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Net-poetry
Net-poetry is a development of net.art, involving poetry. This kind of experimental art was born in several different cities and countries around 1995. Short history Net-poetry was born in the context of net-art and digital art avant-garde in various countries in the early 90s. It is generally accepted that the simple publication of poems, visual poems or art images in a web site can not be considered Net-poetry, which is connected with the concept of "network", openness, and interactivity. Poetry hypertext and interactive environments online Some pioneer artists created different kind of net-poetry, as interactive environment on line including animated text and digital poetry: Ana Maria Uribe, Reiner Strasser (interactive video-sound poetry), Jim Andrews (vispo.com), Ted Warnell aka Poem by Nari (warnell.com). Other artists intend net-poetry as interactive hypertext poetry/narration that can be adapted for Internet, examples being Deena Larsen (''Marble Spring'', interactive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caterina Davinio
Caterina Davinio (born Maria Caterina Invidia; 25 November 1957, Foggia) is an Italian poet, novelist and new media artist. She is the author of works of digital art, net.art, video art and was the creator of Italian Net-poetry in 1998. Biography Born in Foggia, Davinio grew up in Rome since 1961. She studied literature and art history (student of Giulio Carlo Argan) at Rome University La Sapienza, where, in 1981, she received a MA degree in Italian Literature. Davinio began to write poetry when she was fourteen years old. In Rome, she came in contact with the international circuit of experimental poetry and art, resulting in a number of collaborations with renowned artists, critics and poets of the avant-garde. Since 1997, she has been living in Monza and Lecco, working at an international level. From the early 1990s, Davinio was a pioneer of Italian electronic poetry, in the experimental field among writing, visual art, and new media, using computer, video, digital photography ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philadelpho Menezes
Philadelpho Menezes (born in 1960 in São Paulo, Brazil, died in 2000 following a car accident). Brazilian poet, visual poet, pioneer of new media poetry, professor in the Communication and Semiotics post-graduation program at the Pontifical University of São Paulo. He performed research for his post-graduate degree at the University of Bologna, in Italy (1990). With Brazilian artist Wilton Azevedo Philadepho Menezes created a pioneer intermedia-poetry CD-ROM: "InterPoesia. Poesia Hipermidia Interativa" (1998). In Italy he collaborated with the first net-poetry project: ''Karenina.it'', by Italian artist Caterina Davinio. Publications His doctorate thesis was published under the title "The Crises of the Past: Modernity, Post-Modernity, Meta-Modernity." He published his first book of poems, "4 achados construídos" (four found and built) in 1980. Other publications are: *Poemas 1980-1982 ("Poems 1980-1982") (1984) *Demolições (ou poemas aritméticos) emolitions (or arithmetic p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Restany
Pierre Restany (24 June 1930 – 29 May 2003), was an internationally known French art critic and cultural philosopher. Restany was born in Amélie-les-Bains-Palalda, Pyrénées-Orientales, and spent his childhood in Casablanca. On returning to France in 1949 he attended the Lycée Henri-IV before studying at universities in France, Italy and Ireland. From their first meeting in 1955, Restany maintained a strong tie with Yves Klein (to whom is attributed Klein-blue). Conceptions of New Realism / Nouveau Realisme In 1960 Pierre Restany created the idea and coined the term Nouveau Réalisme with Yves Klein during a group show in the Apollinaire gallery in Milan. It was an idea that united a group of French and Italian artists. Nouveau Realisme was the European answer to the American Neo-Dada of Fluxus and Pop Art. The group included Martial Raysse, Arman, Yves Klein, François Dufrene, Raymond Hains, Daniel Spoerri, Jean Tinguely, Jacques Villeglé - and was later joined by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relational Art
Relational art or relational aesthetics is a mode or tendency in fine art practice originally observed and highlighted by French art critic Nicolas Bourriaud. Bourriaud defined the approach as "a set of artistic practices which take as their theoretical and practical point of departure the whole of human relations and their social context, rather than an independent and private space." The artist can be more accurately viewed as the "catalyst" in relational art, rather than being at the centre. Etymology One of the first attempts to analyze and categorize art from the 1990s, the idea of relational art was developed by Nicolas Bourriaud in 1998 in his book ''Esthétique relationnelle'' (''Relational Aesthetics''). The term was first used in 1996, in the catalogue for the exhibition ''Traffic'' curated by Bourriaud at CAPC musée d'art contemporain de Bordeaux. ''Traffic'' included the artists that Bourriaud would continue to refer to throughout the 1990s, such as Henry Bond, Vaness ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mail Art
Mail art, also known as postal art and correspondence art, is an artistic movement centered on sending small-scale works through the postal service. It initially developed out of what eventually became Ray Johnson's New York Correspondence School and the Fluxus movements of the 1960s, though it has since developed into a global movement that continues to the present. Characteristics Media commonly used in mail art include postcards, paper, a collage of found or recycled images and objects, rubber stamps, artist-created stamps (called artistamps), and paint, but can also include music, sound art, poetry, or anything that can be put in an envelope and sent via post. Mail art is considered art once it is dispatched. Mail artists regularly call for thematic or topical mail art for use in (often unjuried) exhibition. Mail artists appreciate interconnection with other artists. The artform promotes an egalitarian way of creating that frequently circumvents official art distribution ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fluxus
Fluxus was an international, interdisciplinary community of artists, composers, designers and poets during the 1960s and 1970s who engaged in experimental art performances which emphasized the artistic process over the finished product. Fluxus is known for experimental contributions to different artistic media and disciplines and for generating new art forms. These art forms include intermedia, a term coined by Fluxus artist Dick Higgins; conceptual art, first developed by Henry Flynt, an artist contentiously associated with Fluxus; and video art, first pioneered by Nam June Paik and Wolf Vostell. Dutch gallerist and art critic describes Fluxus as "the most radical and experimental art movement of the sixties".. 1979. ''Fluxus, the Most Radical and Experimental Art Movement of the Sixties'' Amsterdam: Editions Galerie A. They produced performance "events", which included enactments of scores, "Neo-Dada" noise music, and time-based works, as well as concrete poetry, visual art, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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