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Olympic Theatre, New York
Olympic Theatre was the name of five former 19th and early 20th-century theatres on Broadway in Manhattan and in Brooklyn, New York. First Olympic Theatre (1800–1821) Although perhaps best known as the Anthony Street Theatre, the first theatre in New York to bear the name Olympic (for only one year, in 1812–1813) was on 79–85 Anthony Street (later renamed Worth Street) in Manhattan. Converted in 1800 from a former circus building, it was named the Olympic Theatre in July 1812 under the management of actor-manager William Twaits along with Alexander Placide and Jean Baptiste Casmiere Breschard. Twaits and Placide had come to New York after the disastrous Richmond Theatre fire in Richmond, Virginia, where they had been co-managers of the Richmond Theatre. The Olympic was due to open with a production led by Charlotte Melmoth and Twaits, but while travelling to fulfil this engagement Melmoth was involved in a carriage accident, resulting in a severe fracture to her arm that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olympic Theatre, From Robert N
Olympic or Olympics may refer to Sports Competitions * Olympic Games, international multi-sport event held since 1896 ** Summer Olympic Games ** Winter Olympic Games * Ancient Olympic Games, ancient multi-sport event held in Olympia, Greece between 776 BC and 393 AD * Olympic (greyhounds), a competition held annually at Brighton & Hove Greyhound Stadium Clubs and teams * Adelaide Olympic FC, a soccer club from Adelaide, South Australia * Fribourg Olympic, a professional basketball club based in Fribourg, Switzerland * Sydney Olympic FC, an Australian soccer club * Olympic Club (Barbacena), a Brazilian football club based in Barbacena, Minas Gerais state * Olympic Mvolyé, a Cameroonian football club based in Mvolyé * Olympic Club (Egypt), a football and sports club based in Alexandria * Blackburn Olympic F.C., an English football club based in Blackburn, Lancashire * Rushall Olympic F.C., an English football club based in Rushall * FC Olympic Tallinn, an Estonian foot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Internet Broadway Database
The Internet Broadway Database (IBDB) is an online database of Broadway theatre productions and their personnel. It was conceived and created by Karen Hauser in 1996 and is operated by the Research Department of The Broadway League, a trade association for the North American commercial theatre Theatre or theater is a collaborative form of performing art that uses live performers, usually actors to present experiences of a real or imagined event before a live audience in a specific place, often a Stage (theatre), stage. The performe ... community. History Karen Hauser, research director for the Broadway League, developed the Internet Broadway Database, which was launched in 1996 or 2001. Prior to that, she served as the League's media director. She has written on the economic health of Broadway and how it contributes to New York City's economy as well as that of the cities that touring productions visit. Hauser co-produced the 2000 production of Keith Reddin's ''The Perp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burlesque
A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects."Burlesque" ''Oxford English Dictionary'', , accessed 16 February 2011 The word is loaned from French and derives from the Italian ', which, in turn, is derived from the Italian ' – a joke, ridicule or mockery. Burlesque overlaps with , and [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zampa
''Zampa'','' ou La fiancée de marbre'' (''Zampa, or the Marble Bride'') is an opéra comique in three acts by French composer Ferdinand Hérold, with a libretto by Mélesville. The overture to the opera is one of Hérold's most famous works and is a staple of orchestral repertoire. Performance history ''Zampa'' was first performed in Paris on 3 May 1831 at the Opéra-Comique (Salle Ventadour), where it became popular, achieving 500 performances by 1877. In the 20th century however, it faded from the repertoire. It was also popular in Germany and Italy; in the latter the spoken dialogue was replaced by recitatives. It was first performed in the United States on 16 February 1833 at the Théâtre d'Orléans in New Orleans, and in the United Kingdom on 19 April 1833 at the Her Majesty's Theatre, King's Theatre in London. The opera was revived at the Opéra-Comique in March 2008 under William Christie (musician), William Christie in a production by Macha Makeïeff and Jérôme Desc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Planché
James Robinson Planché (27 February 1796 – 30 May 1880) was a British dramatist, antiquary and officer of arms. Over a period of approximately 60 years he wrote, adapted, or collaborated on 176 plays in a wide range of genres including extravaganza, farce, comedy, burletta, melodrama and opera. Planché was responsible for introducing historically accurate costume into nineteenth century British theatre, and subsequently became an acknowledged expert on historical costume, publishing a number of works on the topic. Planché's interest in historical costume led to other antiquarian research, including heraldry and genealogy. He was elected a Society of Antiquaries of London, Fellow of the Society of Antiquaries in 1829, and was influential in the foundation of the British Archaeological Association in 1843. Appointed Rouge Croix Pursuivant in 1854 and promoted to Somerset Herald in 1866, Planché undertook heraldic and ceremonial duties as a member of the College of Arms. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Dance (playwright)
Charles Dance (1794–1863) was an English playwright active in the early 19th century. Biography Dance was the son of George Dance, architect. During thirty years he was in the office of the late insolvent debtors' court, in which he was successively registrar, taxing officer, and chief clerk, retiring ultimately upon a superannuation allowance. Alone or in collaboration with James Planché or others he wrote many pieces, chiefly of the lightest description, which were produced at the Olympic or other theatres. So great was his success in supplying Madame Vestris with extravaganzas that he was spoken of as a founder of a new order of burlesque. His pieces, which are mostly printed in Lacy's ‘Acting Edition of Plays,’ John Duncombe's ‘British Theatre,’ Webster's ‘Acting National Drama,’ and John Miller's ‘Modern Acting Drama,’ cover a period of nearly a quarter of a century. Some of his comediettas or farces, as ''The Bengal Tiger'', ''Delicate Ground'', ''A M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Christy
George N. Christy (born George Harrington, November 6, 1827 – May 12, 1868) was one of the leading blackface performers during the early years of the blackface minstrel show in the 1840s. Born in Palmyra, New York, his career began as a star performer with his stepfather Edwin Pearce Christy's troupe Christy's Minstrels; in two and a half years with them he earned $19,680, a fortune for those times. Jim Comer credits him with inventing "the line", the structured grouping that constituted the first act of the standardized 3-act minstrel show, with the interlocutor in the middle and "Mr. Tambo" and "Mr. Bones" on the ends.It is possible that he has him confused with E.P. Christy. He died in New York City from cerebral edema Cerebral edema is excess accumulation of fluid ( edema) in the intracellular or extracellular spaces of the brain. This typically causes impaired nerve function, increased pressure within the skull, and can eventually lead to direct compres ... in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minstrel Show
The minstrel show, also called minstrelsy, was an American form of theater developed in the early 19th century. The shows were performed by mostly white actors wearing blackface makeup for the purpose of portraying racial stereotypes of African Americans. There were very few African-American performers and black-only minstrel groups that also formed and toured. Minstrel shows stereotyped blacks as dimwitted, lazy, buffoonish, cowardly, superstitious, and happy-go-lucky.The Coon Character , Jim Crow Museum of Racist Memorabilia, Ferris State University. Retrieved 29 January 2016.John Kenrick , musicals101.com. 1996, revised 2003. Retrieved 9 November 2011. A recurring character was Jim Crow, an exaggerated portray ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Kenrick (theatre Writer)
John Kenrick (born October 3, 1959) is an American author, teacher and theatre and film historian. Kenrick is an adjunct teacher of musical theatre history at New York University, Brind School – University of the Arts (Philadelphia) and The New School, and lectures frequently on the subject elsewhere. His 2008 book ''Musical Theatre: A History'' is a comprehensive history of musical theatre from ancient times to the present. Kenrick is the curator of the extensive musical theatre and film website ''Musicals101.com: The Cyber Encyclopedia of Musical Theatre, TV and Film'' Life and career Kenrick was born and raised in Astoria, New York. He attended Monsignor McClancy Memorial High School and then Cathedral College of the Immaculate Conception in Douglaston, New York, studying English and theology.Crimmins, Cathy E. ''How the Homosexuals Saved Civilization'' (2004) Penguin Group (US) In the 1980s and 1990s, Kenrick worked first as a teacher and then in theatrical production ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amilie, Or The Love Test
''Amilie, or the Love Test'' is an opera in three acts by the Irish composer, William Michael Rooke, to a libretto by John Thomas Haines. Background Although written around 1818 in Dublin, the opera was not performed until almost twenty years later, at Covent Garden Theatre, London, on 2 December 1837.Oxford Music Online, ''Rooke, William Michael'' The music critic George Hogarth considered that the work displayed "genius, learning, taste, and a rich vein of melody, flowing, graceful and expressive", whilst the orchestral writing was "skillful and beautiful". The role of Amilie was played by the soprano Jane Shirreff (1811–1883). The ''Musical Review'' was not so complimentary, quoting the London correspondent of the ''New York Mirror'': although conceding that "the music ..is of a superior description", he added that "the plot is almost unintelligible" and that "vocal talent is at a miserably low ebb." The production's success however led to further performances elsewhere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victorian Burlesque
Victorian burlesque, sometimes known as travesty or extravaganza, is a genre of theatrical entertainment that was popular in Victorian England and in the New York theatre of the mid-19th century. It is a form of parody in which a well-known opera or piece of classical theatre or ballet is adapted into a broad comic play, usually a musical play, usually risqué in style, mocking the theatrical and musical conventions and styles of the original work, and often quoting or pastiching text or music from the original work. Victorian burlesque is one of several forms of burlesque. Like ballad opera, burlesques featured musical scores drawing on a wide range of music, from popular contemporary songs to operatic arias, although later burlesques, from the 1880s, sometimes featured original scores. Dance played an important part, and great attention was paid to the staging, costumes and other spectacular elements of stagecraft, as many of the pieces were staged as extravaganzas. Many o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olympic Theatre (London)
The Olympic Theatre, sometimes known as the Royal Olympic Theatre, was a 19th-century London theatre, opened in 1806 and located at the junction of Drury Lane, Wych Street and Newcastle Street. The theatre specialised in comedies throughout much of its existence. Along with three other Victorian era, Victorian theatres (Opera Comique, Globe Theatre (Newcastle Street), Globe and Gaiety Theatre, London, Gaiety), the Olympic was eventually demolished in 1904 to make way for the development of the Aldwych. Newcastle and Wych streets also vanished. 1806-1849: Early days and Madame Vestris The first Olympic theatre was built in 1806 on the site of Drury House (later Craven House), for the impresario Philip Astley, a retired cavalry officer. The original name of the house was the Olympic Pavilion. It was said to be built from the timbers of the French warship ''French ship Ville de Paris (1764), Ville de Paris''. It opened on 1 December 1806 [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
