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Ohara-ryū
is a school of ''Ikebana'', or Japan Japan is an island country in East Asia. Located in the Pacific Ocean off the northeast coast of the Asia, Asian mainland, it is bordered on the west by the Sea of Japan and extends from the Sea of Okhotsk in the north to the East China Sea ...ese floral art. History Ohara Unshin (小原雲心) (1861–1916) started his own Ikebana school in 1895 when Japan opened up its economy to the West and began to import European flowers. The official founding date was in 1912. For the purpose of this art form, he developed shallow, circular, ceramic vases, which became known as the '' moribana'' style. Ohara's son Koun (小原光雲) (1880–1938) invented a descriptive teaching method and moved from individual lessons to group classes. For the first time, teaching certificates were awarded to women. Under Houn's guidance, the school grew. Its headquarters were in Tokyo and Kobe, with other centers in New York and São Paulo. He developed ...
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Ikebana Exhibition At Meguro Gajoen 2018 01
is the Japanese art of flower arrangement. It is also known as . The origin of ikebana can be traced back to the ancient Japanese custom of erecting evergreen trees and decorating them with flowers as yorishiro () to invite the gods. Later, flower arrangements were instead used to adorn the (alcove) of a traditional Japanese home. is counted as one of the three classical Japanese arts of refinement, along with for incense appreciation and for tea and the tea ceremony. Etymology The term comes from the combination of the Japanese and . Possible translations include and . History The pastime of viewing plants and appreciating flowers throughout the four seasons was established in Japan early on from the aristocracy. poetry anthologies such as the and from the Heian period (794–1185) included many poems on the topic of flowers. With the introduction of Buddhism, offering flowers at Buddhist altars became common. Although the lotus is widely used in India ...
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Ikebana
is the Japanese art of flower arrangement. It is also known as . The origin of ikebana can be traced back to the ancient Japanese custom of erecting Evergreen, evergreen trees and decorating them with flowers as yorishiro () to invite the gods. Later, flower arrangements were instead used to adorn the (alcove) of a traditional Japanese home. is counted as one of the three classical Japanese arts of refinement, along with for incense appreciation and for tea and the tea ceremony. Etymology The term comes from the combination of the Japanese and . Possible translations include and . History The pastime of viewing plants and appreciating flowers throughout the four seasons was established in Japan early on from the aristocracy. poetry anthologies such as the and from the Heian period (794–1185) included many poems on the topic of flowers. With the introduction of Japanese Buddhism, Buddhism, offering flowers at Buddhist altars became common. Although the l ...
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Moribana
''Moribana'' (盛り花, 盛花) is one of the expressions of Japanese flower arrangement ''Ikebana''. The word ''Moribana'' means "full bloom flowers". History This style was introduced by Ohara Unshin around 1890 after the Meiji Restoration of 1868. ''Moribana'' is not only an expression of Ohara’s creative departure from '' Ikenobo'', but was also a strong sign of the Western influence in Japan. The arranged flowers may be placed in Western-style rooms and entranceways, not just in the ''tokonoma'' alcove found in traditional Japanese-style rooms. While distinctly a hallmark of the Ohara school, ''moribana'' has become one of the standard forms learned and created by ''Ikebana'' practitioners regardless of school or style affiliation. ''Moribana'' is often associated with '' nageire'', and although the two styles share similarities, their historic development is different, ''nageire'' being older. Description ''Moribana'' uses one or more clusters of arrangements in ' ...
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Nageirebana
''Nageirebana'' (抛入花), later also known as simply ''nageire'' (抛入 "thrown in"), is a style of ''ikebana''. It is also known as ''Heika'' (瓶花). History ''Nageirebana'' has its roots reaching far back to the beginning as a casual style of arranging flowers, in contrast to the more regulated ''Tatehana'' of Buddhist altars, which later evolved into the ''Rikka''. It is associated with the later legendary story of a ''samurai''. The legend states that a ''samurai'', bored on a hot summer day, threw plant material into the small opening of a tall, deep vase on the opposite corner of the room. Thus this style received its name. This form utilizes fresh and spontaneous designs that adhere only loosely to the classical principles of triangular structure and color harmony. Therefore, ''nageirebana'' is less formal than ''rikka'', which was developing around the same time. ''Nageirebana'' was also practiced and around the time that ''chabana'' and ''seika'' were developing ...
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:Category:Japanese Words And Phrases
{{Commons Words and phrases by language Words Words Words A word is a basic element of language that carries meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consensus among linguists on its ...
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Japan
Japan is an island country in East Asia. Located in the Pacific Ocean off the northeast coast of the Asia, Asian mainland, it is bordered on the west by the Sea of Japan and extends from the Sea of Okhotsk in the north to the East China Sea in the south. The Japanese archipelago consists of four major islands—Hokkaido, Honshu, Shikoku, and Kyushu—and List of islands of Japan, thousands of smaller islands, covering . Japan has a population of over 123 million as of 2025, making it the List of countries and dependencies by population, eleventh-most populous country. The capital of Japan and List of cities in Japan, its largest city is Tokyo; the Greater Tokyo Area is the List of largest cities, largest metropolitan area in the world, with more than 37 million inhabitants as of 2024. Japan is divided into 47 Prefectures of Japan, administrative prefectures and List of regions of Japan, eight traditional regions. About three-quarters of Geography of Japan, the countr ...
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Floral Design
Floral design or flower arrangement is the art of using plant material and flowers to create an eye-catching and balanced composition or display. Evidence of refined floral design is found as far back as the culture of ancient Egypt. Floral designs, called arrangements, incorporate the Floral design#Design, five elements and seven principles of floral design.Book of Floral Terminology, AIFD Floral design is considered a section of floristry. But floral design pertains only to the design and creation of arrangements. It does not include the marketing, merchandising, caring of, growing of, or delivery of flowers. Common flower arrangements in floral design include vase arrangements, wreaths, nosegays, garland (decoration), garlands, festoons, boutonnieres, corsages, and flower bouquet, bouquets. History The Eastern, Western, and European styles have all influenced the commercial floral design industry as it is today. Western design historically is characterized by symmetrical ...
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Rimpa
is one of the major historical schools of Japanese painting. It was created in 17th century Kyoto by Hon'ami Kōetsu (1558–1637) and Tawaraya Sōtatsu (d. c.1643). Roughly fifty years later, the style was consolidated by brothers Ogata Kōrin (1658–1716) and Ogata Kenzan (1663–1743). The term "Rinpa" is an abbreviation consisting of the last syllable from "Kōrin" with the word for (with rendaku changing this to "pa"), coined in the Meiji period. Previously, the style was referred to variously as the , or , or the . History Hon'ami Kōetsu founded an artistic community of craftsmen supported by wealthy merchant patrons of the Nichiren Buddhist sect at Takagamine in northeastern Kyoto in 1615. Both the affluent merchant town elite and the old Kyoto aristocratic families favored arts which followed classical traditions, and Kōetsu obliged by producing numerous works of ceramics, calligraphy and lacquerware. His collaborator, Tawaraya Sōtatsu, maintained an atelier ...
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Bunjin
, also known as , was a school of Japanese painting which flourished in the late Edo period among artists who considered themselves literati, or intellectuals. While each of these artists was, almost by definition, unique and independent, they all shared an admiration for traditional Chinese culture. Their paintings, usually in monochrome black ink, sometimes with light color, and nearly always depicting Chinese landscapes or similar subjects, were patterned after Chinese literati painting, called ''wenrenhua'' () in Chinese. Etymology The name ''nanga'' is an abbreviation of ''nanshūga'', referring to the Southern School () of Chinese painting, which is also called " literati painting" (). History Chinese literati painting focused on expressing the rhythm of nature, rather than the technical realistic depiction of it. At the same time, however, the artist was encouraged to display a cold lack of affection for the painting, as if he, as an intellectual, was above caring d ...
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Byōbu
are Japanese folding screens made from several joined panels, bearing decorative painting and calligraphy, used to separate interiors and enclose private spaces, among other uses. History are originated in Han dynasty China and are thought to have been imported to Japan in the 7th or 8th century (Nara period). The oldest surviving produced in Japan, the , produced in the 8th century, is kept in the Shōsōin Treasure Repository. Nara-period retained their original form of a single, free-standing, legged panel. In the 8th century, multi-paneled made their appearance, and were used as furnishings in the imperial court, mainly in important ceremonies. Schools like Shoga, Kano, Tosa, Maruyama and Rimpa produced painted fusuma (cupboard door panel painting) over many generations for the decoration of private homes and castles. The six-paneled were the most common in the Nara period, and were covered in silk and connected with leather or silk cords. The painting on each p ...
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