O Mensch, Bewein Dein Sünde Groß
"" (O man, bewail thy sin so great) is a Lutheranism, Lutheran Passion hymn with a text written by Sebald Heyden in 1530. The author reflects the Passion of Jesus, based on the Four Evangelists, originally in 23 stanzas. The lyrics were written for an older melody, "Es sind doch selig alle, die im rechten Glauben wandeln" (Johannes Zahn, Zahn No. 8303). The first and last stanzas have appeared in 11 hymnals. Catherine Winkworth translated it as "O man, thy grievous sin bemoan". The hymn has been used in Passion (music), Passion music and is known in Bach's setting as a chorale fantasia closing Part I of his ''St Matthew Passion''. Hymn Sebald originally wrote a reflection of the Passion of Jesus based on the four gospels in 23 stanzas of 12 lines each. The original title begins "Der Passion auß den vier Evangelisten" (The Passion from the Four Evangelists). It reflects the Passion, narrating the Stations of the Cross and adding the context of ''Heilsbedeutung'' (meaning fo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Passion Hymn
Passion hymns are hymns dedicated to the Passion of Jesus. They are often sung during Passiontide, namely for Maundy Thursday and Good Friday. Many of them were used as chorales in Passion (music), Passions, such as Bach's St John Passion structure, St John and St Matthew Passion structure, St Matthew Passion. List of Passion hymns References [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Lutheran Hymns
Lutheranism is a major branch of Protestantism that emerged under the work of Martin Luther, the 16th-century German friar and reformer whose efforts to reform the theology and practices of the Catholic Church launched the Reformation in 1517. The Lutheran Churches adhere to the Bible and the Ecumenical Creeds, with Lutheran doctrine being explicated in the Book of Concord. Lutherans hold themselves to be in continuity with the apostolic church and affirm the writings of the Church Fathers and the first four ecumenical councils. The schism between Roman Catholicism and Lutheranism, which was formalized in the Edict of Worms of 1521, centered around two points: the proper source of authority in the church, often called the formal principle of the Reformation, and the doctrine of justification, the material principle of Lutheran theology. Lutheranism advocates a doctrine of justification "by Grace alone through faith alone on the basis of Scripture alone", the do ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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16th-century Hymns In German
The 16th century began with the Julian year 1501 (represented by the Roman numerals MDI) and ended with either the Julian or the Gregorian year 1600 (MDC), depending on the reckoning used (the Gregorian calendar introduced a lapse of 10 days in October 1582). The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion of the new sciences, invented the first thermometer and made substantial contributions in the fields of phy ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sankt-Bach-Passion
''Sankt-Bach-Passion'' (Saint Bach Passion) is an oratorio composed by Mauricio Kagel in 1985 for the tricentenary of the birth of Johann Sebastian Bach. It follows the model of Bach's Passions, but the topic is not biblical, rather refers to Bach's biography. The text includes documents such as Bach's letters to patrons, and excerpts from contemporary biographies. The work is an extended oratorio for soloists, choir, and orchestra. It was premiered in Berlin in 1985, conducted by the composer, and recorded shortly afterwards by the same performers. History Mauricio Kagel received the commission for ''Sankt-Bach-Passion'' in 1981. He conceived a work which follows the model of Bach's Passions, but referring to Bach's biography, which is told in contemporary texts, such as his letters to patrons, and excerpts from biographies. Kagel set the text as an oratorio for soloists ( mezzosoprano, tenor, and baritone), a narrator, children's choir and choir, organ and orchestra, taking as ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mauricio Kagel
Mauricio Raúl Kagel (; 24 December 1931 – 18 September 2008) was an Argentine-German composer and academic teacher. Life and career Early life and education Mauricio Raúl Kagel was born on 24 December 1931 in Buenos Aires, Argentina, into an Ashkenazi Jewish family that had fled Russia in the 1920s. He studied music, history of literature, and philosophy in Buenos Aires. In 1957 he moved to Cologne, West Germany, where he lived until his death. As teacher From 1960–66 and 1972–76 Kagel taught at the Darmstädter Ferienkurse. He also taught from 1964–65 at the University at Buffalo as the visiting Slee Professor of music theory. At the Berlin Film and Television Academy he was a visiting lecturer. He served as director of courses for new music in Gothenburg and Cologne. He was professor for new music theatre at the Köln Hochschule from 1974–97. Among his students were Moya Henderson, Kevin Volans, Maria de Alvear, Carola Bauckholt, Branimir Krstić, David Saw ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bach O Mensch Bewein
Johann Sebastian Bach (German: �joːhan zeˈbasti̯an baχ ( – 28 July 1750) was a German composer and musician of the late Baroque period. He is known for his prolific output across a variety of instruments and forms, including the orchestral ''Brandenburg Concertos''; solo instrumental works such as the cello suites and sonatas and partitas for solo violin; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the ' and the Toccata and Fugue in D minor; and choral works such as the '' St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach Revival, he has been widely regarded as one of the greatest composers in the history of Western music. The Bach family had already produced several composers when Johann Sebastian was born as the last child of a city musician, Johann Ambrosius, in Eisenach. After being orphaned at age 10, he lived for five years with his eldest brother, Johann Christo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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St Matthew Passion Structure
Johann Sebastian Bach's ''St Matthew Passion'' (), , is structured on multiple levels: the composition is structured in three levels of text sources (Gospel, libretto and chorales) and by the different forms that are used for musical expression (arias, recitatives and choruses). Bach's large Passion (music), choral composition was written to present the Passion of Jesus, as told in the Gospel of Matthew, in a Vespers in Lutheranism, vespers service on Good Friday. It is composed in two parts, that were to be performed before and after the sermon of that service. Part I covers the events until the arrest of Jesus and Part II concludes with his burial and the sealing of his grave. Bach took the Gospel text for the composition from Martin Luther's Luther Bible, German translation of and . Contemporary poetry in Picander's libretto and chorales comment on the Bible text and open and close most scenes of the narration. Numbering of the movements Bach did not number the sections of th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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St John Passion Structure
The structure of the ''St John Passion'' (), Bach-Werke-Verzeichnis, BWV 245, a sacred oratorio by Johann Sebastian Bach first performed in Leipzig on Good Friday 1724, is "carefully designed with a great deal of musico-theological intent". Some main aspects of the structure are shown in tables below. The original Latin title translates to "Passion according to John". Bach's large choral composition in two parts on German text, written to be performed in a Lutheranism, Lutheran service on Good Friday, is based on the Passion (Christianity), Passion, as told in two chapters from the Gospel of John ( and ) in the translation by Martin Luther, with two short interpolations from the Gospel of Matthew (in the earliest version, one is from the Gospel of Matthew and one from the Gospel of Mark). During the Vespers in Lutheranism, vespers service, the two parts of the work were performed before and after the sermon. Part I covers the events until Saint Peter, Peter's denial of Jesus, Pa ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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St John Passion
The ''Passio secundum Joannem'' or ''St John Passion'' (), BWV 245, is a Passion or oratorio by Johann Sebastian Bach, the earliest of the surviving Passions by Bach. It was written during his first year as director of church music in Leipzig and was first performed on 7 April 1724, at Good Friday Vespers at the St. Nicholas Church. The structure of the work falls in two halves, intended to flank a sermon. The anonymous libretto draws on existing works (notably by Barthold Heinrich Brockes) and is compiled from recitatives and choruses narrating the Passion of Christ as told in the Gospel of John, ariosos and arias reflecting on the action, and chorales using hymn tunes and texts familiar to a congregation of Bach's contemporaries. Compared with the '' St Matthew Passion'', the ''St John Passion'' has been described as more extravagant, with an expressive immediacy, at times more unbridled and less "finished". The work is most often heard today in the 1739–1749 versi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Cambridge University Press
Cambridge University Press was the university press of the University of Cambridge. Granted a letters patent by King Henry VIII in 1534, it was the oldest university press in the world. Cambridge University Press merged with Cambridge Assessment to form Cambridge University Press and Assessment under Queen Elizabeth II's approval in August 2021. With a global sales presence, publishing hubs, and offices in more than 40 countries, it published over 50,000 titles by authors from over 100 countries. Its publications include more than 420 academic journals, monographs, reference works, school and university textbooks, and English language teaching and learning publications. It also published Bibles, runs a bookshop in Cambridge, sells through Amazon, and has a conference venues business in Cambridge at the Pitt Building and the Sir Geoffrey Cass Sports and Social Centre. It also served as the King's Printer. Cambridge University Press, as part of the University of Cambridge, was a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Orgelbüchlein
The ''Orgelbüchlein'' (''Little Organ Book'') BWV 599−644 is a set of 46 chorale preludes for organ – one of them is given in two versions – by Johann Sebastian Bach. All but three were written between 1708 and 1717 when Bach served as organist to the ducal court in Weimar; the remainder and a short two-bar fragment came no earlier than 1726, after the composer’s appointment as cantor at the Thomasschule in Leipzig. Bach's apparent plan was for a collection of 164 settings of chorale tunes sung during the Church year so that each part of the year was represented. However, only 46 of these were completed. The manuscript, which is now in the Staatsbibliothek, leaves a number of tunes as missing or "ghost" pieces. A project to complete the missing chorales called "The Orgelbüchlein Project" has been launched in the 21st century, where the chorales are written in modern styles. This project took nine hours in the first complete performance, giving an idea of the potential s ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |