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Mokumokuren
are ''yōkai'' in Japanese mythology. Mythology The ''Mokumokuren'' usually live in torn shoji (Japanese paper sliding walls), although they can also be found in tatami floor mats and in walls. The name "Mokumokuren" literally means "many eyes" or "continuous eyes". The ''Mokumokuren'' is considered by the Japanese to be one of the traditional inhabitants of haunted houses. The only way to remove the spirit from the wall is to patch up the holes in it. ''Mokumokuren'' are said to be an invention of Toriyama Sekien. Legends A stingy traveling merchant once tried to save money by sleeping in an abandoned house rather than sleeping in an inn. Waking in the middle of the night, he was confronted by an (almost) entire shoji screen staring down at him. Instead of becoming scared, he removed the eyeballs from the screen and sold them to a local eye surgeon. In another story, a traveler was determined to remain in the same house as a ''Mokumokuren'', attempting to ignore it by wrapp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yōkai
are a class of supernatural entities and spirits in Japanese folklore. The word is composed of the kanji for "attractive; calamity" and "apparition; mystery; suspicious." are also referred to as , or . Despite often being translated as such, are not literally demons in the Western sense of the word, but are instead spirits and entities. Their behavior can range from malevolent or mischievous to benevolent to humans. often have animal features (such as the , depicted as appearing similar to a turtle, and the , commonly depicted with wings), but may also appear humanoid in appearance, such as the . Some resemble inanimate objects (such as the ), while others have no discernible shape. are typically described as having spiritual or supernatural abilities, with shapeshifting being the most common trait associated with them. that shapeshift are known as or . Japanese folklorists and historians explain as personifications of "supernatural or unaccountable phenomena to t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Mythology
Japanese mythology is a collection of traditional stories, folktales, and beliefs that emerged in the islands of the Japanese archipelago. Shinto and Buddhist traditions are the cornerstones of Japanese mythology. The history of thousands of years of contact with Korea, Ainu, and Okinawan myths are also key influences in Japanese mythology. Japanese myths are tied to the topography of the archipelago as well as agriculturally-based folk religion, and the Shinto pantheon holds countless '' kami'' ( Japanese for " god(s)" or "spirits"). This article will discuss cosmogony, important deities, modern interpretations, cultural significance, and the influence of these myths. Two important sources for Japanese myths as they are recognized today are the '' Kojiki'' and the '' Nihon Shoki''. The ''Kojiki'', or "Record of Ancient Matters," is the oldest surviving account of Japan's myths, legends, and history. Additionally, the ''Shintōshū'' describes the origins of Japanese de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shoji
A is a door, window or room divider used in traditional Japanese architecture, consisting of translucent (or transparent) sheets on a lattice frame. Where light transmission is not needed, the similar but opaque '' fusuma'' is used (oshiire/closet doors, for instance). Shoji usually slide, but may occasionally be hung or hinged, especially in more rustic styles. Shoji are very lightweight, so they are easily slid aside, or taken off their tracks and stored in a closet, opening the room to other rooms or the outside. Fully traditional buildings may have only one large room, under a roof supported by a post-and-lintel frame, with few or no permanent interior or exterior walls; the space is flexibly subdivided as needed by the removable sliding wall panels. The posts are generally placed one ''tatami''-length (about 2 m or 6 ft) apart, and the shoji slide in two parallel wood-groove tracks between them. In modern construction, the shoji often do not form the exterio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tatami
A is a type of mat used as a flooring material in traditional Japanese-style rooms. Tatamis are made in standard sizes, twice as long as wide, about 0.9 m by 1.8 m depending on the region. In martial arts, tatami are the floor used for training in a dojo and for competition. Tatami are covered with a weft-faced weave of (common rush), on a warp of hemp or weaker cotton. There are four warps per weft shed, two at each end (or sometimes two per shed, one at each end, to cut costs). The (core) is traditionally made from sewn-together rice straw, but contemporary tatami sometimes have compressed wood chip boards or extruded polystyrene foam in their cores, instead or as well. The long sides are usually with brocade or plain cloth, although some tatami have no edging. History The term ''tatami'' is derived from the verb , meaning 'to fold' or 'to pile'. This indicates that the early tatami were thin and could be folded up when not used or piled in layers.Kodansha Encyclop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toriyama Sekien
200px, A Mikoshi-nyūdō, specifically a Miage-nyūdō, as portrayed by Toriyama">Miage-nyūdō.html" ;"title="Mikoshi-nyūdō, specifically a Miage-nyūdō">Mikoshi-nyūdō, specifically a Miage-nyūdō, as portrayed by Toriyama , real name Sano Toyofusa, was an 18th-century scholar, ''kyōka'' poet, and ''ukiyo-e'' artist of Japanese folklore. Born to a family of high-ranking servants to the Tokugawa shogunate, he was trained by Kanō school artists Kanō Gyokuen and Kanō Chikanobu, although he was never officially recognized as a Kanō school painter. Art career After retiring from service to the shogunate, he became a teacher to numerous apprentices in poetry and painting. He was among the first to apply Kanō techniques to ''ukiyo-e'' printmaking, inventing key new techniques along the way, such as ''fuki-bokashi'', which allowed for replicating color gradations. Most famously, he was the teacher of Kitagawa Utamaro and Utagawa Toyoharu. Sekien is best known for his mass-pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pokémon
(an abbreviation for in Japan) is a Japanese media franchise managed by The Pokémon Company, founded by Nintendo, Game Freak, and Creatures, the owners of the trademark and copyright of the franchise. In terms of what each of those companies do, Game Freak develop the main games; Creatures provides support through their Pokémon CG Studio which does 3D models for the pokémon in the games, as well as developing some spin-off titles, and producing the '' Pokémon Trading Card Game''; Nintendo was the original publisher of the series and since the 2000s, helps publishing the games in their consoles in overseas markets outside of Japan and The Pokémon Company is then jointly owned by them and is set up to deal with the licensing, production, publishing, marketing and deals across the world featuring Pokémon as a media franchise. The franchise was created by Satoshi Tajiri in 1996, and is centered around fictional creatures called " Pokémon". In ''Pokémon'', Poké ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gazu Hyakki Yagyō
is the first book of Japanese artist Toriyama Sekien's famous ''Gazu Hyakki Yagyō'' e-hon tetralogy, published in 1776. A version of the tetralogy translated and annotated in English was published in 2016. Although the title translates to "The Illustrated Night Parade of a Hundred Demons", it is based on an idiom, ''hyakki yagyō,'' that is akin to pandemonium in English and implies an uncountable horde. The book is followed by '' Konjaku Gazu Zoku Hyakki'', ''Konjaku Hyakki Shūi'', and ''Gazu Hyakki Tsurezure Bukuro''. The book is a supernatural bestiary, a collection of ghosts, spirits, spooks and monsters from literature, folklore, and other artwork. The art of ''Gazu Hyakki Yagyō'' heavily references a 1737 scroll-painting called the ''Hyakkai Zukan'' by artist Sawaki Sūshi; Sekien's innovation was preparing the illustrations as woodblock prints that could be mass-produced in a bound book format. Intended as a parody of then-popular reference books such as the ''Wakan Sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yōkai
are a class of supernatural entities and spirits in Japanese folklore. The word is composed of the kanji for "attractive; calamity" and "apparition; mystery; suspicious." are also referred to as , or . Despite often being translated as such, are not literally demons in the Western sense of the word, but are instead spirits and entities. Their behavior can range from malevolent or mischievous to benevolent to humans. often have animal features (such as the , depicted as appearing similar to a turtle, and the , commonly depicted with wings), but may also appear humanoid in appearance, such as the . Some resemble inanimate objects (such as the ), while others have no discernible shape. are typically described as having spiritual or supernatural abilities, with shapeshifting being the most common trait associated with them. that shapeshift are known as or . Japanese folklorists and historians explain as personifications of "supernatural or unaccountable phenomena to t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
