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Ningyō
are one of the traditional Japanese crafts. There are various types of traditional dolls, some representing children and babies, some the imperial court, warriors and heroes, fairy-tale characters, gods and (rarely) demons, and also people of the daily life of Japanese cities. Many have a long tradition and are still made today for household shrines, formal gift-giving, or for festival celebrations such as , the doll festival, or , Children's Day. Some are manufactured as a local craft, to be purchased by pilgrims as a souvenir of a temple visit or some other trip. History There may be a continuity in the making of the , humanoid figures, by the ancient Jōmon culture in Japan (8000–200 BC), which were associated with fertility or shamanistic rites, at a time when dolls were thought to have souls. Dolls also have continuity from the funerary figures of the subsequent Kofun culture (around 300–600 AD). Expert Alan Pate notes that temple records refer to the making of a g ...
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Japanese Craft
Traditional in Japan have a long tradition and history. Included in the category of traditional crafts are handicrafts produced by an individual or a group, as well as work produced by independent studio artists working with traditional craft materials and/or processes. History Japanese craft dates back to when humans settled on its islands. Handicrafting has its roots in the rural crafts – the material-goods necessities – of ancient times. Handicrafters used naturally- and indigenously occurring materials. Traditionally, objects were created to be used and not just to be displayed and thus, the border between craft and art was not always very clear. Crafts were needed by all strata of society and became increasingly sophisticated in their design and execution. Craft had close ties to folk art, but developed into fine art, with a number of aesthetic schools of thought, such as , arising. Craftsmen and women therefore became artisans with increasing sophistication. However, ...
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Edo Period
The , also known as the , is the period between 1600 or 1603 and 1868 in the history of Japan, when the country was under the rule of the Tokugawa shogunate and some 300 regional ''daimyo'', or feudal lords. Emerging from the chaos of the Sengoku period, the Edo period was characterized by prolonged peace and stability, urbanization and economic growth, strict social order, Isolationism, isolationist foreign policies, and popular enjoyment of Japanese art, arts and Culture of Japan, culture. In 1600, Tokugawa Ieyasu prevailed at the Battle of Sekigahara and established hegemony over most of Japan, and in 1603 was given the title ''shogun'' by Emperor Go-Yōzei. Ieyasu resigned two years later in favor of his son Tokugawa Hidetada, Hidetada, but maintained power, and defeated the primary rival to his authority, Toyotomi Hideyori, at the Siege of Osaka in 1615 before his death the next year. Peace generally prevailed from this point on, making samurai largely redundant. Tokugawa sh ...
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Doll
A doll is a physical model, model typically of a human or humanoid character, often used as a toy for children. Dolls have also been used in traditional religious rituals throughout the world. Traditional dolls made of materials such as clay and wood are found in the Americas, Asia, Africa and Europe. The earliest documented dolls go back to the ancient civilizations of Ancient Egypt, Egypt, Ancient Greece, Greece, and Ancient Rome, Rome. They have been made as crude, rudimentary playthings as well as elaborate art. Modern doll manufacturing has its roots in Germany, from the 15th century. With Industrialisation, industrialization and new materials such as porcelain and plastic, dolls were increasingly mass-produced. During the 20th century, dolls became increasingly popular as collectibles. History, types and materials Early history and traditional dolls The earliest dolls were made from available materials such as clay, stone, wood, bone, ivory, leather, or wax. Archaeology ...
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Hinamatsuri
, also called Doll's Day or Girls' Day, is an annual festival in Japan (but not a national holiday), celebrated on 3March of each year. Nussbaum, Louis-Frédéric (2005)"Hina Matsuri"in ''Japan Encyclopedia'', p. 313. Platforms covered with a red carpet material are used to display a set of representing the emperor, empress, attendants, and musicians in traditional court dress of the Heian period. Customs is one of the that are held on auspicious dates of the Lunisolar calendar: the first day of the first month, the third day of the third month, and so on. After the adoption of the Gregorian calendar, these were fixed on 1January, 3March, 5May, 7July, and 9September. The festival was traditionally known as the , as peach trees typically began to flower around this time. Although this is no longer true since the shift to Gregorian dates, the name remains and peaches are still symbolic of the festival. The primary aspect of is the display of seated female and male d ...
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Doll Makers In Japan (1915 By Elstner Hilton)
A doll is a physical model, model typically of a human or humanoid character, often used as a toy for children. Dolls have also been used in traditional religious rituals throughout the world. Traditional dolls made of materials such as clay and wood are found in the Americas, Asia, Africa and Europe. The earliest documented dolls go back to the ancient civilizations of Ancient Egypt, Egypt, Ancient Greece, Greece, and Ancient Rome, Rome. They have been made as crude, rudimentary playthings as well as elaborate art. Modern doll manufacturing has its roots in Germany, from the 15th century. With Industrialisation, industrialization and new materials such as porcelain and plastic, dolls were increasingly mass-produced. During the 20th century, dolls became increasingly popular as collectibles. History, types and materials Early history and traditional dolls The earliest dolls were made from available materials such as clay, stone, wood, bone, ivory, leather, or wax. Archaeology ...
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Okiagari-koboshi
is a Japanese traditional doll. The toy is made from papier-mâché and is a roly-poly toy, designed so that its weight causes it to return to an upright position if it is knocked over. Okiagari-kobōshi is considered a good-luck charm and a symbol of perseverance and resilience (including for Daruma versions). History The makers of the earliest ''okiagari-kobōshi'' likely modeled them after a Chinese toy called '' Budaoweng'' (不倒翁; ''not-falling-down old man'') that is similarly weighted. Okiagari-kobōshi has long been popular among Japanese children. It is mentioned in a 14th-century play called '' Manju-Kui'', and folklorist Lafcadio Hearn recorded a lullaby from Matsue in Izumo Province in the early 20th century that lists the doll as a gift for a young child: Nenneko, nenneko nenneko ya! Kono ko nashite naku-yara? O-chichi ga taranuka? — o-mama ga taranuka? Ima ni ototsan no ōtoto no o-kaeri ni Ame ya, o-kwashi ya, hii-hii ya, Gara-gara, nagureba fuito tatsu Okia ...
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Roly-poly Toy
A roly-poly toy, roly-poly doll, round-bottomed doll, tilting doll, tumbler, wobbly man, wobble doll, or kelly is a round-bottomed toy, usually egg-shaped, that tends to right itself when pushed at an angle, and does this in seeming contradiction to how it should fall. Models Different toy manufacturers and different cultures have produced different-looking roly-poly toys: the '' okiagari-koboshi'' (起き上がり小法師, "take a spill, get up, and arise"), Kokeshi doll and some types of Daruma doll of Japan, the ''nevаlyashka'' (неваляшка, "untopply") or ''van'ka-vstan'ka'' (ванька-встанька, "Ivan-get-up") of Russia, and Playskool's Weebles. Such toys' self-righting characteristics have come to symbolize the ability to have success, overcome adversity, and recover from misfortune. Traditional Chinese examples (called 不倒翁, bù dǎo wēng) are hollow clay figures of plump children, but "many Chinese folk artists shape their tumblers in the image ...
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Papier-mâché
file:JacmelMardiGras.jpg, upright=1.3, Mardi Gras papier-mâché masks, Haiti Papier-mâché ( , , - the French term "mâché" here means "crushed and ground") is a versatile craft technique with roots in ancient China, in which waste paper is shredded and mixed with water and a binder to produce a pulp ideal for modelling or moulding, which dries to a hard surface and allows the creation of light, strong and inexpensive objects of any shape, even very complicated ones. There are various recipes, including those using cardboard and some mineral elements such as chalk or clay (carton-pierre, a building material). Papier-mâché reinforced with textiles or boiled cardboard (carton bouilli) can be used for durable, sturdy objects. There is even carton-cuir (cardboard and leather) There is also a "laminating process", a method in which strips of paper are glued together in layers. Binding agents include glue, starch or wallpaper paste. "Carton-paille" or strawboard was already describ ...
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Good-luck Charm
An amulet, also known as a good luck charm or phylactery, is an object believed to confer protection upon its possessor. The word "amulet" comes from the Latin word , which Pliny's ''Natural History'' describes as "an object that protects a person from trouble". Anything can function as an amulet; items commonly so used include statues, coins, drawings, plant parts, animal parts, and written words. Amulets which are said to derive their extraordinary properties and powers from magic or those which impart luck are typically part of folk religion or paganism, whereas amulets or Sacramental, sacred objects of Organized religion, formalised mainstream religion as in Christianity are believed to have no power of their own without faith in Jesus and being blessing, blessed by a clergyman, and they supposedly will also not provide any preternatural benefit to the bearer who does not have an Disposition#Religion, appropriate disposition. Talisman and amulets have interchangeable meanings. ...
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Sakoku
is the most common name for the isolationist foreign policy of the Japanese Tokugawa shogunate under which, during the Edo period (from 1603 to 1868), relations and trade between Japan and other countries were severely limited, and almost all foreign nationals were banned from entering Japan, while common Japanese people were kept from leaving the country. The policy was enacted by the shogunate government ('' bakufu'') under Tokugawa Iemitsu through a number of edicts and policies from 1633 to 1639. The term originates from the manuscript work written by Japanese astronomer and translator Shizuki Tadao in 1801. Shizuki invented the word while translating the works of the 17th-century German traveller Engelbert Kaempfer namely, his book, 'the history of Japan', posthumously released in 1727. Japan was not completely isolated under the policy. was a system in which strict regulations were placed on commerce and foreign relations by the shogunate and certain feudal domains ...
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Japanese Tea Ceremony
The Japanese tea ceremony (known as or lit. 'Hot water for tea') is a Culture of Japan, Japanese cultural activity involving the ceremonial preparation and presentation of , powdered green tea, the procedure of which is called . The term "Japanese tea ceremony" does not exist in the Japanese language. In Japanese the term is ''Sadō'' or ''Chadō'', which literally translated means "tea way" and places the emphasis on the Tao (道). The English term "Teaism" was coined by Okakura Kakuzō to describe the unique worldview associated with Japanese way of tea as opposed to focusing just on Tea ceremony, the presentation aspect, which came across to the first western observers as ceremonial in nature. In the 1500s, Sen no Rikyū revolutionized Japanese tea culture, essentially perfecting what is now known as the Japanese tea ceremony and elevating it to the status of an art form. He redefined the rules of the tea house, tea garden, utensils, and procedures of the tea ceremony with h ...
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