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Nakamura Ganjirō II
was a Japanese kabuki and film actor. He appeared in more than 70 films between 1941 and 1980, directed by notable filmmakers such as Yasujirō Ozu, Kenji Mizoguchi, Akira Kurosawa, and Mikio Naruse. Lineage Born into a renowned Kabuki acting family from Kansai, Ganjirō II was the youngest son of Nakamura Ganjirō I, one of the most celebrated Kabuki actors from the 1870s to the 1930s and grandson of Nakamura Kanjaku III, one of the most outstanding ''kaneru yakusha'' in the history of Kabuki theater. His older brother, Hayashi Mataichirō II was a Kabuki actor like him and was known for his spectacular and outstanding skills as a Kabuki dancer. Ganjirō II was the second in the line of actors to inherit the prestigious name Nakamura Ganjirō (the first being his father, Nakamura Ganjirō I) and his son and his eldest grandson would also inherit the name, being known respectively as Nakamura Ganjirō III (currently Sakata Tōjūrō IV) and Nakamura Ganjirō IV. Before being ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meiji Restoration
The , referred to at the time as the , and also known as the Meiji Renovation, Revolution, Regeneration, Reform, or Renewal, was a political event that restored Imperial House of Japan, imperial rule to Japan in 1868 under Emperor Meiji. Although there were ruling emperors before the Meiji Restoration, the events restored practical power to, and consolidated the political system under, the Emperor of Japan. The Restoration led to enormous changes in Japan's political and social structure and spanned both the late Edo period (often called the Bakumatsu) and the beginning of the Meiji era, during which time Japan rapidly Industrialization, industrialised and adopted Western culture, Western ideas and production methods. The origins of the Restoration lay in economic and political difficulties faced by the Tokugawa shogunate. These problems were compounded by the encroachment of foreign powers in the region which challenged the Tokugawa policy of , specifically the arrival of the Pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Loyal 47 Ronin (1958 Film)
is a 1958 color jidaigeki (period drama) Cinema of Japan, Japanese film directed by Kunio Watanabe. With box office earnings of ¥410 million, it was the most successful film of 1958 in Japan. Furthermore, it was the second-highest-grossing film of the 1950s in Japan. Plot The Loyal 47 Ronin tells the true tale of a group of samurai who became rōnin (leaderless samurai) after their daimyō (feudal lord) Asano Naganori was compelled to commit seppuku (ritual suicide) for assaulting a court official, Kira Yoshinaka, who had insulted him. After carefully planning for over a year, they execute a daring assault on their sworn enemy's estate, and exact their revenge, knowing that they themselves would be forced to share their Lord's fate to atone for their crime. Cast * Kazuo Hasegawa as Ōishi Kuranosuke (Ōishi Yoshio) * Shintaro Katsu as Genzō Akagaki * Kōji Tsuruta as Kin'emon Okano * Raizō Ichikawa as Asano Naganori, Takuminokami Asano * Machiko Kyō as Orui * Fujiko Ya ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Love Under The Crucifix
is a 1962 Japanese jidaigeki, historical drama film directed by Kinuyo Tanaka, based on Tōkō Kon's novel ''Ogin-sama''. It was the last film Tanaka directed. Plot Set in Azuchi–Momoyama period, late 16th century Japan, the film tells the tragic love story between Ogin, daughter of Japanese tea ceremony, tea ceremony master Sen no Rikyū, and Christian daimyō Takayama Ukon. Friends since their childhood days, Ukon first introduced her to the Christian faith when she was sixteen. During Ukon's visit to her father's house, Ogin confesses her feelings for him, but his marriage makes it impossible to return them. Soon afterwards, merchant Shintaro of the powerful local Mozuya family proposes to Ogin. Because her mother reminds her that refusing the proposal might result in consequences for her father, and Ukon does not show any sign of opposition, Ogin reluctantly accepts. Two years later. Ogin's husband Shintaro blames her for still loving Ukon while rejecting his own advances ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The End Of Summer
is a 1961 Japanese film directed by Yasujirō Ozu for Toho Films. It was entered into the 12th Berlin International Film Festival. The film was his penultimate; only ''An Autumn Afternoon'' (1962) followed it, which he made for Shochiku Films. Plot Manbei Kohayagawa (Nakamura Ganjirō II), the head of a small sake brewery outside Kyoto, has two daughters and a widowed daughter-in-law. His daughter-in-law, Akiko (Setsuko Hara), and his younger daughter, Noriko (Yoko Tsukasa), live in Osaka. Akiko helps out at an art gallery and has a son, Minoru. Noriko, unmarried, is an office worker. Manbei's other daughter, Fumiko (Michiyo Aratama), lives with him. Her husband, Hisao, helps at the brewery and they have a young son, Masao. Manbei asks his brother-in-law Kitagawa (Daisuke Katō) to find Akiko a husband, and Kitagawa has Akiko meet a friend of his, Isomura Ei'ichiro (Hisaya Morishige), a widower, at a bar. Isomura is enthusiastic about the match, but Akiko is hesitant. Manbei als ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tokugawa Ieyasu
Tokugawa Ieyasu (born Matsudaira Takechiyo; 31 January 1543 – 1 June 1616) was the founder and first ''shōgun'' of the Tokugawa shogunate of Japan, which ruled from 1603 until the Meiji Restoration in 1868. He was the third of the three "Great Unifiers" of Japan, along with his former lord Oda Nobunaga, Oda Nobunaga and fellow Oda clan, Oda subordinate Toyotomi Hideyoshi. The son of a minor daimyo, Ieyasu once lived as a hostage under daimyo Imagawa Yoshimoto on behalf of his father. He later succeeded as daimyo after his father's death, serving as ally, vassal, and general of the Oda clan, and building up his strength under Oda Nobunaga. After Oda Nobunaga's death, Ieyasu was briefly a rival of Toyotomi Hideyoshi, before declaring his allegiance to Toyotomi and fighting on his behalf. Under Toyotomi, Ieyasu was relocated to the Kantō region, Kanto plains in eastern Japan, away from the Toyotomi power base in Osaka. He built Edo Castle, his castle in the fishing village of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Demon Of Mount Oe
is a 1960 Japanese horror film directed by Tokuzō Tanaka and produced by Daiei Film. The film is about Samurai warriors joining forces to defeat a shape-changing supernatural creature. Cast Release ''The Demon of Mount Oe'' was released in Japan on April 27, 1960. The film was released on VHS in Japan by Daiei on December 12, 1997 and was released on DVD by Kadokawa Shoten , formerly , is a Japanese publisher and division of Kadokawa Future Publishing based in Tokyo, Japan. It became an internal division of Kadokawa Corporation on October 1, 2013. Kadokawa publishes manga, light novels, manga anthology magazines ... on January 24, 2014. References External links * 1960 films 1960s Japanese-language films Japanese horror films Japanese fantasy drama films Daiei Film tokusatsu films Daiei Film films 1960 horror films Films directed by Tokuzō Tanaka 1960s Japanese films {{1960s-Japan-film-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
When A Woman Ascends The Stairs
is a 1960 Japanese drama film directed by Mikio Naruse. Plot Keiko (called "Mama" by the other characters), a young widow approaching 30, is a hostess at a bar in Ginza. Realizing she is getting older, she decides after talking to her bar manager, Komatsu, that she wants to open her own bar rather than remarrying and dishonoring her late husband to whose memory she is still devoted. To accomplish this, she must secure loans from some affluent patrons who frequent her bar, but has little success. Meanwhile, Yuri, a former employee, has opened up her own bar nearby, consequently taking away most of Keiko's former customers. She scouts locations for her own bar with a confidant of her bar, Junko, undecided as to where she will open up. While Keiko has lunch with Yuri, whom she believes is doing well in her enterprise, Yuri reveals that she is deep in debt and cannot afford to pay off her creditors. She tells Keiko she plans to fake a suicide to keep her creditors at bay. Keiko is s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jokyo (film)
is a 1960 Japanese drama anthology film directed by Kōzaburō Yoshimura, Kon Ichikawa and Yasuzō Masumura. Plot The film consists of three stories revolving around women. The first story is about a young woman who works in a Tokyo nightclub. She has what seems like a good plan for a strong financial future; she is investing in a company on the one hand, and on the other, taking action to snare the son of the company's owner in marriage. In the second story, a young woman is employed by a real estate agent in order to convince male clients to invest in worthless property, usually by bathing with them. The last story is about a widowed geisha who has no financial worries. But when she falls in love with a forger, she opts to wait for him after he is sent to prison. This causes trouble for her in family and society, but she ignores them despite the pressure. Cast ;Episode 1 (directed by Yasuzo Masumura) * Ayako Wakao as Kimi * Hiroshi Kawaguchi as Tabata * Sachiko Hidari as S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Floating Weeds
is a 1959 Japanese drama directed by Yasujirō Ozu, starring Nakamura Ganjirō II and Machiko Kyō. Considered one of the greatest films ever made, it is a remake of Ozu's own black-and-white silent film '' A Story of Floating Weeds'' (1934). Plot During the summer of 1958 at a seaside town on the Inland Sea, a travelling theatre troupe arrives by ship, headed by the troupe's lead actor and owner, Komajuro. While the rest of the troupe goes around the town to publicize their appearance, Komajuro visits his former mistress, Oyoshi, who runs a small eatery in the town. They have a grown-up son, Kiyoshi, who works at the post office as a mail clerk and is saving up to study at the university. However, he doesn't know who Komajuro is, having been told he is his uncle. Komajuro invites Kiyoshi to go fishing at sea. When Sumiko, the lead actress of the troupe and Komajuro's present girlfriend, learns that Komajuro is visiting his former mistress, she becomes jealous and visits Oyoshi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emperor Keikō
, also known as and , was the 12th legendary Emperor of Japan, according to the traditional order of succession. Both the ''Kojiki'', and the ''Nihon Shoki'' (collectively known as the ''Kiki'') record events that took place during Keikō's alleged lifetime. Keikō was recorded as being an exceptionally tall emperor who had a very large family. During his reign he sought to expand territorial control through conquest of local tribes. He had a very important son named "Prince Ōsu" ( Yamato Takeru), who was in possession of the Kusanagi when he died. This treasure was later moved to Atsuta Shrine, and is now a part of the Imperial Regalia of Japan. There is a possibility that Keikō actually lived or reigned in the 4th century AD rather than the 1st, but more information is needed to confirm this view. Keikō's reign is conventionally considered to have been from 71 to 130 AD. During his alleged lifetime, he fathered at least 80 children with two chief wives (empress) and nine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Birth Of Japan
is a 1959 Japanese epic religious fantasy film directed by Hiroshi Inagaki, with special effects by Eiji Tsuburaya. Produced by Toho as their celebratory thousandth film, it was the most expensive Japanese film ever made upon its release and is based on the legends ''Kojiki'' and ''Nihon Shoki'' and the origins of ''Shinto''. The film was the highest-grossing film of 1959 for Toho and the second highest grossing domestic production in Japan for the year. The film was shown in Japan in 1959 as ''Nippon Tanjo'' (''The Birth of Japan'') with a running time of 182 minutes, but it was released in the United States in December 1960 as ''The Three Treasures'', edited down to only 112 minutes. It was also shown internationally under the title ''Age of the Gods''. Plot ''The Three Treasures'' retells the story of the Yamato Takeru legend, and features a recounting of the great battle between Susanoo and the legendary dragon Orochi. Cast * Toshiro Mifune as Prince Yamato Takeru and S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odd Obsession
is a 1959 Japanese satirical comedy drama film directed by Kon Ichikawa. It is based on the 1956 novel '' The Key'' by Jun'ichirō Tanizaki. Plot Art historian Kenji Kenmochi is married to the much younger Ikuko. Due to his waning virility, he has his doctor give him hormone injections. In addition, he tries to awaken the interest of his daughter Toshiko's fiancé, assistant doctor Kimura, in Ikuko, convinced that his jealousy will bring his manliness back. Ikuko agrees to the plan, as she has developed a genuine interest in Kimura. However, Kimura's main ambition for becoming part of the Kenmochi family is financing his continued studies with Kenji's money. Kenji eventually dies of a heart failure, an effect of his hormone injections. After the funeral, Ikuko, Toshiko and Kimura plan to live together, although it isn't clear with which woman – or both – Kimura will be sleeping. As they begin their new life with a post-funeral meal, Toshiko tries to poison her mother's tea, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
