Nasturtiums (E. Phillips Fox)
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Nasturtiums (E. Phillips Fox)
''Nasturtiums'' is an oil painting by the Australian Impressionism, Australian Impressionist painter E. Phillips Fox, Emanuel Phillips Fox painted in 1912 during a period of great creativity for the artist in which he produced some of his finest works. It shows a woman, Edith Susan Gerard Anderson, wearing a printed mauve dress, black hat and black gloves, reading in a garden seated in a cane chair against a background of climbing Tropaeolum, nasturtium leaves and flowers growing up a Trellis (architecture), trellis. After being owned by the model's family, the Boyds, since its creation, the painting was purchased in 2011 at auction by the Society of the Art Gallery of New South Wales as a memorial to Margaret Olley, a Sydney painter and longtime Patronage, patron of the gallery who had died a few months earlier. Fox was one of Olley's favourite artists and the museum's curator of Australian art said the painting's "combination of the poetic and the pragmatic, the decorative and th ...
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Oil Painting
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority ...
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