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New Alphabet
New Alphabet is a parametric typeface designed by Wim Crouwel, released in 1967. It embraced the limitations of the display technology that it was displayed on by only using horizontal and vertical strokes. This meant that some of the letters had little resemblance to the letters they were supposed to represent. New Alphabet was notably used on the cover of Joy Division's 1988 compilation album '' Substance''. History New Alphabet was a personal, experimental project of Crouwel. The typeface was designed to embrace the limitations of the cathode ray tube technology used by early data display screens and phototypesetting equipment, and thus only contains horizontal and vertical strokes. Conventional typefaces can suffer under these limitations, because the level of detail is not high enough, restricting legibility. Crouwel wanted to adapt his design to work for the new technologies, instead of adapting the technologies to meet the design. Since his letter shapes only contain hori ...
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Sans Serif
In typography and lettering, a sans-serif, sans serif, gothic, or simply sans letterform is one that does not have extending features called "serifs" at the end of strokes. Sans-serif typefaces tend to have less stroke width variation than serif typefaces. They are often used to convey simplicity and modernity or minimalism. Sans-serif typefaces have become the most prevalent for display of text on computer screens. On lower-resolution digital displays, fine details like serifs may disappear or appear too large. The term comes from the French word , meaning "without" and "serif" of uncertain origin, possibly from the Dutch word meaning "line" or pen-stroke. In printed media, they are more commonly used for display use and less for body text. Before the term "sans-serif" became common in English typography, a number of other terms had been used. One of these outmoded terms for sans-serif was gothic, which is still used in East Asian typography and sometimes seen in typeface na ...
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Standard Deviations (exhibition)
''Standard Deviations'' was the name of a Museum of Modern Art exhibition that was notable for showcasing the 23 digital typefaces that MoMA acquired in January 2011 for its Architecture and Design Collection. The exhibition was open from March 2, 2011 through January 30, 2012. The full title of the exhibition was ''Standard Deviations: Types and Families in Contemporary Design'', though the title was originally announced as ''Standard Deviations: Prototypes, Archetypes, and Families in Contemporary Design''. The exhibition was organized by Paola Antonelli, Senior Curator in the Department of Architecture and Kate Carmody, curatorial assistant. While the exhibition showed works of design other than typefaces, the selection and acquisition of typefaces was significant in the history of typographic design. Aside from a set of 36-point Helvetica Bold lead type designed by Max Miedinger in 1956, these were the first typefaces acquired by MoMA. Twenty-three typefaces The selection ...
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Display Typefaces
Display may refer to: Technology * Display device, output device for presenting information, including: ** Cathode ray tube, video display that provides a quality picture, but can be very heavy and deep ** Electronic visual display, output device to present information for visual or tactile reception *** Flat-panel display, video display that is much lighter and thinner than deeper, usually older types **** Liquid-crystal display (LCD), displays that use liquid crystals to form images ***** Liquid crystal display television (LCD TV), color TVs that use an LCD to form images **** Light-emitting diode (LED), emitting light when electrically charged, producing electroluminescence *** Stereo display, a display device able to convey image depth to a viewer **** Volumetric display, forms a visual representation of an object in three physical dimensions ** Refreshable braille display, electromechanical device to display braille characters ** Split-flap display, electromechanical alphanu ...
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Typefaces And Fonts Introduced In 1967
A typeface (or font family) is the design of lettering that can include variations in size, weight (e.g. bold), slope (e.g. italic), width (e.g. condensed), and so on. Each of these variations of the typeface is a font. There are thousands of different typefaces in existence, with new ones being developed constantly. The art and craft of designing typefaces is called ''type design''. Designers of typefaces are called ''type designers'' and are often employed by ''type foundries''. In desktop publishing, type designers are sometimes also called ''font developers'' or ''font designers''. Every typeface is a collection of glyphs, each of which represents an individual letter, number, punctuation mark, or other symbol. The same glyph may be used for characters from different scripts, e.g. Roman uppercase A looks the same as Cyrillic uppercase А and Greek uppercase alpha. There are typefaces tailored for special applications, such as cartography, astrology or mathematics. Term ...
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Seven-segment Display
A seven-segment display is a form of electronic display device for displaying decimal numerals that is an alternative to the more complex dot matrix displays. Seven-segment displays are widely used in digital clocks, electronic meters, basic calculators, and other electronic devices that display numerical information. History Seven-segment representation of figures can be found in patents as early as 1903 (in ), when Carl Kinsley invented a method of telegraphically transmitting letters and numbers and having them printed on tape in a segmented format. In 1908, F. W. Wood invented an 8-segment display, which displayed the number 4 using a diagonal bar (). In 1910, a seven-segment display illuminated by incandescent bulbs was used on a power-plant boiler room signal panel. They were also used to show the dialed telephone number to operators during the transition from manual to automatic telephone dialing. They did not achieve widespread use until the advent of LEDs in the 1970 ...
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Fodor (typeface)
Fodor is a geometrical typeface designed by Dutch graphic designer and type designer Wim Crouwel, around 1973. History Fodor was designed for the covers of the magazine published by Museum Fodor in Amsterdam. The main text on the covers were set with an electric typewriter, and the monospaced typeface that it used created strong horizontal and vertical lines. Crouwel made these visible by using a regular pattern of pink dots on an orange background. He then used this grid to draw the letters ''fodor'' and a set of numbers. Later, a complete alphabet was developed from the wordmark.Jan Middendorp, ''Dutch Type'', 010 Publishers, Rotterdam (2004), p. 121. Digital Fodor The digital version of Fodor was made by the type foundry A type foundry is a company that designs or distributes typefaces. Before digital typography, type foundries manufactured and sold metal and wood typefaces for hand typesetting, and matrices for line-casting machines like the Linotype and M ... ''Th ...
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Gridnik (typeface)
Gridnik is a geometrical typeface designed by Dutch graphic designer Wim Crouwel, in 1974. It is the digital version of the typewriter typeface ''Olivetti Politene''. History Around 1974, Crouwel was commissioned by typewriter manufacturer Olivetti to design a typeface for their new electric typewriters. The result was a sans serif monoline (all lines are of equal thickness) typeface. Olivetti called it ''Politene''. All characters are based on a square grid, with the 45-degree corners. Before Crouwel could finish the design, the interest for electric typewriters declined, so much so that they did not need the type design anymore. As a consequence, the copyrights of the design went back to Crouwel. At the same time they commissioned Crouwel, they asked Josef Müller-Brockmann to design a typeface as well. Number Postage Stamps The most notable use of Gridnik was on a series of Number Postage Stamps for the Dutch PTT, designed in the same period as the Olivetti commission. He dre ...
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Brett Wickens
Brett Wickens (born April 15, 1961 in Hamilton, Ontario) is a British-Canadian creative director known for his work with identity design. He is a partner for the Ammunition Design Group, and is currently living and working in the San Francisco Bay Area. Formerly, Wickens was a pioneer of Canadian electronic music and a member of the band Spoons from 1979 to 1980. Biography Wickens worked with British graphic designer Peter Saville as a partner in his London studio during the 1980s and 90s, where they developed renowned campaigns for clients as diverse as Yohji Yamamoto, Factory Records, Peter Gabriel and the French Ministry of Culture. In 1990 he became an Associate Partner in Pentagram's London office. In 1993 he moved to Los Angeles to become VP Creative Director at Frankfurt Balkind Partners, where he directed new media initiatives and created campaigns for most of the major Hollywood studios. Wickens designed the logotype for HBOs The Sopranos. In 1999, Brett became th ...
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Compilation Album
A compilation album comprises Album#Tracks, tracks, which may be previously released or unreleased, usually from several separate recordings by either one or several Performing arts#Performers, performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may be collected together as a greatest hits album or box set. If from several performers, there may be a theme, topic, time period, or genre which links the tracks, or they may have been intended for release as a single work—such as a tribute album. When the tracks are by the same recording artist, the album may be referred to as a retrospective album or an anthology. Content and scope Songs included on a compilation album may be previously released or unreleased, usually from several separate recordings by either one or several performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may ...
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Album Cover
An album cover (also referred to as album art) is the front packaging art of a commercially released studio album or other audio recordings. The term can refer to either the printed paperboard covers typically used to package sets of and 78-rpm records, single and sets of LPs, sets of 45 rpm records (either in several connected sleeves or a box), or the front-facing panel of a cassette J-card or CD package, and, increasingly, the primary image accompanying a digital download of the album, or of its individual tracks. In the case of all types of tangible records, it also serves as part of the protective sleeve. Early history Around 1910, 78-rpm records replaced the phonograph cylinder as the medium for recorded sound. The 78-rpm records were issued in both 10- and 12-inch diameter sizes and were usually sold separately, in brown paper or cardboard sleeves that were sometimes plain and sometimes printed to show the producer or the retailer's name. These were invariably ...
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Museum Of Modern Art
The Museum of Modern Art (MoMA) is an art museum located in Midtown Manhattan, New York City, on 53rd Street between Fifth and Sixth Avenues. It plays a major role in developing and collecting modern art, and is often identified as one of the largest and most influential museums of modern art in the world. MoMA's collection offers an overview of modern and contemporary art, including works of architecture and design, drawing, painting, sculpture, photography, prints, illustrated and artist's books, film, and electronic media. The MoMA Library includes about 300,000 books and exhibition catalogs, more than 1,000 periodical titles, and more than 40,000 files of ephemera about individual artists and groups. The archives hold primary source material related to the history of modern and contemporary art. It attracted 1,160,686 visitors in 2021, an increase of 64% from 2020. It ranked 15th on the list of most visited art museums in the world in 2021.'' The Art Newspaper'' an ...
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Wim Crouwel
Willem Hendrik "Wim" Crouwel (; 21 November 1928 – 19 September 2019) was a Dutch people, Dutch graphic designer, Type design#Profession, type designer, and Typography, typographer. Early life and education Between 1947 and 1949, he studied Fine Arts at Academie Minerva in Groningen, the Netherlands. After graduating from a traditional art school, he served for two years in the military. Fresh out of the military, he was hired by an exhibition company in Amsterdam. During an interview in 2011, Crouwel said that his traditional art training hadn't taught him anything about typography, and that he eventually learned it by attending night classes in typography at what is now the Gerrit Rietveld Academie in Amsterdam. Career Crouwel began his career in 1955 creating exhibition, graphic, and product designs along with Kho Liang Ie. In 1963, he was one of the founders of the design studio Total Design (currently named Total Identity). From 1964 onwards, Crouwel was responsible f ...
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