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Noli Me Tángere (1961 Film)
Noli me tangere ("do not touch me") is the Latin version of words spoken by Jesus to Mary Magdalene. Noli me tangere may also refer to: * ''Noli Me Tangere'' (Bernini), a sculptural arrangement in the church of Santi Domenico e Sisto, in Rome * ''Noli me tangere'' (Bramantino), a c. 1500 painting * ''Noli Me Tángere'' (novel) (1887), by José Rizal ** ''Noli Me Tangere'' (opera) (1957), opera based on Rizal's novel ** Noli Me Tángere (film) ''Noli Me Tángere'' is a 1961 Philippine period drama film co-written and directed by Gerardo de León. Based on the 1887 novel of the same name by José Rizal, it stars Eduardo del Mar, Edita Vital, Johnny Monteiro, Oscar Keesee, Teody B ..., a 1961 Philippine period drama film * ''Noli me tangere'' (Titian), painted circa 1514 * ''Noli me tangere'' casket, a reliquary of the Aachen Cathedral Treasury, now destroyed * ''Noli me tangere'' (Sustris) * ''Noli me tangere'' (Correggio) {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noli Me Tangere (Bernini)
''Noli Me Tangere'' is a large sculptural arrangement that forms part of the Alaleona Chapel in the church of Santi Domenico e Sisto, in Rome. The architecutal outline of the chapel was designed by the Italian artist Gianlorenzo Bernini. The sculpture, which shows Jesus responding to Mary Magdalene with the words '''Do not touch me''' upon her recognition of him following the Resurrection, was also designed by Bernini and carried out by his pupil Antonio Raggi Antonio Raggi (1624–1686), also called ''Antonio Lombardo'', was a sculptor of the Roman Baroque, originating from today's Ticino. Biography He was born in Vico Morcote on the Lake Lugano. His mentor in Rome for nearly three decades was Gian ..., probably from 1649 to 1652. Preparatory Work A wash drawing exists in the Uffizi Gallery, Florence, that shows the overall design, although it appears that Raggi made some changes to the sculptural group. Patronage The chapel was commissioned by Sister Maria Eleono ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noli Me Tangere (Bramantino)
''Noli me tangere'' is a fragment of a fresco of by Bramantino depicting Jesus and Mary Magdalene soon after the resurrection. It was originally in the church of Santa Maria del Giardino in Milan and since 1867 in the Pinacoteca del Castello Sforzesco in the same city, to which it was given by Prospero Moisè Loria. One of the painter's earliest surviving works, it shows the strong influence of Bramante, particularly his 1497 fresco paintings of armed men for the Casa Visconti-Panigarola. Around the same time as Bramantino's fresco, Santa Maria del Giardino underwent a major redecoration, headed by Vincenzo Foppa. The swelling and wrinkled draperies, the simplification of the figures' volumes and the cold and metallic light support a dating in the 1490s, close to the same artist's ''Philemon and Baucis'' (Wallraf–Richartz Museum, Cologne), '' The Adoration of the Kings'' (National Gallery, London) and ''Pietà'' (Pinacoteca Ambrosiana).AA.VV., ''La Pinacoteca del Castello Sfo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noli Me Tángere (novel)
''Noli Me Tángere'' (Latin for "''Touch me not''") is an 1887 novel by Filipino writer and activist José Rizal published during the Spanish colonial period of the Philippines. It explores perceived inequities in law and practice in terms of the treatment by the ruling government and the Spanish Catholic friars of the resident peoples a hundred years ago. Originally written by Rizal in Spanish, the book has since been more commonly published and read in the Philippines in either Tagalog (the major indigenous language), or English. The Rizal Law requires ''Noli'' and its sequel, '' El filibusterismo'' to be read by all high school students throughout the country. ''Noli'' is studied in Grade 9 and in Grade 10. The two novels are widely considered to be the national epic of the Philippines. They have been adapted in many forms, such as operas, musicals, plays, and other forms of art. The title originates from the Biblical passage John 20:13-17. In Rizal's time it also refe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noli Me Tangere (opera)
''Noli Me Tangere'' (''Touch Me Not)'' is an opera in 3 acts by Felipe Padilla de León with libretto by Guillermo Tolentino. The opera was closely based on a novel by José Rizal by the same name. The opera was sung entirely in Tagalog and is considered as the first full-length Filipino opera. Composition history The librettist wrote the libretto during the war and the composer started writing the opera in 1953. However two arias from the opera, Maria Clara's "Kay Tamis ng Buhay" and Sisa's "Awit ng Gabi" were written earlier, with the former being written in 1949 and the latter written in 1952 for Fides Cuyugan-Asensio's Graduation Recital. Felipe Padilla de León also wrote an opera based on Rizal's sequel to the novel: '' El filibusterismo'' (Subversion) in 1970. Performance history The opera was premiered on 5 February 1957 at the Far Eastern University auditorium, with the Manila Symphony Orchestra conducted by the composer. The success of the first made possibl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noli Me Tángere (film)
''Noli Me Tángere'' is a 1961 Philippine period drama film co-written and directed by Gerardo de León. Based on the 1887 novel of the same name by José Rizal, it stars Eduardo del Mar, Edita Vital, Johnny Monteiro, Oscar Keesee, Teody Belarmino, and Leopoldo Salcedo. The film was released on June 16, 1961, timed with the centenary of Rizal's birth. ''Noli Me Tángere'' won five FAMAS Awards, including Best Picture and Best Director. The film is now considered a classic in Philippine cinema. Cast * Eduardo del Mar as Crisostomo Ibarra *Edita Vital as Maria Clara * Johnny Monteiro as Padre Salvi *Oscar Keesee as Padre Damaso * Teody Belarmino as Tarcilo *Leopoldo Salcedo as Elias * Ramon d'Salva as Alferez *Ruben Rustia as Maestro *Max Alvarado as Lucas *Nello Nayo as Don Filipo *Engracio Ibarra as Don Tiago *Lilian Laing de Leon as Dña. Victorina *Veronica Palileo as Isabel *Joseph de Cordova as Pablo *Manny Ojeda as Tenyente Guevarra *Fred Gonzales as Pilosopong Tacio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noli Me Tangere (Titian)
{{16C-painting-stub ...
''Noli me tangere'' (Latin for ''Don't touch me'' or ''Stop touching me'') is a c. 1514 painting by Titian of the Noli me tangere episode in St John's Gospel. The painting, depicting Jesus and Mary Magdalene soon after the resurrection, is in oil on canvas and since the nineteenth century has been in the collection of the National Gallery in London. See also * List of works by Titian References External links * National Gallery page 1514 paintings Paintings by Titian in the National Gallery, London Titian Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italian (Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school. He was born in Pieve di Cadore, nea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noli Me Tangere (Sustris)
''Noli me tangere'' or ''Christ Appearing As A Gardener To Mary Magdalene'' is a 1548-1560 painting by the Flemish painter Lambert Sustris. It is now in the Palais des beaux-arts de Lille. It shows the eponymous scene from the Gospel of John, set in a Renaissance-style garden with geometric parterres, a fountain, a covered passageway and a cloister. Wearing a sumptuous gold and silver damask robe, Mary Magdalene kneels before Christ, holding her left hand to her breast and her right on an alabaster vase. He leans on a hoe and points to the sky, whilst a white bindweed around the trunk of the tree behind him symbolises the fall of sin. A woman's shadow stretches along the passageway, possibly symbolising Mary's spreading the news of the Resurrection to the Twelve Apostles. History It was produced during Sustris' first or second stay in Augsburg, probably for count Fugger of Kirschberg and Weissenhorn, whose coat of arms are in the bottom left of the work. Around the time of his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
