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Odessa (Bee Gees Album)
''Odessa'' is the sixth studio album by the Bee Gees, a double vinyl LP record, LP released in February 1969 in the US and March 1969 in the UK, initially in an opulent red flocked cover with gold lettering. Despite reaching the UK top ten and the US top 20, the album was not particularly well-received, though now is regarded by many as the most significant of the group's 1960s albums. An ambitious project, originally intended as a concept album on the loss of a fictional ship in 1899, it created tension and disagreements in the band regarding the work's direction; finally, a dispute over which song to release as a single led to Robin Gibb temporarily leaving the group. Released by Polydor Records in the UK and Atco Records in the US, ''Odessa'' was the group's fourth album released internationally, and their only double album of original music. It would be the final Bee Gees album to include guitarist Vince Melouney. The album includes the 1969 hit single "First of May (Bee Gee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bee Gees
The Bee Gees were a musical group formed in 1958 by brothers Barry Gibb, Barry, Robin Gibb, Robin, and Maurice Gibb. The trio was especially successful in popular music in the late 1960s and early 1970s, and later as prominent performers in the disco music era in the mid-to-late 1970s. The group sang recognisable three-part Close and open harmony, tight harmonies: Robin's clear vibrato lead vocals were a hallmark of their earlier hits, while Barry's Rhythm and blues, R&B falsetto became their signature sound during the mid-to-late 1970s and 1980s. The group wrote all their own original material, as well as writing and producing several major hits for other artists, and are regarded as one of the most important and influential acts in pop-music history. They have been referred to in the media as Honorific nicknames in popular music, The Disco Kings, Britain's First Family of Harmony, and The Kings of Dance Music. Born on the Isle of Man to English parents, the Gibb brothers li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
LP Record
The LP (from long playing or long play) is an Analog recording, analog sound storage medium, specifically a phonograph record format characterized by: a speed of revolutions per minute, rpm; a 12- or 10-inch (30- or 25-cm) diameter; use of the "microgroove" groove specification; and a vinyl (a copolymer of vinyl chloride acetate) composition disk. Introduced by Columbia Records in 1948, it was soon adopted as a new standard by the entire US record industry and, apart from a few relatively minor refinements and the important later addition of stereophonic sound in 1957, it remained the standard format for record albums during a period in popular music known as the album era. LP was originally a trademark of Columbia and competed against the smaller 7-inch sized Single (music), "45" or "single" format by RCA Victor, eventually ending up on top. Today in the vinyl revival era, a large majority of records are based on the LP format and hence the LP name continues to be in use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I've Gotta Get A Message To You
"I've Gotta Get a Message to You" is a song by the Bee Gees. Released as a single in 1968, it was their second number-one hit in the UK Singles Chart, and their first US Top 10 hit. Barry Gibb re-recorded the song with Keith Urban for his 2021 album ''Greenfields''. Writing and recording The song is about a man who, awaiting his execution in the electric chair, begs the prison chaplain to pass a final message on to his wife.''Tales Of The Brothers Gibb'', First Edition, Omnibus Press, 2000. Robin Gibb, who wrote the lyrics, said that the man's crime was the murder of his wife's lover, though the lyrics do not explicitly allude to the identity of the victim. Robin said, "This is about a prisoner on Death Row who only has a few hours to live. He wants the prison chaplain to pass on a final message to his wife. There's a certain urgency about it. Myself and Barry wrote it. It's a bit like writing a script. Sometimes you can sit there for three hours with your guitar and nothing w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Laugh In Your Face
"I Laugh in Your Face" is a ballad performed by the Bee Gees, written by Barry, Robin & Maurice Gibb and released in March 1969 on the album ''Odessa''. Most of the vocals are performed by Barry Gibb except for a short central section sung by Robin Gibb. It was recorded on July 12, 1968. the same day as the band recorded their hit song "I've Gotta Get a Message to You". The mono mix made at this time, when it was presumably intended as the B-side of "Message", was released in 2009 on the ''Sketches for Odessa'' disc that accompanied the remastered edition of the album. Its demo version, recorded the same day, also featured on the ''Sketches'' disc. Personnel * Barry Gibb — lead and harmony vocal, guitar * Robin Gibb — lead and harmony vocal * Maurice Gibb — bass, piano, guitar, harmony vocal * Colin Petersen — drums The drum is a member of the percussion instrument, percussion group of musical instruments. In the Hornbostel–Sachs classification system, it is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Marbles (duo)
The Marbles were an English rock duo that consisted of Graham Bonnet and Trevor Gordon, who operated between 1968 and 1969. Their only well-known singles were " Only One Woman" and " The Walls Fell Down". They also became associated with the Bee Gees members Barry, Robin and Maurice Gibb at that time. "Only One Woman" reached number 5 in the UK Singles Chart in November 1968. The duo disbanded in 1969. Shortly after their split, in 1970, they released their only self-titled album. History Bonnet and Gordon were cousins. They were born in Skegness, Lincolnshire, England, although his webpage, In Memory Of, states Gordon was born 18 May 1948, in Blackpool, Lancashire, England. While Bonnet stayed in England, Gordon grew up in Australia where he met the Bee Gees for the first time in 1964, on which Gordon recorded "House Without Windows" and "And I'll Be Happy"; both songs were written by Barry Gibb. In 1965, Gordon recorded two other Barry Gibb compositions: "Little Miss Rh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soul Music
Soul music is a popular music genre that originated in African-American culture, African-American African-American neighborhood, communities throughout the United States in the late 1950s and early 1960s. Catchy rhythms, stressed by handclaps and extemporaneous body movements, are an important hallmark of soul. Other characteristics are a Call and response (music), call and response between the lead and Backing vocalist, backing vocalists, an especially tense vocal sound, and occasional Musical improvisation, improvisational additions, twirls, and auxiliary sounds. Soul music is known for reflecting African-American identity and stressing the importance of African-American culture. Soul has its roots in African-American gospel music and rhythm and blues, and primarily combines elements of gospel, R&B and jazz. The genre emerged from the power struggle to increase black Americans' awareness of their African ancestry, as a newfound consciousness led to the creation of music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1001 Albums You Must Hear Before You Die
''1001 Albums You Must Hear Before You Die'' is a musical reference book first published in 2005 by Universe Publishing. Part of the ''1001 Before You Die'' series, it compiles writings and information on albums chosen by a panel of music critics to be the most important, influential, and best in popular music between the 1950s and the 2010s. The book is edited by Robert Dimery, an English writer and editor who had previously worked for magazines such as '' Time Out'' and '' Vogue''. Each entry in the book's roughly chronological list of albums is accompanied by a short essay written by a music critic, along with pictures, quotes, and additional information (such as the album's running time and producer). Compilations of various artists, and most film soundtracks, are excluded. Selection and sorting methodology In the book's introduction, general editor Robert Dimery notes that the selections were also intended to bring attention to gifted songwriters. Joni Mitchell, Elvis Cos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Best Of Bee Gees, Volume 2
''Best of Bee Gees Vol. 2'' is a compilation album of hits by the Bee Gees released in 1973. The album, briefly revived on CD in the late 1980s, went out of print, but was reissued by Rhino in November 2008. Whereas the original '' Best of Bee Gees'' had focused on songs that had been major hits for the group in America and/or the United Kingdom up to 1969, this follow-up collection featured 1969–72 chart hits and also album tracks from their late-1960s albums '' Horizontal'', ''Idea'' and ''Odessa'', plus " Morning of My Life" – which featured on the soundtrack of the 1971 film ''Melody'' – and Robin Gibb's big 1969 non-US solo hit Saved by the Bell. The album featured nothing from '' Bee Gees' 1st'', which had already been represented by five tracks on the earlier compilation. The front cover featured a group photograph from the same photoshoot that had been sourced for the front cover of their ''Life in a Tin Can'' album released earlier in 1973, despite the fact th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melody Fair
"Melody Fair" is a song by the Bee Gees, written by Barry, Robin & Maurice Gibb in 1968 and released in 1969 on their album ''Odessa''. It was not released as a single, but this song was played on many radio stations, and was a hit in Japan. Andy Gibb's 1974 group, named Melody Fayre was named after this song. It also featured as the theme to ''Melody'', a British film featuring a number of Bee Gees songs in its soundtrack. Writing and recording According to Barry Gibb, "I think 'Melody Fair' was written in the studio, we used to write a lot of stuff on the spot in the studio. We often used to go to recording studios without any songs at all. Because the time was booked ndwe had to be there. So we'd turn up at seven at night, and we'd basically start writing and cutting the backing track of a song that wasn't finished. We would just create it in that way. A lot of albums were done in a month or five weeks. The first one was three weeks, 'Melody Fair' was probably influenced by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marley Purt Drive
"Marley Purt Drive" is a song recorded by the Bee Gees, It was written by Barry, Robin & Maurice Gibb and released in March 1969 on the album ''Odessa''. It was released in stereo in the United States in January and its mono version was released in the United Kingdom in March. The remastered version of this song was released on 27 February 2009 on Reprise Records. Originally titled "Marley Purt Drive (Area Code 213)", the song is about a married man in poverty with fifteen children who takes a drive out to Pasadena one Sunday to get some relief from the situation only to return and find he now has twenty more children to look after, thus creating "An orphanage ith35 kids. Recording and structure For the recording of the song, the basic instrumental line-up of Barry and Maurice Gibb, Vince Melouney and Colin Petersen were joined by bluegrass musician Bill Keith on banjo. This song was recorded in New York City at Atlantic Studios. Two recordings are available, the earlier of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vince Melouney
Vincent Melouney (born 18 August 1945) is an Australian musician. He is best known as an official member of the Bee Gees from 1967 to 1969 during the group's initial period of worldwide success. Before becoming a member of the Bee Gees in March 1967, he founded the bands The Vibratones (1963), The Aztecs (1964), Vince And Tony's Two (1965), and The Vince Maloney Sect (1966). Billy Thorpe later joined The Aztecs. Melouney assembled the Australian "supergroup" Fanny Adams in 1970. Along with Tony Worsley and The Blue Jays in 1965, Ashton, Gardner and Dyke in 1969, and The Cleves in 1971, he also had brief stints with each group. Early life Vince Melouney was born in Sydney on 18 August 1945 and attended Normanhurst Boys High School from 1958 to 1961. Maloney was a founding member of Billy Thorpe & the Aztecs, whose cover of "Poison Ivy" kept The Beatles from the Number 1 spot on the Sydney music charts at the very moment that the Fab Four was making its first and only tou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Album
A double album (or double record) is an audio album that spans two units of the primary medium in which it is sold, typically either records or compact disc. A double album is usually, though not always, released as such because the recording is longer than the capacity of the medium. Recording artists often think of double albums as being a single piece artistically; however, there are exceptions, such as John Lennon's '' Some Time in New York City'' (which consisted of one studio record and one live album packaged together), OutKast's '' Speakerboxxx/The Love Below'' (effectively two solo albums, one by each member of the duo), and Red Hot Chili Peppers' '' Stadium Arcadium'' (which Disc 1 has half of the album and Disc 2 has the other half). Since the advent of the compact disc, albums are sometimes released with a bonus disc featuring additional material as a supplement to the main album, with live tracks, studio out-takes, cut songs, or older unreleased material. One inn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
