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Nautch
The nautch (; meaning "dance" or "dancing")Scott A. Kugle, 2016When Sun Meets Moon: Gender, Eros, and Ecstasy in Urdu Poetry p.230. was a popular court dance performed by girls (known as "nautch girls") in India. The culture of the performing art of the nautch rose to prominence during the later period of Mughal Empire, and the rule of the East India Company. Over time, the nautch traveled outside the confines of the Imperial courts of the Mughals, the palaces of the Nawabs and the princely states, and the higher echelons of the officials of the British Raj, to the places of smaller zamindars. Some references use the terms ''nautch'' and ''nautch girls'' to describe Devadasis who used to perform ritual and religious dances in the Hindu temples of India. However, there is not much similarity between the Devadasis and the nautch girls. The former performed dances, mostly Indian classical dances, including the ritual dances, in the precincts of the Hindu temples to please t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nautch Dancer
The nautch (; meaning "dance" or "dancing")Scott A. Kugle, 2016When Sun Meets Moon: Gender, Eros, and Ecstasy in Urdu Poetry p.230. was a popular court dance performed by girls (known as "nautch girls") in India. The culture of the performing art of the nautch rose to prominence during the later period of Mughal Empire, and the rule of the East India Company. Over time, the nautch traveled outside the confines of the Imperial courts of the Mughals, the palaces of the Nawabs and the princely states, and the higher echelons of the officials of the British Raj, to the places of smaller zamindars. Some references use the terms ''nautch'' and ''nautch girls'' to describe Devadasis who used to perform ritual and religious dances in the Hindu temples of India. However, there is not much similarity between the Devadasis and the nautch girls. The former performed dances, mostly Indian classical dances, including the ritual dances, in the precincts of the Hindu temples to please the t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nautch Girl Dancing, While Two Men Play A String Instrument And A Drum Nearby
The nautch (; meaning "dance" or "dancing")Scott A. Kugle, 2016When Sun Meets Moon: Gender, Eros, and Ecstasy in Urdu Poetry p.230. was a popular court dance performed by girls (known as "nautch girls") in India. The culture of the performing art of the nautch rose to prominence during the later period of Mughal Empire, and the rule of the East India Company. Over time, the nautch traveled outside the confines of the Imperial courts of the Mughals, the palaces of the Nawabs and the princely states, and the higher echelons of the officials of the British Raj, to the places of smaller zamindars. Some references use the terms ''nautch'' and ''nautch girls'' to describe Devadasis who used to perform ritual and religious dances in the Hindu temples of India. However, there is not much similarity between the Devadasis and the nautch girls. The former performed dances, mostly Indian classical dances, including the ritual dances, in the precincts of the Hindu temples to please the t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prostitution In India
Prostitution is legal in India, but a number of related activities including soliciting, kerb crawling, owning or managing a brothel, prostitution in a hotel, child prostitution, pimping and pandering are illegal. There are, however, many brothels illegally operating in Indian cities including Mumbai, Delhi, Kolkata, Bangalore, and Chennai. UNAIDS estimate there were 657,829 prostitutes in the country as of 2016. Other unofficial estimates have calculated India has roughly 3–10 million prostitutes. India is widely regarded as having one of the world's largest commercial sex industry. It has emerged as a global hub of sex tourism, attracting sex tourists from wealthy countries. The sex industry in India is a multi-billion dollar one, and one of the fastest growing. History A tawaif was a courtesan who catered to the nobility of India, particularly during the Mughal era. The tawaifs excelled in and contributed to music, dance ( mujra), theatre, and the Urdu literary tradi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tawaif
A ''tawaif'' was a highly successful entertainer who catered to the nobility of the Indian subcontinent, particularly during the Mughal era. The tawaifs excelled in and contributed to music, dance ( mujra), theatre, and the Urdu literary tradition, and were considered an authority on etiquette. Tawaifs were largely a North Indian institution central to Mughal court culture from the 16th century onwards and became even more prominent with the weakening of Mughal rule in the mid-18th century. They contributed significantly to the continuation of traditional dance and music forms and then to the emergence of modern Indian cinema. History The patronage of the Mughal court before and after the Mughal Dynasty in the Doab region and the artistic atmosphere of 16th century Lucknow made arts-related careers a viable prospect. Many girls were taken at a young age and trained in both performing arts (such as Kathak and Hindustani classical music) as well as literature (ghazal, thumri) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tawaif
A ''tawaif'' was a highly successful entertainer who catered to the nobility of the Indian subcontinent, particularly during the Mughal era. The tawaifs excelled in and contributed to music, dance ( mujra), theatre, and the Urdu literary tradition, and were considered an authority on etiquette. Tawaifs were largely a North Indian institution central to Mughal court culture from the 16th century onwards and became even more prominent with the weakening of Mughal rule in the mid-18th century. They contributed significantly to the continuation of traditional dance and music forms and then to the emergence of modern Indian cinema. History The patronage of the Mughal court before and after the Mughal Dynasty in the Doab region and the artistic atmosphere of 16th century Lucknow made arts-related careers a viable prospect. Many girls were taken at a young age and trained in both performing arts (such as Kathak and Hindustani classical music) as well as literature (ghazal, thumri) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Devdasi
In India, a devadasi was a female artist who was dedicated to the worship and service of a deity or a temple for the rest of her life. The dedication took place in a ceremony that was somewhat similar to a marriage ceremony. In addition to taking care of the temple and performing rituals, these women also learned and practiced classical Indian artistic traditions such as Bharatanatyam, Mohiniyattam, Kuchipudi, and Odissi. Their social status was high as dance and music were an essential part of temple worship. Between the sixth and thirteenth centuries, Devadasis had a high rank and dignity in society and were exceptionally affluent as they were seen as the protectors of the arts. During this period royal patrons provided them with gifts of land, property, and jewellery. After becoming Devadasis, the women would spend their time learning religious rites, rituals, and dances. Devadasis were expected to live a life of celibacy, however, there have been instances of exceptions. D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Devdasi
In India, a devadasi was a female artist who was dedicated to the worship and service of a deity or a temple for the rest of her life. The dedication took place in a ceremony that was somewhat similar to a marriage ceremony. In addition to taking care of the temple and performing rituals, these women also learned and practiced classical Indian artistic traditions such as Bharatanatyam, Mohiniyattam, Kuchipudi, and Odissi. Their social status was high as dance and music were an essential part of temple worship. Between the sixth and thirteenth centuries, Devadasis had a high rank and dignity in society and were exceptionally affluent as they were seen as the protectors of the arts. During this period royal patrons provided them with gifts of land, property, and jewellery. After becoming Devadasis, the women would spend their time learning religious rites, rituals, and dances. Devadasis were expected to live a life of celibacy, however, there have been instances of exceptions. D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Devadasi
In India, a devadasi was a female artist who was dedicated to the worship and service of a deity or a temple for the rest of her life. The dedication took place in a ceremony that was somewhat similar to a marriage ceremony. In addition to taking care of the temple and performing rituals, these women also learned and practiced classical Indian artistic traditions such as Bharatanatyam, Mohiniyattam, Kuchipudi, and Odissi. Their social status was high as dance and music were an essential part of temple worship. Between the sixth and thirteenth centuries, Devadasis had a high rank and dignity in society and were exceptionally affluent as they were seen as the protectors of the arts. During this period royal patrons provided them with gifts of land, property, and jewellery. After becoming Devadasis, the women would spend their time learning religious rites, rituals, and dances. Devadasis were expected to live a life of celibacy, however, there have been instances of exceptions. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jhumar
Jhumar or Jhoomar (also called Ghumbar in Sandalbar area) is a lively form of music and dance that originated in the Multan and Balochistan, also thrived in Sandalbar areas (Faisal abad, Jhang, Chiniot, Nankana Sahib, Toba Tek Singh districts) of Punjab. It is slower and more rhythmic form. The word "Jhumar" comes from ''Jhum/Jhoom'', which means Swaying. The songs evoke a quality which reminds of swaying. Though the content of these songs is varied - they are usually love with emotional songs too. The Jhumar is a dance of ecstasy. Jhumar is performed at the wedding ceremonies usually. It is a living demonstration of the happiness. The dance is mostly performed by the Balochi and people of Southern and central Punjab. The emphasis of Jhumar is recreating the gaits of animals and birds. The movement of animals, the ploughing of the field, sowing of seeds and harvesting are shown in the original progression. The dance is also performed in circle, to the tune of emotional songs. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baghmundi
Baghmundi is a village, with a police station, in the Baghmundi CD block in the Jhalda subdivision of the Purulia district in the state of West Bengal, India. Geography Location Baghmundi lies in the vicinity of the Ajodhya Hill and Forest Reserve Area. The Bagmundi–Bandwan Upland is an area descending from the Ranchi Plateau. At some places the high lands are very steep and rise to heights ranging from 475 to 700 m. The Ajodhya Hills are spread across the Baghmundi and Balarampur areas. Area overview Purulia district forms the lowest step of the Chota Nagpur Plateau. The general scenario is undulating land with scattered hills. Jhalda subdivision, shown in the map alongside, is located in the western part of the district, bordering Jharkhand. The Subarnarekha flows along a short stretch of its western border. It is an overwhelmingly rural subdivision with 91.02% of the population living in the rural areas and 8.98% living in the urban areas. There are 3 census towns in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Refrain
A refrain (from Vulgar Latin ''refringere'', "to repeat", and later from Old French ''refraindre'') is the line or lines that are repeated in music or in poetry — the "chorus" of a song. Poetic fixed forms that feature refrains include the villanelle, the virelay, and the sestina. In popular music, the refrain or chorus may contrast with the verse melodically, rhythmically, and harmonically; it may assume a higher level of dynamics and activity, often with added instrumentation. Chorus form, or strophic form, is a sectional and/or additive way of structuring a piece of music based on the repetition of one formal section or block played repeatedly. Usage in history In music, a refrain has two parts: the lyrics of the song, and the melody. Sometimes refrains vary their words slightly when repeated; recognizability is given to the refrain by the fact that it is always sung to the same tune, and the rhymes, if present, are preserved despite the variations of the words. Suc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fox-trot
The foxtrot is a smooth, progressive dance characterized by long, continuous flowing movements across the dance floor. It is danced to big band (usually vocal) music. The dance is similar in its look to waltz, although the rhythm is in a time signature instead of . Developed in the 1910s, the foxtrot reached its height of popularity in the 1930s and remains practiced today. History The dance was premiered in 1914, quickly catching the eye of the husband and wife duo Vernon and Irene Castle, who gave the dance its signature grace and style. The origin of the name of the dance is unclear, although one theory is that it took its name from its popularizer, the vaudevillian Harry Fox. Two sources, Vernon Castle and dance teacher Betty Lee, credit African American dancers as the source of the foxtrot. Castle saw the dance, which "had been danced by negroes, to his personal knowledge, for fifteen years, ta certain exclusive colored club". W. C. Handy ("Father of the Blues") ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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