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Mangfu
(), also known as (), (), and , sometimes referred as dragon robe although they are different garments, in English, is a type of , a robe, in . The falls under the broad category of (), where the is considered as being the classic form of . The was characterized by the use of a python embroidery called () although the python embroidery is not a python snake as defined in the English dictionary but a four-clawed Chinese dragon-like creature. The was derived from the ' () in order to differentiate monarchs and subjects; i.e. only the Emperor is allowed to wear the , five-clawed dragon, while his subjects wears '. The ' was worn in the Ming and Qing dynasties. They had special status among the Chinese court clothing as they were only second to the '. Moreover, their use were restricted, and they were part of a special category of clothing known as ' (), which could only be awarded by the Chinese Emperor (or by the Empress Dowager on the behalf of the Emperor) in the Ming and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xifu (Costume)
Xifu (), also known as Chinese opera costume in English, are the stage clothes and attire worn in Chinese opera, such as Kunqu, Cantonese opera, Beijing opera, Huangmei opera. Some of these costumes bear some resemblance to the Hanfu system but also show some differences in terms of clothing ornaments and decorations, as well as colour system, and in design and construction. In 2006, the techniques used to produce Beijing opera costumes were included in the national intangible cultural heritage list. Beijing opera Beijing opera was created in 1790 during the reign of Emperor Qianlong in the Qing dynasty; however, the origins of its costumes can be traced back to the 14th century. The costumes were set in the Qing dynasty but its style mainly followed the Ming dynasty's hanfu-style clothing. They also absorbed some characteristics of the clothing style worn in the Song, Yuan, and Qing dynasties. Based on various forms of historical clothing, modifications were made to meet t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yuanlingshan
Yuanlingshan () is a form of round-collared upper garment (called ) in ; it is also referred as () or () when used as a robe (called ). The and were both developed under the influence of from the Donghu people in the early Han dynasty and later on by the (including the Xianbei people) in the Six dynasties period. The is a formal attire usually worn by men, though it was also fashionable for women to wear it in some dynasties, such as in the Tang dynasty. In the Tang dynasty, the could also transform into the . There are also specific forms of and which are named based on its decorations and construction; for example, the (), also called () for short, , (), (), and (). Terminology The term is literally translated as "round collar shirt", being composed of the Chinese characters (), which literally translates to round collar and (), literally translated as "shirt". The term is literally translated as "round collar robe (or gown)", being composed of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Summer Court Robe ('dragon Robe'), C
Chinese can refer to: * Something related to China * Chinese people, people of Chinese nationality, citizenship, and/or ethnicity **''Zhonghua minzu'', the supra-ethnic concept of the Chinese nation ** List of ethnic groups in China, people of various ethnicities in contemporary China ** Han Chinese, the largest ethnic group in the world and the majority ethnic group in Mainland China, Hong Kong, Macau, Taiwan, and Singapore ** Ethnic minorities in China, people of non-Han Chinese ethnicities in modern China ** Ethnic groups in Chinese history, people of various ethnicities in historical China ** Nationals of the People's Republic of China ** Nationals of the Republic of China ** Overseas Chinese, Chinese people residing outside the territories of Mainland China, Hong Kong, Macau, and Taiwan * Sinitic languages, the major branch of the Sino-Tibetan language family ** Chinese language, a group of related languages spoken predominantly in China, sharing a written script (Chinese c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shen Defu
Shen Defu () (1578–1642) was a Chinese writer and bureaucrat during the Ming Dynasty. He lived in Zhejiang. In 1618, he achieved the rank of '' juren'' in the Imperial examinations, but failed an exam for promotion to the rank of ''jinshi'' a year later. His principal work was the ''Wanli ye huo bian'' (Miscellaneous notes of Wanli, ), which he completed in 1607. He was married for a time to the courtesan Xue Susu Xue Susu (; also known as Xue Wu(薛五), Xuesu(薛素), Sujun among other pen names) (1564–1650? C.E.) was a Chinese courtesan. Known as one of the "Eight Great Courtesans of the Ming Dynasty", she was an accomplished painter and poet, and .... References {{Authority control Ming dynasty historians 1578 births 1642 deaths Historians from Beijing 17th-century Chinese historians ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hongzhi Emperor
The Hongzhi Emperor () (30 July 1470 – 9 June 1505) was the tenth Emperor of the Ming dynasty, reigned from 1487 to 1505. Born Zhu Youcheng, he was the eldest surviving son of the Chenghua Emperor and his reign as emperor of China is called the "Hongzhi Restoration" (弘治中興). His era name, " Hongzhi", means "great governance". A peace-loving emperor, the Hongzhi Emperor also had only one empress and no concubines, granting him the distinction of being the sole perpetually monogamous emperor in Chinese history, besides Emperor Fei of Western Wei. Early years Zhu Youcheng was born on 30 July 1470 to the Chenghua Emperor and Consort Ji (紀氏). Consort Ji was one of the Yao women captured during the suppression of an uprising in the southern Chinese province of Guangxi and then bought into the palace. Youcheng inherited a Southern appearance from his mother: a small figure and darker skin. He is also said to have intelligent and clear eyes and would grow a mustache and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Dragons
The Chinese dragon, also known as ''loong'', ''long'' or ''lung'', is a legendary creature in Chinese mythology, Chinese folklore, and Chinese culture at large. Chinese dragons have many animal-like forms such as turtles and fish, but are most commonly depicted as snake-like with four legs. Academicians have identified four reliable theories on the origin of the Chinese dragon: snakes, Chinese alligators, thunder and nature worship. They traditionally symbolize potent and auspicious powers, particularly control over water, rainfall, typhoons, and floods. The dragon is also a symbol of power, strength, and good luck for people who are worthy of it in East Asian culture. During the days of Imperial China, the Emperor of China usually used the dragon as a symbol of his imperial strength and power. In Chinese culture, excellent and outstanding people are compared to a dragon, while incapable people with no achievements are compared to other, disesteemed creatures, such as a worm. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Round Collar Robe
Round collar robe, also called () and in China, (; ; ) in Korea, was a style of , a Chinese robe, worn in ancient China, which was long enough to cover the entire body of its wearer. The Chinese was developed under the influences of the worn by the and by the (including the Xianbei). Depending on time period, the Chinese also had some traces of influences from the worn by the Sogdian. The Chinese continued to evolve, developing distinctive Chinese characteristics with time and lost its connotation. It eventually became fully integrated in the system for the imperial and court dress attire. Under the influence of ancient China, the Chinese was adopted by the rest of the East Asian cultural sphere. History China The appearance of collars in , including those used in the round collar robe, occurred during the Eastern Han dynasty where clothing with round collars started to be used as an inner garment under the of the . Later on, the clothing customs of the C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Opera
Traditional Chinese opera (), or ''Xiqu'', is a form of musical theatre in China with roots going back to the early periods in China. It is an amalgamation of various art forms that existed in ancient China, and evolved gradually over more than a thousand years, reaching its mature form in the 13th century, during the Song dynasty (960–1279). Early forms of Chinese theater are simple, but over time various art forms such as music, song and dance, martial arts, acrobatics, costume and make-up art, as well as literary art forms were incorporated to form traditional Chinese opera. Performers had to practice for many years to gain an understanding of the roles. Exaggerated features and colors made it easier for the audience to identify the roles portrayed. There are over a hundred regional branches of traditional Chinese opera today. In the 20th century the Peking opera emerged in popularity and has come to known as the "national theatre" of China, but other genres like Yue ope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taoism
Taoism (, ) or Daoism () refers to either a school of philosophical thought (道家; ''daojia'') or to a religion (道教; ''daojiao''), both of which share ideas and concepts of Chinese origin and emphasize living in harmony with the '' Tao'' (, 'Thoroughfare'); the ''Tao'' is generally defined as the source of everything and the ultimate principle underlying reality. The ''Tao Te Ching'', a book containing teachings attributed to Laozi (), together with the later writings of Zhuangzi, are both widely considered the keystone works of Taoism. Taoism teaches about the various disciplines for achieving perfection through self-cultivation. This can be done through the use of Taoist techniques and by becoming one with the unplanned rhythms of the all, called "the way" or "Tao". Taoist ethics vary depending on the particular school, but in general tend to emphasize '' wu wei'' (action without intention), naturalness, simplicity, spontaneity and the Three Treasures: , compassio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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