Nestroy 2010 (10) Joachim Bißmeier
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Nestroy 2010 (10) Joachim Bißmeier
Johann Nepomuk Eduard Ambrosius Nestroy (; 7 December 1801 – 25 May 1862) was a singer, actor and playwright in the popular Austrian tradition of the Biedermeier period and its immediate aftermath. He participated in the 1848 revolutions and his work reflects the new liberal spirit then spreading throughout Europe. Career Nestroy was born in Vienna, where he was a law student from 1817 to 1822, before abandoning his studies to become a singer. He joined the Theater am Kärntnertor, beginning with Sarastro in ''The Magic Flute'' on 24 August 1822. After a year of singing in Vienna, he went to Amsterdam where he appeared in baritone roles for two years at the local German Theatre. From 1825 to 1831 he accepted engagements to sing and act in Brünn, Graz, Pressburg, Klagenfurt, Vienna and Lemberg. He then returned to his native Vienna and started to write and continued to perform. Nestroy's career as a playwright was an immediate success: his 1833 play ''Der böse Geist Lumpaz ...
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Johann Nestroy
Johann Nepomuk Eduard Ambrosius Nestroy (; 7 December 1801 – 25 May 1862) was a singer, actor and playwright in the popular Austrian tradition of the Biedermeier period and its immediate aftermath. He participated in the 1848 revolutions and his work reflects the new liberal spirit then spreading throughout Europe. Career Nestroy was born in Vienna, where he was a law student from 1817 to 1822, before abandoning his studies to become a singer. He joined the Theater am Kärntnertor, beginning with Sarastro in ''The Magic Flute'' on 24 August 1822. After a year of singing in Vienna, he went to Amsterdam where he appeared in baritone roles for two years at the local German Theatre. From 1825 to 1831 he accepted engagements to sing and act in Brünn, Graz, Pressburg, Klagenfurt, Vienna and Lemberg. He then returned to his native Vienna and started to write and continued to perform. Nestroy's career as a playwright was an immediate success: his 1833 play ''Der böse Geist Lumpa ...
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Censorship
Censorship is the suppression of speech, public communication, or other information. This may be done on the basis that such material is considered objectionable, harmful, sensitive, or "inconvenient". Censorship can be conducted by governments and private institutions. When an individual such as an author or other creator engages in censorship of their own works or speech, it is referred to as ''self-censorship''. General censorship occurs in a variety of different media, including speech, books, music, films, and other arts, Newspaper, the press, radio, television, and the Internet for a variety of claimed reasons including national security, to control obscenity, pornography, and hate speech, to protect children or other vulnerable groups, to promote or restrict political or religious views, and to prevent Defamation, slander and Defamation, libel. Specific rules and regulations regarding censorship vary between Legal Jurisdiction, legal jurisdictions and/or private organiza ...
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Lohengrin (opera)
''Lohengrin'' ( in German language, German), Wagner-Werk-Verzeichnis, WWV 75, is a Romanticism, Romantic opera in three acts composed and written by Richard Wagner, first performed in 1850. The story of the eponymous character is taken from medieval German romance, notably the ''Parzival'' of Wolfram von Eschenbach, and its sequel ''Lohengrin'', itself inspired by the epic of ''Garin le Loherain''. It is part of the Knight of the Swan legend. The opera has inspired other works of art. King Ludwig II of Bavaria named his castle Neuschwanstein Castle after the Swan Knight. It was King Ludwig's patronage that later gave Wagner the means and opportunity to complete, build a theatre for, and stage his epic cycle ''Der Ring des Nibelungen''. He had discontinued composing it at the end of Act II of ''Siegfried'', the third of the ''Ring'' tetralogy, to create his radical chromatic masterpiece of the late 1850s, ''Tristan und Isolde'', and his lyrical comic opera of the mid-1860s, ''Di ...
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La Cenerentola
("Cinderella, or Goodness Triumphant") is an operatic in two acts by Gioachino Rossini. The libretto was written by Jacopo Ferretti, based on the libretti written by Charles-Guillaume Étienne for the opera '' Cendrillon'' with music by Nicolas Isouard (first performed Paris, 1810) and by Francesco Fiorini for with music by Stefano Pavesi (first performed Milan, 1814). All these operas are versions of the fairy tale '' Cendrillon'' by Charles Perrault. Rossini's opera was first performed in Rome's Teatro Valle on 25 January 1817. In this variation of the fairy tale, the wicked stepmother is replaced by a stepfather, Don Magnifico. The Fairy Godmother is replaced by Alidoro, a philosopher and tutor to the Prince. Cinderella is identified not by a glass slipper but by her silver ring. The supernatural elements that traditionally characterize the Cinderella story were removed from the libretto simply for ease of staging. Rossini composed when he was 25 years old, following t ...
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Cendrillon (Isouard)
''Cendrillon'' (; ) is a French opera in three acts by the Maltese-born composer Nicolas Isouard. It takes the form of an ''opéra comique'' with spoken dialogue between the musical numbers, although its authors designated it an ''opéra féerie''. The libretto, by Charles-Guillaume Étienne, is based on Charles Perrault's fairy tale ''Cinderella''. The work was first performed by the Opéra-Comique at the Salle Feydeau in Paris on 22 February 1810. ''Cendrillon'' was a success throughout Europe until its popularity was eclipsed by that of Rossini's opera on the Cinderella theme, ''La Cenerentola'' (1817). Roles Synopsis Act 1 Cendrillon is the stepdaughter of Baron Montefiascone. She lives in his house with his daughters, Clorinde and Thisbé, where she is treated like a servant. The two sisters are preparing for the royal ball when a beggar arrives asking for hospitality. Cendrillon welcomes him but the sisters drive him away, not realising he is Alidor, the Prince's minister ...
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Posse Mit Gesang
("farce with singing", plural: ) is a form of popular German-language music drama, that developed in the late 18th and early 19th centuries. Early examples are sometimes called or . It is also sometimes referred to simply as (farce). Associated with Vienna, and also Berlin and Hamburg, the was similar to the Singspiel, but generally had more action and less music than the more operatic form. Viennese examples included Ferdinand Raimund's of 1828 and many of the works of Johann Nestroy. Composers who contributed music for included Wenzel Müller, Conradin Kreutzer, and Philip Jakob Riotte. Some 20th-century examples of posse written by Walter Kollo were (1912) and (1913). More specialized examples of the genre were (daily life themes), (magic), (personalities), (situations), and (parodies). Other examples of *1820: by Franz Schubert, Vienna, Theater am Kärntnertor *1826: by Wenzel Müller, Vienna, Theater in der Leopoldstadt *1842: by Johann Nestroy (text) and ...
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Anton M
Anton may refer to: People *Anton (given name), a list of people with the given name *Anton (surname), a list of people with the surname Places *Anton Municipality, Bulgaria **Anton, Sofia Province, a village *Antón District, Panama **Antón, a town and capital of the district *Anton, Colorado, an unincorporated town *Anton, Texas, a city *Anton, Wisconsin, an unincorporated community *River Anton, Hampshire, United Kingdom Other uses *Case Anton, codename for the German and Italian occupation of Vichy France in 1942 *Anton (computer), a highly parallel supercomputer for molecular dynamics simulations * ''Anton'' (1973 film), a Norwegian film * ''Anton'' (2008 film), an Irish film * Anton Cup, the championship trophy of the Swedish junior hockey league J20 SuperElit * Dynamite Anton, an name of the main protagonist of Antonblast, a 2024 video game and Antonball Deluxe ''Antonball Deluxe'', stylized in all caps, is a 2021 Puzzle video game, puzzle-Breakout clone, brick b ...
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Michael Hebenstreit
Michael Hebenstreit (ca 1812 – after 1875) was an Austrian Empire, Austrian Kapellmeister and composer for stage music. Life Almost nothing has been handed down about Hebenstreit's life, only a few Sheet music, scores have survived. He was a successor to Adolf Müller senior as Kapellmeister as well as in the field of stage music and often worked together with Johann Nestroy. His place of activity was the Leopoldstädter Theater, which, after being demolished and rebuilt under director Carl Carl, was renamed the Carltheater in December 1847, where he worked until his death in 1875. After the premiere of ' on 17 November 1849, the ''Österreichische Courier'' of 20 November 1849 (No 276, ) wrote rather derogatory about Hebenstreit's music, it would be "mildly marked - mediocre". Hebenstreit was the discoverer and promoter of the opera singer Etelka Gerster (1855–1920). Since he taught her from 1874 to 1875 at the former Vienna Conservatory, his year of death must be after 187 ...
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Adolf Müller Senior
Adolf (also spelt Adolph or Adolphe, Adolfo, and when Latinisation (literature), Latinised Adolphus) is a given name with German language, German origins. The name is a Compound (linguistics), compound derived from the Old High German ''Athalwolf'' (or ''Hadulf''), a composition of ''athal'', or ''adal'', meaning "noble" (or '':wikt:hadu-, had(u)''-, meaning "battle, combat"), and ''wolf''. The name is cognate to the Anglo-Saxons, Anglo-Saxon name ''Æthelwulf'' (also Eadulf or Eadwulf). The name can also be derived from the ancient Germanic elements "Wald" meaning "power", "brightness" and wolf (Waldwulf). Due to its extremely negative associations with the Nazi leader Adolf Hitler, the name has greatly declined in popularity since the end of World War II. Similar names include Lithuanian language, Lithuanian Adolfas and Latvian language, Latvian Ādolfs. The female forms Adolphine (name), Adolphine and Adolpha are far more rare than the male names. Adolphus can also appear as ...
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Tom Stoppard
Sir Tom Stoppard (; born , 3 July 1937) is a Czech-born British playwright and screenwriter. He has written for film, radio, stage, and television, finding prominence with plays. His work covers the themes of human rights, censorship, and political freedom, often delving into the deeper philosophical bases of society. Stoppard has been a playwright of the Royal National Theatre, National Theatre and is one of the most internationally performed dramatists of his generation. He was Orders, decorations, and medals of the United Kingdom, knighted for his contribution to theatre by Queen Elizabeth II in 1997. Born in First Czechoslovak Republic, Czechoslovakia, Stoppard left as a child refugee, fleeing German occupation of Czechoslovakia, imminent Nazi occupation. He settled with his family in Britain after the war, in 1946, having spent the previous three years (1943–1946) in a boarding school in Darjeeling in the Indian Himalayas. After being educated at schools in Nottingham and ...
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On The Razzle (play)
''On the Razzle'' is a play by Tom Stoppard which premiered at the Royal National Theatre, London in 1981. It is an adaptation of the 1842 Viennese play '' Einen Jux will er sich machen'' by Johann Nestroy, which had been adapted twice by Thornton Wilder. The first Wilder version, 1938, entitled '' The Merchant of Yonkers'', was faithful to the original material, but the second Wilder version, 1955, renamed '' The Matchmaker'', expanded the previously secondary role of Dolly Gallagher Levi, who later became the heroine of the Jerry Herman musical hit, '' Hello, Dolly!''. Stoppard's adaptation eliminates the Dolly character. The play's title is a euphemism, often used by the British press, to describe the actions of a celebrity who has drunk, or is about to drink, a considerable amount of alcohol. Plot Stoppard's farce consists of two hours of slapstick shenanigans, mistaken identities, misdirected orders, malapropisms, double entendres, and romantic complications. Herr Zangler ...
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Einen Jux Will Er Sich Machen
''Einen Jux will er sich machen'' (1842) (''He Will Go on a Spree'' or ''He'll Have Himself a Good Time''), is a three-act musical play, designated as a Posse mit Gesang ("farce with singing"), by Austrian playwright Johann Nestroy. It was adapted from John Oxenford's ''A Day Well Spent'' (1835), and was first performed at the Theater an der Wien in Vienna on 10 March 1842. The music was composed by Adolf Müller. Although about half of Nestroy's works have been revived for the modern German-speaking audience and many are part and parcel of today's Viennese repertoire, few have ever been translated into English because Nestroy wrote in a stylized and finely graduated form of Viennese dialect full of multiple puns and local allusions. ''Einen Jux will er sich machen'' is his only work that has become well known to English-speaking theatre-goers. A frequently adapted classic, it was adapted twice by Thornton Wilder, first as '' The Merchant of Yonkers'' (1938), then, much mor ...
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