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Maurice Denis
Maurice Denis (; 25 November 1870 – 13 November 1943) was a French painter, decorative artist, and writer. An important figure in the transitional period between impressionism and modern art, he is associated with ''Les Nabis'', symbolism, and later neo-classicism."Denis, Maurice." Belinda Thomson, Grove Art Online, Oxford Art Online, Oxford University Press. Retrieved 18 June 2014. His theories contributed to the foundations of cubism, fauvism, and abstract art. Following the First World War, he founded the Ateliers d'Art Sacré (Workshops of Sacred Art), decorated the interiors of churches, and worked for a revival of religious art. Biography Early life Maurice Denis was born 25 November 1870, in Granville, Manche, a coastal town in the Normandy region of France. His father was of modest peasant origins; after four years in the army, he went to work at the railroad station. His mother, the daughter of a miller, worked as a seamstress. After their marriage in 1865, they m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Granville, Manche
Granville (; Norman: ''Graunville'') is a commune in the Manche department and region of Normandy, northwestern France. The chef-lieu of the canton of Granville and seat of the ', it is a seaside resort and health resort of Mont Saint-Michel Bay, at the end of the ', a former cod-fishing port and the first shellfish port of France. It is sometimes nicknamed "Monaco of the North" by virtue of its location on a rocky promontory. The town was founded by a vassal of William the Conqueror on land occupied by the Vikings in the 11th century. The old privateer city and fortification for the defence of Mont Saint-Michel became a seaside resort in the 19th century which was frequented by many artists and equipped with a golf course and a horse racing course. Home of the of industrialists, an important commune that absorbed the village of Saint-Nicolas-près-Granville in 1962, port and airport of South Manche, it has also been a Douzelage city since 1991, twinned with 20 European ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Botticelli
Alessandro di Mariano di Vanni Filipepi ( – May 17, 1510), known as Sandro Botticelli (, ), was an Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 19th century, when he was rediscovered by the Pre-Raphaelites who stimulated a reappraisal of his work. Since then, his paintings have been seen to represent the linear grace of late Italian Gothic and some Early Renaissance painting, even though they date from the latter half of the Italian Renaissance period. In addition to the mythological subjects for which he is best known today, Botticelli painted a wide range of religious subjects (including dozens of renditions of the ''Madonna and Child'', many in the round tondo shape) and also some portraits. His best-known works are '' The Birth of Venus'' and '' Primavera'', both in the Uffizi in Florence, which holds many of Botticelli’s works. Botticelli lived all his life in the same neighbourhood of Florence; his only sign ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seurat
Georges Pierre Seurat ( , , ; 2 December 1859 – 29 March 1891) was a French post-Impressionist artist. He devised the painting techniques known as chromoluminarism and pointillism and used conté crayon for drawings on paper with a rough surface. Seurat's artistic personality combined qualities that are usually thought of as opposed and incompatible: on the one hand, his extreme and delicate sensibility, on the other, a passion for logical abstraction and an almost mathematical precision of mind. His large-scale work '' A Sunday Afternoon on the Island of La Grande Jatte'' (1884–1886) altered the direction of modern art by initiating Neo-Impressionism, and is one of the icons of late 19th-century painting. Biography Family and education Seurat was born on 2 December 1859 in Paris, at 60 rue de Bondy (now rue René Boulanger). The Seurat family moved to 136 boulevard de Magenta (now 110 boulevard de Magenta) in 1862 or 1863. Seurat: p. 16 His father, Antoine Chrysostom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hippolyte Taine
Hippolyte Adolphe Taine (, 21 April 1828 – 5 March 1893) was a French historian, critic and philosopher. He was the chief theoretical influence on French naturalism, a major proponent of sociological positivism and one of the first practitioners of historicist criticism. Literary historicism as a critical movement has been said to originate with him. Taine is also remembered for his attempts to provide a scientific account of literature. Taine had a profound effect on French literature; the 1911 ''Encyclopædia Britannica'' asserted that ''"the tone which pervades the works of Zola, Bourget and Maupassant can be immediately attributed to the influence we call Taine's."'' Out of the trauma of 1871, Taine has been said by one scholar to have ‘forged the architectural structure of modern French right-wing historiography’. Early years Taine was born in Vouziers into a fairly prosperous Ardennes family. His father, a lawyer, his uncle, and his grandfather encouraged him t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Auguste Compte
Isidore Marie Auguste François Xavier Comte (; 19 January 1798 – 5 September 1857) was a French philosopher and writer who formulated the doctrine of positivism. He is often regarded as the first philosopher of science in the modern sense of the term. Comte's ideas were also fundamental to the development of sociology; indeed, he invented the term and treated that discipline as the crowning achievement of the sciences. Influenced by Henri de Saint-Simon, Comte's work attempted to remedy the social disorder caused by the French Revolution, which he believed indicated imminent transition to a new form of society. He sought to establish a new social doctrine based on science, which he labelled 'positivism'. He had a major impact on 19th-century thought, influencing the work of social thinkers such as John Stuart Mill and George Eliot. His concept of ''Sociologie'' and social evolutionism set the tone for early social theorists and anthropologists such as Harriet Martineau an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Positivism
Positivism is an empiricist philosophical theory that holds that all genuine knowledge is either true by definition or positive—meaning ''a posteriori'' facts derived by reason and logic from sensory experience.John J. Macionis, Linda M. Gerber, ''Sociology'', Seventh Canadian Edition, Pearson Canada Other ways of knowing, such as theology, metaphysics, intuition, or introspection, are rejected or considered meaningless. Although the positivist approach has been a recurrent theme in the history of western thought, modern positivism was first articulated in the early 19th century by Auguste Comte.. His school of sociological positivism holds that society, like the physical world, operates according to general laws. After Comte, positivist schools arose in logic, psychology, economics, historiography, and other fields of thought. Generally, positivists attempted to introduce scientific methods to their respective fields. Since the turn of the 20th century, positivism has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hermann-Paul
René Georges Hermann-Paul (27 December 1864 – 23 June 1940) was a French artist. He was born in Paris and died in Saintes-Maries-de-la-Mer. He was a well-known illustrator whose work appeared in numerous newspapers and periodicals. His fine art was displayed in gallery exhibitions alongside Édouard Vuillard, Vuillard, Henri Matisse, Matisse and Henri de Toulouse-Lautrec, Toulouse-Lautrec. Early works were noted for their satiric characterizations of the foibles of French society. His points were made with simple caricature. His illustrations relied on blotches of pure black with minimum outline to define his animated marionettes. His exhibition pieces were carried by large splashes of color and those same fine lines of black. Hermann-Paul worked in Ripolin enamel paint, watercolor painting, watercolors, woodcuts, lithographs, drypoint, drypoint engraving, oil paint, oils, and pen and ink, ink. Recent efforts to catalog the work of Hermann-Paul reveal an artist of considerable sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ker-Xavier Roussel
Ker-Xavier Roussel (10 December 1867 – 6 June 1944) was a French painter associated with Les Nabis. Biography Born François Xavier Roussel in Lorry-lès-Metz, Moselle in 1867, at age fifteen he studied at the Lycée Condorcet in Paris; alongside his friend Édouard Vuillard, he also studied at the studio of painter Diogène Maillart. In 1888, he enrolled in the École des Beaux-Arts, and soon began frequenting the Académie Julian where Maurice Denis and other students formed the group ''Les Nabis''. In 1899, Roussel, Vuillard, and his another close friend, Pierre Bonnard, travelled to Lake Como, Venice, and Milan. In that year he settled in L'Étang-la-Ville, Yvelines and the subject-matter of his paintings veered towards rural landscapes. He drew his subject matter from the area around L'Étang-la-Ville and Saint-Tropez, adapting the scenery to Greek mythological episodes depicting women, children, nymphs, centaurs and fauns. His wife Marie (Vuillard's sister), his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Ranson
Paul-Élie Ranson (29 March 1861 – 20 February 1909) was a French painter and writer associated with Les Nabis. Biography He was born in Limoges. His mother died in childbirth, so he was raised and educated by his grandparents and his father, , a politician who served two terms as Mayor of Limoges. He received his first drawing lessons from his grandfather, Jean-Jacques Maquart, and was enrolled at the École des Beaux-Arts Appliqués à l'Industrie in 1877. In 1884, he married his first cousin, Marie-France Rousseau, and studied for a time at the École Nationale Supérieure des Arts Décoratifs before transferring to the Académie Julian, where he studied with Tony Robert-Fleury from 1886 to 1891. In 1888, he became one of the five founding members of "Les Nabis", a group that played a large role in the transition from Impressionism to the various styles of Modern art. His fellow founders were Paul Sérusier, Henri-Gabriel Ibels, Pierre Bonnard, and Maurice Denis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Édouard Vuillard
Jean-Édouard Vuillard (; 11 November 186821 June 1940) was a French painter, decorative artist and printmaker. From 1891 through 1900, he was a prominent member of the Nabis, making paintings which assembled areas of pure color, and interior scenes, influenced by Japanese prints, where the subjects were blended into colors and patterns. He also was a decorative artist, painting theater sets, panels for interior decoration, and designing plates and stained glass. After 1900, when the Nabis broke up, he adopted a more realistic style, painting landscapes and interiors with lavish detail and vivid colors. In the 1920s and 1930s he painted portraits of prominent figures in French industry and the arts in their familiar settings. Vuillard was influenced by Paul Gauguin, among other post-impressionist painters. Early life Jean-Édouard Vuillard was born on 11 November 1868 in Cuiseaux (Saône-et-Loire), where he spent his youth. Vuillard's father was a retired captain of the nav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Bonnard
Pierre Bonnard (; 3 October 186723 January 1947) was a French painter, illustrator and printmaker, known especially for the stylized decorative qualities of his paintings and his bold use of color. A founding member of the Post-Impressionist group of avant-garde painters Les Nabis, his early work was strongly influenced by the work of Paul Gauguin, as well as the prints of Hokusai and other Japanese artists. Bonnard was a leading figure in the transition from Impressionism to Modernism. He painted landscapes, urban scenes, portraits and intimate domestic scenes, where the backgrounds, colors and painting style usually took precedence over the subject. Early life and education Pierre Bonnard was born in Fontenay-aux-Roses, Hauts-de-Seine on 3 October 1867. His mother, Élisabeth Mertzdorff, was from Alsace. His father, Eugène Bonnard, was from the Dauphiné, and was a senior official in the French Ministry of War. He had a brother, Charles, and a sister, Andrée, who in 1890 ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Sérusier
Paul Sérusier (9 November 1864 – 7 October 1927) was a French painter who was a pioneer of abstract art and an inspiration for the avant-garde Nabis movement, Synthetism and Cloisonnism. Education Sérusier was born in Paris. He studied at the Académie Julian and was a monitor there in the mid-1880s. In the summer of 1888 he travelled to Pont-Aven and joined the small group of artists centered there around Paul Gauguin. While at the Pont-Aven artist's colony he painted a picture that became known as '' The Talisman'', under the close supervision of Gauguin. The picture was an extreme exercise in Cloisonnism that approximated to pure abstraction. He was a Post-Impressionist painter, a part of the group of painters called Les Nabis. Sérusier, along with Paul Gauguin, named the group. Pierre Bonnard, Édouard Vuillard and Maurice Denis became the best known of the group, but at the time they were somewhat peripheral to the core group. In 1892 Sérusier met and befrien ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
