and tells the story of his descent to Hades and his fruitless attempt to bring his dead bride Eurydice back to the living world. It was written in 1607 for a court performance during the annual Carnival at Mantua. While Jacopo Peri's ''Dafne'' is generally recognised as the first work in the opera genre, and the earliest surviving opera is Peri's ''Euridice (Peri), Euridice'', ''L'Orfeo'' is the earliest that is still regularly performed. By the early 17th century the traditional intermedio—a musical sequence between the acts of a straight play—was evolving into the form of a complete musical drama or "opera". Mo ...
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Orfeo Ed Euridice
(; French: '; English: ''Orpheus and Eurydice'') is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the '' azione teatrale'', meaning an opera on a mythological subject with choruses and dancing. The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. ''Orfeo ed Euridice'' is the first of Gluck's "reform" operas, in which he attempted to replace the abstruse plots and overly complex music of ''opera seria'' with a "noble simplicity" in both the music and the drama. The opera is the most popular of Gluck's works, and was one of the most influential on subsequent German operas. Variations on its plot—the underground rescue mission in which the hero must control, or conceal, his emotions—can be found in Mozart's ''The Magic Flute'', Beethoven's ''Fidelio'', and Wagner's ''Das Rheingold''. Though originally s ...
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Ferdinando Paer
Ferdinando Paer (1 June 1771 – 3 May 1839) was an Italian composer known for his operas. He was of Austrian descent and used the German spelling Pär in application for printing in Venice, and later in France the spelling Paër. Life He was born in Parma into a family of Austrian descent. He came from a musical family. His grandfather Michael Pär was a regimental band member from Peterwardein (today Petrovaradin, part of Novi Sad). His father Giulio Paer was a trumpeter with the Ducal Bodyguards and also performed at church and court events; his mother was Francesca Cutica. He was named Ferdinando after Ferdinand I, Duke of Parma, Duke Ferdinand of Parma by Maria Amalia, Duchess of Parma, Archduchess Maria Amalia of Austria, Duke Ferdinand's wife. He studied music theory under the violinist Gasparo Ghiretti, a pupil of the Music conservatories of Naples#Conservatorio della Pietà de' Turchini, Conservatorio della Pietà de' Turchini in Naples. Career His first stage work, Or ...
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Maestro Di Cappella
( , , ), from German (chapel) and (master), literally "master of the chapel choir", designates the leader of an ensemble of musicians. Originally used to refer to somebody in charge of music in a chapel, the term has evolved considerably in its meaning and is today used for denoting the leader of a musical ensemble, often smaller ones used for TV, radio, and theatres. Historical usage In German-speaking countries during the approximate period 1500–1800, the word often designated the director of music for a monarch or nobleman. For English speakers, it is this sense of the term that is most often encountered, since it appears frequently in biographical writing about composers who worked in German-speaking countries. During that period, in Italy, the position (Italian: ''maestro di capella'') largely referred to directors of music assigned to cathedrals and sacred institutions rather than those under royal or aristocratic patronage. A Kapellmeister position was a senior one ...
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Operas Based On Myths And Legends
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western culture#Music, Western classical music, and Italian tradition in particular. Originally understood as an sung-through, entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous ...
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