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Marfo-Mariinsky Convent
Marfo-Mariinsky Convent, or Martha and Mary Convent of Mercy in the Possession of Grand Duchess Elizabeth Feodorovna (russian: Марфо-Мариинская обитель, Марфо-Мариинская обитель милосердия во владении великой княгини Елизаветы Фёдоровны) is a female convent in Moscow. The convent was founded in 1908 by Grand Duchess Elizabeth Feodorovna (sister of Alexandra Feodorovna, the last Empress of Russia—both of whom are counted among the Russian New Martyrs) to assist sick, wounded, and maimed soldiers in their recovery, and to provide for the needs of the poor and orphans. History Grand Duchess Elizabeth was the widow of Grand Duke Sergeii Alexandrovich, who had been assassinated by terrorists in 1905. After her husband's death, she gave away her magnificent collection of jewels, including her wedding ring, and sold her other possessions. With the proceeds, she opened the Convent of SS Mar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Protection Of The Theotokos Church Marfo-Mariinsky Convent Ordynka Bol Str 34 Str 13 2016-04-19 2595
Protection is any measure taken to guard a thing against damage caused by outside forces. Protection can be provided to physical objects, including organisms, to systems, and to intangible things like civil and political rights. Although the mechanisms for providing protection vary widely, the basic meaning of the term remains the same. This is illustrated by an explanation found in a manual on electrical wiring: Some kind of protection is a characteristic of all life, as living things have evolved at least some protective mechanisms to counter damaging environmental phenomena, such as ultraviolet light. Biological membranes such as bark on trees and skin on animals offer protection from various threats, with skin playing a key role in protecting organisms against pathogens and excessive water loss. Additional structures like scales and hair offer further protection from the elements and from predators, with some animals having features such as spines or camouflage servin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Holy Governing Synod
The Most Holy Governing Synod (russian: Святѣйшій Правительствующій Сѵнодъ, Святейший Правительствующий Синод) was the highest governing body of the Russian Orthodox Church between 1721 and 1917. It was abolished following the February Revolution of 1917 and replaced with a restored patriarchate under Tikhon of Moscow. The jurisdiction of the Most Holy Synod extended over every kind of ecclesiastical question and over some partly secular matters. Peter I of Russia established the Synod on January 25, 1721 in the course of his church reform. Its establishment was followed by the abolition of the Patriarchate. The synod was composed partly of ecclesiastical persons, partly of laymen appointed by the Tsar. Members included the Metropolitans of Saint Petersburg, Moscow and Kyiv, and the Exarch of Georgia. Originally, the Synod had ten ecclesiastical members, but the number later changed to twelve. Background A seri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pavel Korin
Pavel Dmitriyevich Korin (russian: Павел Дмитриевич Корин; - 22 November 1967) was a Russian painter and art restorer. He is famous for his preparational work for the unimplemented painting ''Farewell to Rus''. Life and career Pavel Korin was born in the village of Palekh (now in Ivanovo Oblast) to a family of a professional icon-painter Dmitry Nikolayevich Korin. In 1897, when Pavel was only five years old, his father died. In 1903-1907, he studied at the ''School for Icon Painting'' at Palekh getting a formal certificate as a professional icon-painter. In 1908, he moved to Moscow and until 1911 worked there at the icon shop of the Don Monastery. In 1911, he worked as an apprentice to Mikhail Nesterov on frescoes of The Intercession Church at the Convent of Martha and Mary (''Marfo-Mariinsky'') on Bolshaya Ordynka Street in Moscow. Nesterov insisted that Korin gain a formal education in easel painting and arranged his admission to the Moscow School o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mikhail Nesterov
Mikhail Vasilyevich Nesterov (russian: Михаи́л Васи́льевич Не́стеров; – 18 October 1942) was a Russian and Soviet painter; associated with the Peredvizhniki and Mir Iskusstva. He was one of the first exponents of Symbolist art in Russia. Biography He was born to a strongly patriarchal merchant family. His father was a draper and haberdasher, but always had a strong interest in history and literature. As a result, he was sympathetic to his son's desire to be an artist, but insisted that he acquire practical skills first and, in 1874, he was sent to Moscow where he enrolled at the Voskresensky Realschule. In 1877, his counselors suggested that he transfer to the Moscow School of Painting, Sculpture and Architecture, where he studied with Pavel Sorokin, Illarion Pryanishnikov and Vasily Perov, who was his favorite teacher. In 1879, he began to participate in the school's exhibitions. Two years later, he entered the Imperial Academy of Fine Arts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mosaic
A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface. Mosaics are often used as floor and wall decoration, and were particularly popular in the Ancient Roman world. Mosaic today includes not just murals and pavements, but also artwork, hobby crafts, and industrial and construction forms. Mosaics have a long history, starting in Mesopotamia in the 3rd millennium BC. Pebble mosaics were made in Tiryns in Mycenean Greece; mosaics with patterns and pictures became widespread in classical times, both in Ancient Greece and Ancient Rome. Early Christian basilicas from the 4th century onwards were decorated with wall and ceiling mosaics. Mosaic art flourished in the Byzantine Empire from the 6th to the 15th centuries; that tradition was adopted by the Norman Kingdom of Sicily in the 12th century, by the eastern-influenced Republic of Venice, and among the Rus. Mosaic fell ou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sergey Konenkov
Sergey Timofeyevich Konenkov (Сергей Тимофеевич Коненков) (also Sergei Konyonkov) (russian: Серге́й Тимофеевич Конёнков; – 9 December 1971) was a Russian and Soviet sculptor. He was often called "the Russian Rodin". Early life Konenkov was born in a peasant family, in a village of Karakovichi in Smolensk province. Sergey studied at the Moscow School of Painting, Sculpture and Architecture, graduating in 1897,''The Uncommon Vision of Sergei Konenkov.'' p. 5. and at the St. Petersburg Academy of Arts. His diploma work at the Academy - a huge clay statue of Samson tearing the chains - broke most existing laws of academic art and put him at odds with his teachers, who apparently destroyed the work with hammers. 1900-1922 period He travelled to Italy, France, Egypt, Greece, and Germany. During the Russian revolution of 1905 Konenkov was with the workers on the barricades, soon after creating portraits of the heroes of the re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Novgorod
Veliky Novgorod ( rus, links=no, Великий Новгород, t=Great Newtown, p=vʲɪˈlʲikʲɪj ˈnovɡərət), also known as just Novgorod (), is the largest city and administrative centre of Novgorod Oblast, Russia. It is one of the oldest cities in Russia, being first mentioned in the 9th century. The city lies along the Volkhov River just downstream from its outflow from Lake Ilmen and is situated on the M10 federal highway connecting Moscow and Saint Petersburg. UNESCO recognized Novgorod as a World Heritage Site in 1992. The city has a population of At its peak during the 14th century, the city was the capital of the Novgorod Republic and was one of Europe's largest cities. The "Veliky" ("great") part was added to the city's name in 1999. History Early developments The Sofia First Chronicle makes initial mention of it in 859, while the Novgorod First Chronicle first mentions it in 862, when it was purportedly already a major Baltics-to- Byzantium station on t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Nouveau
Art Nouveau (; ) is an international style of art, architecture, and applied art, especially the decorative arts. The style is known by different names in different languages: in German, in Italian, in Catalan, and also known as the Modern Style (British Art Nouveau style), Modern Style in English. It was popular between 1890 and 1910 during the Belle Époque period, and was a reaction against the academic art, eclecticism and historicism of 19th century architecture and decoration. It was often inspired by natural forms such as the sinuous curves of plants and flowers. Other characteristics of Art Nouveau were a sense of dynamism and movement, often given by asymmetry or whiplash lines, and the use of modern materials, particularly iron, glass, ceramics and later concrete, to create unusual forms and larger open spaces.Sembach, Klaus-Jürgen, ''L'Art Nouveau'' (2013), pp. 8–30 One major objective of Art Nouveau was to break down the traditional distinction between fine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Russian Revival
The Russian Revival style (historiographical names are: ''Russian style'', russian: русский стиль, ''Pseudo-Russian style'', russian: псевдорусский стиль, ''Neo-Russian style'', russian: нео-русский стиль, ''Russian Byzantine style'', russian: русско-византийский стиль) is a number of different movements within Russian architecture that arose in the second quarter of the 19th century and was an eclectic melding of Byzantine elements and pre-Petrine (Old Russian) architecture. The Russian Revival architecture arose within the framework that the renewed interest in the national architecture, which evolved in Europe in the 19th century, and it is an interpretation and stylization of the Russian architectural heritage. Sometimes, Russian Revival architecture is often erroneously called Russian or Old-Russian architecture, but the majority of Revival architects did not directly reproduce the old architectural traditio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Protection Of The Mother Of God
The Intercession of the Theotokos, or the Protection of Our Most Holy Lady Theotokos and Ever-Virgin Mary, is a Christianity, Christian feast of the Mother of God celebrated in the Eastern Orthodox and Byzantine Catholic Churches on October 1 (Julian calendar: October 14). The feast celebrates the protection afforded the faithful through the intercessions of the Theotokos (''lit.'' Mother of God, one Eastern title of the Virgin Mary). The feast is commemorated in Eastern Orthodoxy as a whole, but by no means as fervently as it is in Russia, Belarus, and, especially, Ukraine. In the Slavic Orthodox Churches it is celebrated as the most important solemnity besides the Twelve Great Feasts and Easter, Pascha. In Ukrainians, Ukraine, it has a special meaning through its connection to the spirituality of the Ukrainian Cossacks and, accordingly and more recently, to Defenders of Ukraine Day. Etymology The Protection of the Theotokos or the Intercession of the Theotokos ( cu, Покров ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexey Shchusev
Alexey Victorovich Shchusev (academic spelling), german: Schtschussew, french: Chtchoussev, pl, Szchusiew. (russian: Алексе́й Ви́кторович Щу́сев; – 24 May 1949) was a Russian and Soviet architect who was successful during three consecutive epochs of Russian architecture – Art Nouveau (broadly construed), Constructivism, and Stalinist architecture, being one of the few Russian architects to be celebrated under both the Romanovs and the communists, becoming the most decorated architect in terms of Stalin prizes awarded. In the 1900s, Shchusev established himself as a church architect, and developed his proto-modernist style, which blended Art Nouveau with Russian Revival architecture. Immediately before and during World War I he designed and built railway stations for the von Meck family, notably the Kazansky Rail Terminal in Moscow. After the October Revolution, Shchusev pragmatically supported the Bolsheviks, and was rewarded with the contrac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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