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Majolica
In different periods of time and in different countries, the term ''majolica'' has been used for two distinct types of pottery. Firstly, from the mid-15th century onwards, was ''maiolica'', a type of pottery reaching Italy from Spain, Majorca and beyond. This was made by a tin-glaze process (dip, dry, paint, fire), resulting in an opaque white glazed surface decorated with brush-painting in metal oxide enamel colour(s). During the 17th century, the English added the letter '' j'' to their alphabet. ''Maiolica'' was commonly anglicized to ''majolica'' thereafter. The second style of pottery known as ''majolica'' is the mid- to late-19th century Victorian style made by a simpler process (painting and then firing) whereby coloured lead silicate glazes were applied directly to an unfired clay mould, typically relief-moulded, resulting in brightly coloured, hard-wearing, inexpensive wares that were both useful and decorative, typically in naturalistic style. This type of majolica wa ...
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Majolica
In different periods of time and in different countries, the term ''majolica'' has been used for two distinct types of pottery. Firstly, from the mid-15th century onwards, was ''maiolica'', a type of pottery reaching Italy from Spain, Majorca and beyond. This was made by a tin-glaze process (dip, dry, paint, fire), resulting in an opaque white glazed surface decorated with brush-painting in metal oxide enamel colour(s). During the 17th century, the English added the letter '' j'' to their alphabet. ''Maiolica'' was commonly anglicized to ''majolica'' thereafter. The second style of pottery known as ''majolica'' is the mid- to late-19th century Victorian style made by a simpler process (painting and then firing) whereby coloured lead silicate glazes were applied directly to an unfired clay mould, typically relief-moulded, resulting in brightly coloured, hard-wearing, inexpensive wares that were both useful and decorative, typically in naturalistic style. This type of majolica wa ...
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Mintons
Mintons was a major company in Staffordshire pottery, "Europe's leading ceramic factory during the Victorian era", an independent business from 1793 to 1968. It was a leader in ceramic design, working in a number of different ceramic bodies, decorative techniques, and "a glorious pot-pourri of styles - Rococo shapes with Oriental motifs, Classical shapes with Medieval designs and Art Nouveau borders were among the many wonderful concoctions". As well as pottery vessels and sculptures, the firm was a leading manufacturer of tiles and other architectural ceramics, producing work for both the Houses of Parliament and United States Capitol. The family continued to control the business until the mid-20th century. Mintons had the usual Staffordshire variety of company and trading names over the years, and the products of all periods are generally referred to as either "Minton", as in "Minton china", or "Mintons", the mark used on many. Mintons Ltd was the company name from 1879 ...
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Tin-glazed Pottery
Tin-glazed pottery is earthenware covered in lead glaze with added tin oxide which is white, shiny and opaque (see tin-glazing for the chemistry); usually this provides a background for brightly painted decoration. It has been important in Islamic and European pottery, but very little used in East Asia. The pottery body is usually made of red or buff-colored earthenware and the white glaze imitated Chinese porcelain. The decoration on tin-glazed pottery is usually applied to the unfired glaze surface by brush with metallic oxides, commonly cobalt oxide, copper oxide, iron oxide, manganese dioxide and antimony oxide. The makers of Italian tin-glazed pottery from the late Renaissance blended oxides to produce detailed and realistic polychrome paintings. The earliest tin-glazed pottery appears to have been made in Iraq in the 9th century, the oldest fragments having been excavated during the First World War from the palace of Samarra about fifty miles north of Baghdad.Caiger-S ...
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Maiolica
Maiolica is tin-glazed pottery decorated in colours on a white background. Italian maiolica dating from the Renaissance period is the most renowned. When depicting historical and mythical scenes, these works were known as ''istoriato'' wares ("painted with stories"). By the late 15th century, multiple locations,L. Arnoux, 1877, British Manufacturing Industries – Pottery "Most of the Italian towns had their manufactory, each of them possessing a style of its own. Beginning at Caffagiolo and Deruta, they extended rapidly to Gubbio, Ferrara, and Ravenna, to be continued to Casteldurante, Rimini, Urbino, Florence, Venice, and many other places." mainly in northern and central Italy, were producing sophisticated pieces for a luxury market in Italy and beyond. In France maiolica developed as faience, in the Netherlands and England as delftware, and in Spain as talavera. In English the spelling was anglicised to ''majolica'' but the pronunciation usually preserved the vowel with a ...
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Ceramic Glaze
Ceramic glaze is an impervious layer or coating of a vitreous substance which has been fused to a pottery body through firing. Glaze can serve to color, decorate or waterproof an item. Glazing renders earthenware vessels suitable for holding liquids, sealing the inherent porosity of unglazed biscuit earthenware. It also gives a tougher surface. Glaze is also used on stoneware and porcelain. In addition to their functionality, glazes can form a variety of surface finishes, including degrees of glossy or matte finish and color. Glazes may also enhance the underlying design or texture either unmodified or inscribed, carved or painted. Most pottery produced in recent centuries has been glazed, other than pieces in unglazed biscuit porcelain, terracotta, or some other types. Tiles are almost always glazed on the surface face, and modern architectural terracotta is very often glazed. Glazed brick is also common. Domestic sanitary ware is invariably glazed, as are many cera ...
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Palissy Ware
Palissy ware is a 19th-century term for ceramics produced in the style of the famous French potter Bernard Palissy (c. 1510–90), who referred to his own work in the familiar manner as ("in the rustic style"). It is therefore also known as rusticware. Palissy's distinctive style of polychrome lead-glazed earthenware in a sombre earth-toned palette, using naturalistic scenes of plants and animals cast from life, was much imitated by other potters both in his own lifetime and especially in the 19th century. In this revival, pottery in Palissy's style was produced by Charles-Jean Avisseau of Tours, who rediscovered Palissy's techniques in 1843, his relatives the Landais family of Tours, Georges Pull of Paris, Maurice, and Barbizet. The number of 16th-century pieces attributed to Palissy himself is now much less than in the past, and attributions tend to be cautious, as for example: "workshop or imitator or follower of Palissy". Portuguese Palissy ware was produced by the pott ...
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Faience
Faience or faïence (; ) is the general English language term for fine tin-glazed pottery. The invention of a white pottery glaze suitable for painted decoration, by the addition of an oxide of tin to the slip of a lead glaze, was a major advance in the history of pottery. The invention seems to have been made in Iran or the Middle East before the ninth century. A kiln capable of producing temperatures exceeding was required to achieve this result, the result of millennia of refined pottery-making traditions. The term is now used for a wide variety of pottery from several parts of the world, including many types of European painted wares, often produced as cheaper versions of porcelain styles. English generally uses various other terms for well-known sub-types of faience. Italian tin-glazed earthenware, at least the early forms, is called maiolica in English, Dutch wares are called Delftware, and their English equivalents English delftware, leaving "faience" as the no ...
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Ceramic Glaze
Ceramic glaze is an impervious layer or coating of a vitreous substance which has been fused to a pottery body through firing. Glaze can serve to color, decorate or waterproof an item. Glazing renders earthenware vessels suitable for holding liquids, sealing the inherent porosity of unglazed biscuit earthenware. It also gives a tougher surface. Glaze is also used on stoneware and porcelain. In addition to their functionality, glazes can form a variety of surface finishes, including degrees of glossy or matte finish and color. Glazes may also enhance the underlying design or texture either unmodified or inscribed, carved or painted. Most pottery produced in recent centuries has been glazed, other than pieces in unglazed biscuit porcelain, terracotta, or some other types. Tiles are almost always glazed on the surface face, and modern architectural terracotta is very often glazed. Glazed brick is also common. Domestic sanitary ware is invariably glazed, as are many cera ...
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Tin-glazing
Tin-glazing is the process of giving tin-glazed pottery items a ceramic glaze that is white, glossy and opaque, which is normally applied to red or buff earthenware. Tin-glaze is plain lead glaze with a small amount of tin oxide added.Caiger-Smith, Alan, ''Tin-Glaze Pottery in Europe and the Islamic World: The Tradition of 1000 Years in Maiolica, Faience and Delftware'', London, Faber and Faber, 1973 The opacity and whiteness of tin glaze encourage its frequent decoration. Historically this has mostly been done before the single firing, when the colours blend into the glaze, but since the 17th century also using overglaze enamels, with a light second firing, allowing a wider range of colours. Majolica, maiolica, delftware and faience are among the terms used for common types of tin-glazed pottery. An alternative is lead-glazing, where the basic glaze is transparent; some types of pottery use both. However, when pieces are glazed only with lead, the glaze becomes fluid during ...
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Tin-glazed
Tin-glazing is the process of giving tin-glazed pottery items a ceramic glaze that is white, glossy and opaque, which is normally applied to red or buff earthenware. Tin-glaze is plain lead glaze with a small amount of tin oxide added.Caiger-Smith, Alan, ''Tin-Glaze Pottery in Europe and the Islamic World: The Tradition of 1000 Years in Maiolica, Faience and Delftware'', London, Faber and Faber, 1973 The opacity and whiteness of tin glaze encourage its frequent decoration. Historically this has mostly been done before the single firing, when the colours blend into the glaze, but since the 17th century also using overglaze enamels, with a light second firing, allowing a wider range of colours. Majolica, maiolica, delftware and faience are among the terms used for common types of tin-glazed pottery. An alternative is lead-glazing, where the basic glaze is transparent; some types of pottery use both. However, when pieces are glazed only with lead, the glaze becomes fluid during ...
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Body (ceramic)
This is a list of pottery and ceramic terms. :''Definitions in Wiktionary are noted as "(W)".'' A B C D E F G H I J K L M O P :Published definitions of Pottery include: :-- "All fired ceramic wares that contain clay when formed, except technical, structural, and refractory products." :-- "China, earthenware and any article made from clay or from a mixture containing clay and other materials." :-- "A class of ceramic artifacts in which clay is formed into containers by hand or in molds or with a potter's wheel, often decorated, and fired" :-- "The term pottery includes many varieties of ware from the crudest vessels of prehis ...
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Talavera Pottery
Talavera pottery (Spanish: Talavera poblana) is a Mexican and Spanish pottery tradition from Talavera de la Reina, in Spain. The Mexican pottery is a type of majolica (faience) or tin-glazed earthenware, with a white base glaze typical of the type. It comes from the town of San Pablo del Monte (in Tlaxcala) and the cities of Puebla, Atlixco, Cholula, and Tecali (all these four latter in the state of Puebla), because of the quality of the natural clay found there and the tradition of production which goes back to the 16th century. Much of this pottery was decorated only in blue, but colors such as yellow, black, green, orange and mauve have also been used. Majolica pottery was brought to Mexico by the Spanish in the first century of the colonial period. Production of this ceramic became highly developed in Puebla because of the availability of fine clays and the demand for tiles from the newly established churches and monasteries in the area. The industry had grown sufficiently ...
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