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Opus (audio Format)
Opus is a Lossy audio compression, lossy audio coding format developed by the Xiph.Org Foundation and standardized by the Internet Engineering Task Force, designed to efficiently speech coding, code speech and general audio in a single format, while remaining latency (audio), low-latency enough for real-time interactive communication and low-complexity enough for low-end embedded processors. Opus replaces both Vorbis and Speex for new applications. Opus combines the speech-oriented Linear predictive coding, LPC-based SILK algorithm and the lower-latency Modified discrete cosine transform, MDCT-based CELT algorithm, switching between or combining them as needed for maximal efficiency. Bitrate, audio bandwidth, complexity, and algorithm can all be adjusted seamlessly in each frame. Opus has the low algorithmic delay (26.5 ms by default) necessary for use as part of a real-time communication link, networked music performances, and live lip sync; by trading off quality or bitrat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus Logo2
Opus (: opera) is a Latin word meaning "(a result of) work". Italian equivalents are ''opera'' (singular) and ''opere'' (plural). Opus or OPUS may refer to: Arts and entertainment Music * Opus number, (abbr. Op.) specifying order of (usually) publication, and hence applied to collections as well as individual compositions * Opus Records, a Slovak record label Bands * Opus (Austrian band), an Austrian pop-rock group * Opus (Yugoslav band), a Yugoslav progressive rock group *, Latvian music group * Pur (band), a German pop group originally known as "Opus" Albums * ''Opus'' (Opus album), 1987 album by Austrian band Opus * ''Opus'' (Schiller album), 2013 album by German music project Schiller * ''Opus'', a 2014 album by Jane Badler * ''Opus'' (Eric Prydz album), 2016 album by the electronic artist Eric Prydz ** "Opus" (Eric Prydz song), song from the eponymous album. * ''Opus'', a 2007 compilation album by Mr. Sam * ''Opus 1'' (album), 1975 album by the Yugoslav band Opus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
3-clause BSD License
BSD licenses are a family of permissive free software licenses, imposing minimal restrictions on the use and distribution of covered software. This is in contrast to copyleft licenses, which have share-alike requirements. The original BSD license was used for its namesake, the Berkeley Software Distribution (BSD), a Unix-like operating system. The original version has since been revised, and its descendants are referred to as modified BSD licenses. BSD is both a license and a class of license (generally referred to as BSD-like). The modified BSD license (in wide use today) is very similar to the license originally used for the BSD version of Unix. The BSD license is a simple license that merely requires that all code retain the BSD license notice if redistributed in source code format, or reproduce the notice if redistributed in binary format. The BSD license (unlike some other licenses e.g. GPL) does not require that source code be distributed at all. Terms In addition to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reference Implementation
In the software development process, a reference implementation (or, less frequently, sample implementation or model implementation) is a program that implements all requirements from a corresponding specification. The reference implementation often accompanies a technical standard, and demonstrates what should be considered the "correct" behavior of any other implementation of it. Characteristics and examples Reference implementations of algorithms, for instance cryptographic algorithms, are often the result or the input of standardization processes. In this function they are often dedicated to the public domain with their source code as public domain software. Examples are the first CERN's httpd, Serpent cipher, base64 variants, and SHA-3. The Openwall Project maintains a list of several algorithms with their reference source code In computing, source code, or simply code or source, is a plain text computer program written in a programming language. A programmer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Open Format
An open file format is a file format for storing digital data, defined by an openly published specification usually maintained by a standards organization, and which can be used and implemented by anyone. An open file format is licensed with an open license. For example, an open format can be implemented by both proprietary and free and open-source software, using the typical software licenses used by each. In contrast to open file formats, closed file formats are considered trade secrets. Depending on the definition, the specification of an open format may require a fee to access or, very rarely, contain other restrictions. The range of meanings is similar to that of the term open standard. Specific definitions UK government In 2012 the UK Government created the policy Open Standards Principles, stating that the Open Standards Principles apply to every aspect of government IT and that Government technology must remain open to everyone. Text was copied from this source ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lip Sync
Lip sync or lip synch (pronounced , like the word ''sink'', despite the Hard and soft C, spelling of the participial forms ''synced'' and ''syncing''), short for lip synchronization, is a technical term for matching a Speech, speaking or singing person's lip movements with sung or spoken vocals. Audio for lip syncing is generated through the sound reinforcement system in a live performance or via television, computer, cinema Loudspeaker, speakers, or other forms of Audio signal, audio output. The term can refer to any of a number of different techniques and processes, in the context of live performances and audiovisual recordings. In Filmmaking, film production, lip syncing is often part of the post-production phase. Dubbing foreign-language films and making Animation, animated characters appear to speak both require elaborate lip syncing. Many video games make extensive use of lip-synced sound files to create an immersive environment in which on-screen characters appear to be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Networked Music Performance
A networked music performance or network musical performance is a real-time interaction over a computer network that enables musicians in different locations to perform as if they were in the same room. These interactions can include performances, rehearsals, improvisation or jamming sessions, and situations for learning such as master classes. Participants may be connected by "high fidelity multichannel audio and video links" as well as MIDI data connections and specialized collaborative software tools. While not intended to be a replacement for traditional live stage performance, networked music performance supports musical interaction when co-presence is not possible and allows for novel forms of music expression. Remote audience members and possibly a conductor may also participate. History One of the earliest examples of a networked music performance experiment was the 1951 piece: “ Imaginary Landscape No. 4 for Twelve Radios” by composer John Cage. The piece “used ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modified Discrete Cosine Transform
The modified discrete cosine transform (MDCT) is a transform based on the type-IV discrete cosine transform (DCT-IV), with the additional property of being lapped: it is designed to be performed on consecutive blocks of a larger dataset, where subsequent blocks are overlapped so that the last half of one block coincides with the first half of the next block. This overlapping, in addition to the energy-compaction qualities of the DCT, makes the MDCT especially attractive for signal compression applications, since it helps to avoid artifacts stemming from the block boundaries. As a result of these advantages, the MDCT is the most widely used lossy compression technique in audio data compression. It is employed in most modern audio coding standards, including MP3, Dolby Digital (AC-3), Vorbis (Ogg), Windows Media Audio (WMA), ATRAC, Cook, Advanced Audio Coding (AAC), High-Definition Coding (HDC), LDAC, Dolby AC-4, and MPEG-H 3D Audio, as well as speech coding standards ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Linear Predictive Coding
Linear predictive coding (LPC) is a method used mostly in audio signal processing and speech processing for representing the spectral envelope of a digital signal of speech in compressed form, using the information of a linear predictive model. LPC is the most widely used method in speech coding and speech synthesis. It is a powerful speech analysis technique, and a useful method for encoding good quality speech at a low bit rate. Overview LPC starts with the assumption that a speech signal is produced by a buzzer at the end of a tube (for voiced sounds), with occasional added hissing and popping sounds (for voiceless sounds such as sibilants and plosives). Although apparently crude, this Source–filter model is actually a close approximation of the reality of speech production. The glottis (the space between the vocal folds) produces the buzz, which is characterized by its intensity (loudness) and frequency (pitch). The vocal tract (the throat and mouth) forms the tube, whi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Speex
{{More citations needed, date=May 2025 The Speex project is an attempt to create a free software speech codec, unencumbered by patent restrictions. Speex is licensed under the BSD License and is used with the Xiph.org Foundation's Ogg container format. The Speex coder uses the Ogg bitstream format, and the Speex designers see their project as complementary to the Vorbis general-purpose audio compression project. Description Unlike many other speech codecs, Speex is not targeted at cell phones but rather at voice over IP (VoIP) and file-based compression. The design goals have been to make a codec that would allow both very good quality speech and low bit rate, which led to the development of a codec with multiple bit rates. Very good quality also meant the support of wideband (16 kHz sampling rate) in addition to narrowband (telephone quality, 8 kHz sampling rate). Designing for VoIP instead of cell phone use means that Speex must be robust to lost packets, but not to cor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vorbis
Vorbis is a free and open-source software project headed by the Xiph.Org Foundation. The project produces an audio coding format and software reference encoder/decoder ( codec) for lossy audio compression, libvorbis. Vorbis is most commonly used in conjunction with the Ogg container format and it is therefore often referred to as Ogg Vorbis. Version 1.0 of Vorbis was released in May 2000. Since 2013, the Xiph.Org Foundation has stated that the use of Vorbis should be deprecated in favor of the Opus codec, an improved and more efficient format that has also been developed by Xiph.Org. Name Vorbis is named after the character Exquisitor Vorbis in the '' Discworld'' novel '' Small Gods'' by Terry Pratchett. The Ogg format is named after ''ogging'', jargon from the computer game '' Netrek''. Development Vorbis is a continuation of audio compression development started in 1993 by Chris Montgomery. Intensive development began following a September 1998 letter from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ars Technica
''Ars Technica'' is a website covering news and opinions in technology, science, politics, and society, created by Ken Fisher and Jon Stokes in 1998. It publishes news, reviews, and guides on issues such as computer hardware and software, science, technology policy, and video games. ''Ars Technica'' was privately owned until May 2008, when it was sold to Condé Nast Digital, the online division of Condé Nast Publications. Condé Nast purchased the site, along with two others, for $25 million and added it to the company's ''Wired'' Digital group, which also includes '' Wired'' and, formerly, Reddit. The staff mostly works from home and has offices in Boston, Chicago, London, New York City, and San Francisco. The operations of ''Ars Technica'' are funded primarily by advertising, and it has offered a paid subscription service since 2001. History Ken Fisher, who serves as the website's current editor-in-chief, and Jon Stokes created ''Ars Technica'' in 1998. Its purpose was t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latency (audio)
Latency refers to a short period of delay (usually measured in milliseconds) between when an audio signal enters a system, and when it emerges. Potential contributors to latency in an audio system include analog-to-digital conversion, buffering, digital signal processing, transmission time, digital-to-analog conversion, and the speed of sound in the transmission medium. Latency can be a critical performance metric in professional audio including sound reinforcement systems, foldback systems (especially those using in-ear monitors) live radio and television. Excessive audio latency has the potential to degrade call quality in telecommunications applications. Low latency audio in computers is important for interactivity. Telephone calls In all systems, latency can be said to consist of three elements: codec delay, playout delay and network delay. Latency in telephone calls is sometimes referred to as delay; the telecommunications industry also uses the term ''quality of exp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
