|
Noh
is a major form of classical Japanese dance-drama that has been performed since the 14th century. It is Japan's oldest major theater art that is still regularly performed today. Noh is often based on tales from traditional literature featuring a supernatural being transformed into a human hero who narrates the story. Noh integrates masks, costumes and various props in a dance-based performance, requiring highly trained actors and musicians. Emotions are primarily conveyed by stylized conventional gestures while the iconic masks represent specific roles such as ghosts, women, deities, and demons. Having a strong emphasis on tradition rather than innovation, Noh is highly codified and regulated by the ''iemoto'' system. Although the terms Noh and ''nōgaku'' are sometimes used interchangeably, ''nōgaku'' encompasses both Noh and ''kyōgen''. Traditionally, a full ''nōgaku'' program included several Noh plays with comedic ''kyōgen'' plays in between; an abbreviated program of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kyōgen
is a form of traditional Japanese comic theater. It developed alongside '' Noh'', was performed along with ''Noh'' as an intermission of sorts between ''Noh'' acts on the same stage, and retains close links to ''Noh'' in the modern day; therefore, it is sometimes designated ''Noh-kyōgen''. Its contents are nevertheless not at all similar to the formal, symbolic, and solemn ''Noh'' theater; ''kyōgen'' is a comic form, and its primary goal is to make its audience laugh. ''Kyōgen'' together with ''Noh'' is part of '' Nōgaku'' theatre. ''Kyōgen'' is sometimes compared to the Italian comic form of commedia dell'arte, which developed in the early 17th century, and likewise features stock characters. It also has parallels with the Greek satyr play, a short, comical play performed between tragedies. History One of the oldest ancestors of kyogen is considered to be a comical mimicry, which was one of the arts constituting Sangaku ( :ja:散楽), and Sangaku was introduced to Jap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sado Island
is an island located in the eastern part of the Sea of Japan, under the jurisdiction of Sado City, Niigata Prefecture, Japan, with a coastline of . In October 2017, Sado Island had a population of 55,212 people. Sado Island covers an area of , and is the second largest island after Okinawa Island outside of the four main islands of Japan, excluding the disputed Southern Kurils. The shortest distance between Sado Island and Honshu is . The highest peak on Sado Island is Mount Kinpoku, with an elevation of . Geography The shape of Sado Island resembles the kanji character for ‘work’ (工) in Japanese or the letter ‘S’. The topography of the island can be roughly divided into three parts, the Ōsado range in the north, the Kosado range in the south, and the Kakakura plain with flat terrain in between. The Ōsado range area is higher in altitude, and the highest peak of Sado Island, Mount Kinpoku ( above sea level), is also located in this area. The coastline on the n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hata No Kawakatsu
Hata no Kawakatsu (秦河勝, alternatively read as ''Hada no Kōkatsu''), or Hata no Miyatsuko no Kawakatsu (秦造河勝), was a semi-legendary statesman active during the Asuka period in Japan. He is recorded as serving under Empress Suiko and Empress Kōgyoku in the ''Nihon Shoki'', and appears as a noteworthy figure in narratives surrounding Prince Shōtoku. Later legends present Kawakatsu as the reincarnation of Emperor Qin Shi Huang, in addition to being the ancestor of the Hata clan and the founder of sarugaku. He is also credited with the construction of Kōryū-ji in Kyoto, and is enshrined as the deity Ōsake Daimyōjin (大避大明神) at the in Akō. Family Kawakatsu belonged to the Hata clan, an immigrant group that settled in Japan during the fourth and fifth centuries. They were particularly influential within the of what is now Kyoto, and played a significant part in the formation of Japan's political and religious institutions. Furthermore, the Hata ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Culture Of Japan
Japanese culture has changed greatly over the millennia, from the country's prehistoric Jōmon period, to its contemporary modern culture, which absorbs influences from Asia and other regions of the world. Since the Jomon period, ancestral groups like the Yayoi and Kofun, who arrived to Japan from Korea and China, respectively, have shaped Japanese culture. Rice cultivation and centralized leadership were introduced by these groups, shaping Japanese culture. Chinese dynasties, particularly the Tang dynasty, have influenced Japanese culture throughout history and brought it into the Sinosphere. After 220 years of isolation, the Meiji era opened Japan to Western influences, enriching and diversifying Japanese culture. Popular culture shows how much contemporary Japanese culture influences the world. Identity There are two competing hypotheses that try to explain the lineage of the Japanese people. The first hypothesis proposes a dual-structure model, in which Japanese po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Performing Arts
The performing arts are arts such as music, dance, and drama which are performed for an audience. They are different from the visual arts, which involve the use of paint, canvas or various materials to create physical or static art objects. Performing arts include a range of disciplines which are performed in front of a live audience, including theatre, music, and dance. Theatre, music, gymnastics, object manipulation, and other kinds of performances are present in all human cultures. The history of music and dance date to pre-historic times whereas circus skills date to at least Ancient Egypt. Many performing arts are performed professionally. Performance can be in purpose-built buildings, such as theatres and opera houses; on open air stages at festivals; on stages in tents, as in circuses; or on the street. Live performances before an audience are a form of entertainment. The development of audio and video recording has allowed for private consumption of the performin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarugaku
was a form of theatre popular in Japan during the 11th to 14th centuries. One of its predecessors was a , a form of entertainment reminiscent of the modern-day circus, consisting mostly of acrobatics, juggling, and pantomime, sometimes combined with drum dancing. Sarugaku came from China to Japan in the 8th century and there mingled with indigenous traditions, particularly the harvest celebrations of dengaku. In the 11th century, the form began to favor comic sketches while other elements faded away. By the late 12th century, the term "sarugaku" had come to include comic dialogues based on word play ( toben), improvised comic party dances ('' ranbu''), short plays involving several actors, and musical arrangements based on courtesan traditions. During the 13th century, there was increased standardization of words, gestures, musical arrangements, and program combinations; as well as the adoption of the guild (''za'') system to which all present-day Noh schools can be traced. ''Ky ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muromachi Period
The , also known as the , is a division of Japanese history running from approximately 1336 to 1573. The period marks the governance of the Muromachi or Ashikaga shogunate ( or ), which was officially established in 1338 by the first Muromachi ''shōgun'', Ashikaga Takauji, two years after the brief Kenmu Restoration (1333–1336) of imperial rule was brought to a close. The period ended in 1573 when the 15th and last shogun of this line, Ashikaga Yoshiaki, was driven out of the capital in Kyoto by Oda Nobunaga. From a cultural perspective, the period can be divided into the Kitayama and Higashiyama cultures (later 15th – early 16th centuries). The early years from 1336 to 1392 of the Muromachi period are known as the or Northern and Southern Court period. This period is marked by the continued resistance of the supporters of Emperor Go-Daigo, the emperor behind the Kenmu Restoration. The Sengoku period or Warring States period, which begins in 1465, largely overlaps ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drama
Drama is the specific Mode (literature), mode of fiction Mimesis, represented in performance: a Play (theatre), play, opera, mime, ballet, etc., performed in a theatre, or on Radio drama, radio or television.Elam (1980, 98). Considered as a genre of poetry in general, the dramatic mode has been contrasted with the Epic poetry, epic and the Lyric poetry, lyrical modes ever since Aristotle's ''Poetics (Aristotle), Poetics'' ()—the earliest work of dramatic theory. The term "drama" comes from a Ancient Greek, Greek word meaning "deed" or "Action (philosophy), act" (Classical Greek: , ''drâma''), which is derived from "I do" (Classical Greek: , ''dráō''). The two masks associated with drama represent the traditional Genre, generic division between Comedy (drama), comedy and tragedy. In English (as was the analogous case in many other European languages), the word ''Play (theatre), play'' or ''game'' (translating the Old English, Anglo-Saxon ''pleġan'' or Latin ''ludus'') wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nōgaku
is one of the traditional styles of Japanese theater. It is composed of the lyric drama '' noh'', and the comic theater '' kyōgen'' (狂言). Traditionally, both types of theatre are performed together, the ''kyōgen'' being interposed between the pieces of ''noh'' during a day of performances. It has influenced the '' Bunraku'', or Japanese puppet theatre as well as ''Kabuki''. Nōgaku theatre was inscribed in 2008 by UNESCO on the List of Masterpieces of the Oral and Intangible Heritage of Humanity The Proclamation of Masterpieces of the Oral and Intangible Heritage of Humanity was made by the Director-General of UNESCO starting in 2001 to raise awareness of intangible cultural heritage—such traditions, rituals, dance, and knowledge—and .... References External links About NohgakuTHE NOHGAKU PERFORMERS' ASSOCIATION THE NOHGAKU PERFORMERS' ASSOCIATIONTHE NOHGAKU PERFORMERS' ASSOCIATION Masterpieces of the Oral and Intangible Heritage of Humanity Dances of J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samurai
The samurai () were members of the warrior class in Japan. They were originally provincial warriors who came from wealthy landowning families who could afford to train their men to be mounted archers. In the 8th century AD, the imperial court downsized the national army and delegated the security of the countryside to these privately trained warriors. Eventually the samurai clans grew so powerful that they became the ''de facto'' rulers of the country. In the aftermath of the Gempei War (1180-1185), Japan formally passed into military rule with the founding of the first shogunate. The status of samurai became heredity by the mid-eleventh century. By the start of the Edo period, the shogun had disbanded the warrior-monk orders and peasant conscript system, leaving the samurai as the only men in the country permitted to carry weapons at all times. Because the Edo period was a time of peace, many samurai neglected their warrior training and focused on peacetime activities such as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kagura
is a type of Shinto ritual ceremonial dance. The term is a contraction of the phrase , indicating the presence of gods () in the practice. One major function of is , involving a procession-trance process. Usually a female shaman will perform the dance and obtain the oracle from the god—in the setting, the dancer herself turns into the god during the performance. Once strictly a ceremonial art derived from , has evolved in many directions over the span of more than a millennium. Today, it is very much a living tradition, with rituals tied to the rhythms of the agricultural calendar, thriving primarily in parts of Shimane Prefecture, and urban centers such as Hiroshima. Types of There are two major types of : and . consists of slow circular movement, stressing quiet and elegance, while consists of quick leaping and jumping, stressing activation and energy. The two types can be understood as two phases of : is a preparation process for trance and is the unconscious tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
