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Nocturnes, Op. 32 (Chopin)
The Nocturnes, Op. 32 is a set of two nocturnes for solo piano written and published by Frédéric Chopin in 1837. The nocturnes are dedicated to Madame Camile de Billing, and were his ninth and tenth nocturnes published. Nocturne in B major, Op. 32, No. 1 The ''Nocturne in B major'' is initially marked '' andante sostenuto'' and is in meter. There are several ''ritardando'' markings throughout, followed by '' a tempo'' marking in the next measure, such as in measure 7, 8, 17 and 18. The piece transitions to ''adagio'' in the last two measures, starting in measure 64. The piece is 65 measures long and, unusually, ends in the tonic minor key, B minor, although some editions (such as those by Rafael Joseffy as well as Chopin's student Carl Mikuli) and performances (such as that by Arthur Rubinstein) end with a B major chord, which has the effect of a Picardy third in the context of the minor-mode coda. There has also been confusion over a key in the first bar of the last line: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theodor Kullak
Theodor Kullak (12 September 1818 – 1 March 1882) was a German pianist, composer and teacher. Background Kullak was born on 12 September 1818, in Krotoszyn. He began his piano studies as a pupil of Albrecht Agthe in Poznań. He progressed sufficiently to excite the interest of the artistic Prince Anton Radziwill in his eighth year. This early ability to attract noble patronage was an art he continued to deploy to advantage for many years to come. In 1829, the prince used his influence to secure a Berlin court concert. He appeared with soprano singer Henriette Sontag. The usually undemonstrative King Frederick William IV was so delighted that he presented young Kullak with thirty Friedrichs d'or. He performed a concert in Breslau that was received with gratifying applause. The kindly Prince Radziwill then saw to a rounded education for Kullak, sponsoring his school fees in Sulechów (now in Poland). Kullak eventually lost Radziwill's patronage and from age thirteen to eight ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Huneker
James Gibbons Huneker (January 31, 1857 – February 9, 1921) was an American art, book, music, and theater critic. A colorful individual and an ambitious writer, he was "an American with a great mission," in the words of his friend, the critic Benjamin De Casseres, and that mission was to educate Americans about the best cultural achievements, native and European, of his time. From 1892 to 1899, he was the husband of the sculptor Clio Hinton. Biography Huneker was born in Philadelphia. Forced by his parents to study law, he knew that a legal career was not what he wanted; he was passionately interested in music and writing, hoping one day to be a concert pianist and a novelist. At twenty-one, he abandoned his office job and Philadelphia ties and (with his pregnant girlfriend, then wife) left for Paris, telling his parents that he was departing only the night before the ship sailed. On a tight budget supplemented with money his parents sent, he studied piano under Leopold D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Sylphides
() is a short, non-narrative '' ballet blanc'' to piano music by Frédéric Chopin, selected and orchestrated by Alexander Glazunov. The ballet, described as a "romantic reverie","Ballet Theater", until 1955. A compact disk of ABT's production, with Mikhail Baryshnikov as the dreamer, is available from Kultor, entitled "American Ballet Theatre at the Met – Mixed Bill (1985)". See Olga Maynard's definitive account, based on information from Fokine's son Vitale Fokine: "Les Sylphides", ''Dance Magazine'' Portfolio: December 1971, advertised separately by some online booksellers. is frequently cited as the first ballet to be simply about mood and dance. has no plot but instead consists of several white-clad sylphs dancing in the moonlight with the "poet" or "young man" dressed in white tights and a black tunic. Its original choreography was by Michel Fokine, with Chopin's music orchestrated by Alexander Glazunov. Glazunov had already set some of the music in 1892 as a purel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chord (music)
In Western music theory, a chord is a group of notes played together for their harmony, harmonic Consonance and dissonance, consonance or dissonance. The most basic type of chord is a Triad (music), triad, so called because it consists of three distinct notes: the Root (chord), root note along with Interval (music), intervals of a Third (chord), third and a Fifth (chord), fifth above the root note. Chords with more than three notes include added tone chords, extended chords and tone clusters, which are used in contemporary classical music, jazz, and other genres. Chords are the building blocks of harmony and form the harmonic foundation of a piece of music. They provide the harmonic support and coloration that accompany melodies and contribute to the overall sound and mood of a musical composition. The factor (chord), factors, or component notes, of a chord are often sounded simultaneously but can instead be sounded consecutively, as in an arpeggio. A succession of chords is ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reprise
In music, a reprise ( , ; from the verb 'to resume') is the repetition or reiteration of the opening material later in a composition as occurs in the recapitulation of sonata form, though—originally in the 18th century—was simply any repeated section, such as is indicated by beginning and ending repeat signs. A partial or abbreviated reprise is known as a petite reprise ( , ). In Baroque music this usually occurs at the very end of a piece, repeating the final phrase with added ornamentation. Song reprises Reprise can refer to a version of a song which is similar to, yet different from, the song on which it is based. One example could be "Time", the fourth song from Pink Floyd's 1973 album '' The Dark Side of the Moon'', which contains a reprise of " Breathe", the second song of the same album. Pink Floyd's 1979 album '' The Wall'' also features a reprise in the form of In the Flesh?/In the Flesh, with the former being the opening track, and the latter being a so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chromatic
Diatonic and chromatic are terms in music theory that are used to characterize scales. The terms are also applied to musical instruments, intervals, chords, notes, musical styles, and kinds of harmony. They are very often used as a pair, especially when applied to contrasting features of the common practice music of the period 1600–1900. These terms may mean different things in different contexts. Very often, ''diatonic'' refers to musical elements derived from the modes and transpositions of the "white note scale" C–D–E–F–G–A–B. In some usages it includes all forms of heptatonic scale that are in common use in Western music (the major, and all forms of the minor). ''Chromatic'' most often refers to structures derived from the chromatic scale in 12-tone equal temperament, which consists of all semitones. Historically, however, it had other senses, referring in Ancient Greek music theory to a particular tuning of the tetrachord, and to a rhythmic notational co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ternary Form
Ternary form, sometimes called song form, is a three-part musical form consisting of an opening section (A), a following section (B) and then a repetition of the first section (A). It is usually schematized as A–B–A. Prominent examples include the da capo aria "The trumpet shall sound" from Handel's '' Messiah'', Chopin's Prelude in D-Flat Major "Raindrop", ( Op. 28) and the opening chorus of Bach's '' St John Passion''. Simple ternary form In ternary form each section is self-contained both thematically as well as tonally (that is, each section contains distinct and complete themes), and ends with an authentic cadence. The B section is generally in a contrasting but closely related key, usually a perfect fifth above or the parallel minor of the home key of the A section (V or i); however, in many works of the Classical period, the B section stays in tonic but has contrasting thematic material. It usually also has a contrasting character; for example section A might ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
F-sharp Minor
F-sharp minor is a minor scale based on F, consisting of the pitches F, G, A, B, C, D, and E. Its key signature has three sharps. Its relative major is A major and its parallel major is F-sharp major (or enharmonically G-flat major). The F-sharp natural minor scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The F-sharp harmonic minor and melodic minor scales are: Scale degree chords The scale degree chords of F-sharp minor are: * Tonic – F-sharp minor * Supertonic – G-sharp diminished * Mediant – A major * Subdominant – B minor * Dominant – C-sharp minor * Submediant – D major * Subtonic – E major Music in F-sharp minor Very few symphonies are written in this key, Haydn's " Farewell Symphony" being one famous example. George Frederick Bristow and Dora Pejačević wrote symphonies in this key. The few concertos written in this key are usually written for the composer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dominant Seventh Chord
Domination or dominant may refer to: Society * World domination, structure where one dominant power governs the planet * Colonialism in which one group (usually a nation) invades another region for material gain or to eliminate competition * Chauvinism in which a person or group consider themselves to be superior, and thus entitled to use force to dominate others * Sexual dominance involving individuals in a subset of BDSM behaviour * Hierarchy Music * Dominant (music), a diatonic scale step and diatonic function in tonal music theory Albums * ''Domination'' (Cannonball Adderley album) or the title track, 1965 * ''Domination'' (Morbid Angel album), 1995 * ''Domination'', by Domino, 2004 * ''Domination'', by Morifade, 2004 Songs * "Domination" (song), by Pantera, 1990 * "Domination", by Band-Maid from ''World Domination'', 2018 * "Domination", by Symphony X from ''Paradise Lost'', 2007 * "Domination", by Way Out West from '' Way Out West'', 1996 * "Domination", by Within t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
