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National Museum, Lublin
The National Museum in Lublin () is one of the oldest and largest museums in Eastern Poland, located in Lublin. It was created in 1914, and received its own building in 1923. History The history of the Lublin Museum dates back to the beginning of the 20th century, and is associated with Hieronim Łopaciński, a junior high school teacher and a correspondent of the Academy of Learning, amateur historian, ethnographer, bibliophile and lover of antiquity. Thanks to his efforts in 1901, two exhibitions were organized in Lublin. The exhibition of art and antiquities was opened on June 4 in the former Dominican Monastery. Approximately 4,000 exhibits were assembled – engravings, paintings, sculptures, decorative arts, documents, prints, manuscripts, excavated artefacts, guild artefacts, arms, coins, medals, stamps and maps. The industrial and agricultural exhibition was opened on June 22 with ethnographic section where folk costumes, wooden products and ritual art were presented. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lublin
Lublin is List of cities and towns in Poland, the ninth-largest city in Poland and the second-largest city of historical Lesser Poland. It is the capital and the centre of Lublin Voivodeship with a population of 336,339 (December 2021). Lublin is the largest Polish city east of the Vistula River, located southeast of Warsaw. One of the events that greatly contributed to the city's development was the Union of Krewo, Polish–Lithuanian Union of Krewo in 1385. Lublin thrived as a centre of trade and commerce due to its strategic location on the route between Vilnius and Kraków; the inhabitants had the privilege of free trade in the Grand Duchy of Lithuania. The Lublin Sejm, Parliament session of 1569 led to the creation of a Union of Lublin, real union between the Crown of the Kingdom of Poland and the Grand Duchy of Lithuania, thus creating the Polish–Lithuanian Commonwealth. Lublin witnessed the early stages of the Reformation in the 16th century. A Calvinist congregation wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hendrick Ter Brugghen
Hendrick Jansz ter Brugghen (or Terbrugghen) (1588 – 1 November 1629) was a Dutch people, Dutch painter of genre scenes and religious subjects. He was one of the Dutch followers of Caravaggio – the so-called ''Utrecht Caravaggism, Utrecht Caravaggisti''. Along with Gerrit van Honthorst, Gerrit van Hondhorst and Dirck van Baburen, Ter Brugghen was one of the most important Dutch painters to have been influenced by Caravaggio. Biography No references to Ter Brugghen written during his life have been identified. His father Jan Egbertsz ter Brugghen, originally from Overijssel, had moved to Utrecht, where he was appointed secretary to the Court of Utrecht by the Prince of Orange, William the Silent. He had been married to Sophia Dircx. In 1588, he became bailiff to the Provincial Council of Holland in The Hague, where Hendrick was born. The earliest brief reference to the painter is in ''Het Gulden Cabinet'' (1661) of Cornelis de Bie, where he is mistakenly referred to a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Museums And Galleries In Poland
Art is a diverse range of culture, cultural activity centered around works of art, ''works'' utilizing Creativity, creative or imagination, imaginative talents, which are expected to evoke a worthwhile experience, generally through an expression of emotional power, conceptual ideas, technical proficiency, or beauty. There is no generally agreed definition of what constitutes ''art'', and its interpretation has varied greatly throughout history and across cultures. In the Western world, Western tradition, the three classical branches of visual art are painting, sculpture, and architecture. Theatre, dance, and other performing arts, as well as literature, music, film and other media such as interactive media, are included in a broader definition of "the arts". Until the 17th century, ''art'' referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buildings And Structures In Lublin
A building or edifice is an enclosed structure with a roof, walls and windows, usually standing permanently in one place, such as a house or factory. Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for numerous factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the concept, see ''Nonbuilding structure'' for contrast. Buildings serve several societal needs – occupancy, primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical separation of the human habitat (a place of comfort and safety) from the ''outside'' (a place that may be harsh and harmful at times). buildings have been objects or canvasses of much artistic expression. In recent years, interest in sustainable planning and building practi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museums In Lublin Voivodeship
A museum is an institution dedicated to displaying or preserving culturally or scientifically significant objects. Many museums have exhibitions of these objects on public display, and some have private collections that are used by researchers and specialists. Museums host a much wider range of objects than a library, and they usually focus on a specific theme, such as the arts, science, natural history or local history. Public museums that host exhibitions and interactive demonstrations are often tourist attractions, and many draw large numbers of visitors from outside of their host country, with the most visited museums in the world attracting millions of visitors annually. Since the establishment of the earliest known museum in ancient times, museums have been associated with academia and the preservation of rare items. Museums originated as private collections of interesting items, and not until much later did the emphasis on educating the public take root. Etymology The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Museums Of Poland
National may refer to: Common uses * Nation or country ** Nationality – a ''national'' is a person who is subject to a nation, regardless of whether the person has full rights as a citizen Places in the United States * National, Maryland, census-designated place * National, Nevada, ghost town * National, Utah, ghost town * National, West Virginia, unincorporated community Commerce * National (brand), a brand name of electronic goods from Panasonic * National Benzole (or simply known as National), former petrol station chain in the UK, merged with BP * National Book Store, a bookstore and office supplies chain in the Philippines * National Car Rental, an American rental car company * National Energy Systems, a former name of Eco Marine Power * National Entertainment Commission, a former name of the Media Rating Council * National Motor Vehicle Company, Indianapolis, Indiana, USA 1900–1924 * National Radio Company, Malden, Massachusetts, USA 1914–1991 * National Supermarke ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Museums In Poland
The Minister of Culture and National Heritage of Poland may inscribe a Polish museum into the National Register of Museums () in order to confirm the high level of its cultural activity and the importance of its collection. Only those museums that meet the required criteria – including importance of the museum's collection, a team of well qualified employees, an adequate building, and a permanent source of financing – may be entered into the register. Such museums are known as registered museums (). A registered museum that no longer meets the criteria may be removed from the register. Registered museums enjoy certain privileges that other museums in Poland do not. A registered museum has the right of pre-emption for artefacts offered for sale by antique traders and at auctions. Directors of registered museums elect triennially from among themselves eleven out of 21 members of the Museums Council (), which advises the Minister of Culture and National Heritage on matters relat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Matejko
Jan Alojzy Matejko (; also known as Jan Mateyko; 24 June 1838 – 1 November 1893) was a Polish painter, a leading 19th-century exponent of history painting, known for depicting nodal events from Polish history. His works include large scale oil on canvas, oil paintings such as ''Stańczyk (painting), Stańczyk'' (1862), ''Rejtan (painting), Rejtan'' (1866), ''Unia lubelska (painting), Union of Lublin'' (1869),'' Astronomer Copernicus, or Conversations with God'' (1873), or ''Battle of Grunwald (painting), Battle of Grunwald'' (1878). He was the author of numerous portraits, a gallery of List of Polish monarchs, Polish monarchs in book form, and murals in St. Mary's Basilica, Kraków. He is considered by many as the most celebrated Polish painters, Polish painter, and sometimes as the "national painter" of Poland. Matejko spent most of his life in Kraków. He enrolled at the Kraków Academy of Fine Arts at age fourteen, where he studied under notable artists such as Wojciech ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abraham Hondius
Abraham Danielsz. Hondius (about 1631 – 17 September 1691) was a Dutch Golden Age painter known for his depictions of animals. Career Hondius was born in Rotterdam. He was the son of a city stonemason, Daniel Abramsz de Hondt. Hondius trained under Pieter de Bloot (1601–1658) and Cornelis Saftleven. in the He lived in Rotterdam until he moved to in 1659. He migrated to in 1666, where he spent the rest of his life. Throughout his career, Hondius combined several stylistic influences ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Philip Van Thielen
Jan Philip van Thielen or Jan Philips van Thielen (1618 in Mechelen – 1667 in Booischot) was a Flemish painter who specialized in flower pieces and garland paintings. He was a regular collaborator with leading Flemish and Dutch figure painters of his time. Van Thielen was the most popular flower painter in Flanders and his patrons included Diego Felipez de Guzmán, 1st Marquis of Leganés and Leopold Wilhelm of Austria, the art-loving governor of the Spanish Netherlands.J.J.P.P., Jan Philip van Thielen at the Prado site Life Van Thielen was born in Mechelen as the son of a minor nobleman by the name of Liebrecht van Thielen. Jan Philip would eventually assume his father's title of Lord of Couwenberch. His mother was Anna R ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerard Van Honthorst
Gerard van Honthorst (Dutch: ''Gerrit van Honthorst''; 4 November 1592 – 27 April 1656) was a Dutch Golden Age painting, Dutch Golden Age painter who became known for his depiction of artificially lit scenes, eventually receiving the nickname ''Gherardo delle Notti'' ("Gerard of the Nights"). Early in his career he visited Rome, where he had great success painting in a style influenced by Caravaggio. Following his return to the Netherlands he became a leading portrait painter. Van Honthorst's contemporaries included Utrecht painters Hendrick ter Brugghen, Hendrick Ter Brugghen and Dirck van Baburen. Early life Van Honthorst was born in Utrecht, the son of a decorative painter, and trained under his father, and then under Abraham Bloemaert.Brown (1997), p.62 Italy Having completed his education, Honthorst went to Italy, where he is first recorded in 1616. He was one of the artists from Utrecht who went to Rome at around this time, all of whom were to be deeply influen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pantocrator
In Christian iconography, Christ Pantocrator (, ) is a specific depiction of Christ. or , literally 'ruler of all', but usually translated as 'almighty' or 'all-powerful', is derived from one of many names of God in Judaism. The Pantokrator is largely an Eastern Orthodox, Eastern Catholic or Eastern Lutheran theological conception and is less common under that name in Latin Catholicism and Western Lutheranism. In the West, the equivalent image in art is known as Christ in Majesty, which developed a rather different iconography. ''Christ Pantocrator'' has come to suggest Christ as a benevolent, though also stern and all-powerful, judge of humanity. When the Hebrew Bible was translated into Greek as the Septuagint, ''Pantokrator'' was used both for ''YHWH Sabaoth'' () " Lord of Hosts" and for '' El Shaddai'' " God Almighty". In the New Testament, ''Pantokrator'' is used once by Paul () and nine times in the Book of Revelation: , , , , , , , , and . The references to God the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
