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Métamatic
In the mid-1950s Jean Tinguely began production of a series of generative works titled Métamatics: machines that produced art works. With this series of works Tinguely not only problematised the introduction of the robotic machine as interface in our society, but also questioned the role of the artist, the art work and the viewer. ''Metamechanics'' (French ''méta-mécanique''), in relation to art history, describes the kinetic sculpture machines of Jean Tinguely. It is also applied to, and may have its origins in, earlier work of the Dada art movement. Jean Tinguely created his Métamatic sculptures between 1955 and 1959. These sculptures are modelled in a way that resembles the aesthetics of the Industrial Revolution. The drawings they produce resemble, but also mimic mid-century gestural abstraction. The abstract drawings are produced by means of a motor-driven arm that holds drawing implements of the viewer’s choosing against a piece of paper. The result is a random compo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Tinguely
Jean Tinguely (22 May 1925 – 30 August 1991) was a Swiss sculptor best known for his kinetic art sculptural machines (known officially as Métamatics) that extended the Dada tradition into the later part of the 20th century.Chilvers, Ian; Glaves-Smith, John (2009). ''A Dictionary of Modern and Contemporary Art''. Oxford University Press. p. 709. ISBN 978-0-1992396-6-5. Tinguely's art satirized automation and the technological overproduction of material goods. Life Born in Fribourg, Tinguely grew up in Basel. From 1941 to 1945, he studied under artist Julia Ris at the Allgemeine Gewerbeschule Basel, where he encountered the work of Kurt Schwitters and other Dadaists, which later influenced his kinetic constructions. He moved to France in 1952 with his first wife, Swiss artist Eva Aeppli, to pursue a career in art. He belonged to the Parisian avant-garde in the mid-twentieth century and was one of the artists who signed the New Realist's manifesto (''Nouveau réalisme' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fontaine Jean Tinguely (Fribourg)
Fontaine is a French word meaning fountain or natural spring or an area of natural springs. Places France * Beaulieu-les-Fontaines, in the Oise ''département'' * Bierry-les-Belles-Fontaines, in the Yonne ''département'' * Cailloux-sur-Fontaines, in the Rhône ''département'' * Druyes-les-Belles-Fontaines, in the Yonne ''département'' * Fontaine, Aube, in the Aube ''département'' * Fontaine, Isère, in the Isère ''département'' * Fontaine, Territoire de Belfort, in the Territoire de Belfort ''département'' * Fontaine-au-Bois, in the Nord ''département'' * Fontaine-au-Pire, in the Nord ''département'' *Fontaine-Bellenger, in the Eure ''département'' * Fontaine-Bonneleau, in the Oise ''département'' * Fontaine-Chaalis, in the Oise ''département'' *Fontaine-Chalendray, in the Charente-Maritime ''département'' * Fontaine-Couverte, in the Mayenne ''département'' * Fontaine-de-Vaucluse, in the Vaucluse ''département'' *Fontaine de Vaucluse (spring), a spring i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Generative Art
Generative art is post-conceptual art that has been created (in whole or in part) with the use of an autonomous system. An ''autonomous system'' in this context is generally one that is non-human and can independently determine features of an artwork that would otherwise require decisions made directly by the artist. In some cases the human creator may claim that the Generative systems, generative system represents their own artistic idea, and in others that the system takes on the role of the creator. "Generative art" often refers to algorithmic art (algorithmically determined Computer-generated artwork, computer generated artwork) and synthetic media (general term for any algorithmically generated media), but artists can also make generative art using systems of chemistry, biology, mechanics and robotics, smart materials, manual randomization, mathematics, data mapping, symmetry, and Tessellation, tiling. Generative algorithms, algorithms programmed to produce artistic work ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art History
Art history is the study of Work of art, artistic works made throughout human history. Among other topics, it studies art’s formal qualities, its impact on societies and cultures, and how artistic styles have changed throughout history. Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today, art history examines broader aspects of visual culture, including the various visual and conceptual outcomes related to art. Art history is a broad discipline encompassing many branches. Some focus on specific time periods, while others concentrate on particular geographic regions, such as the Art of Europe, art of Art of Europe, Europe. Thematic categorizations include feminist art history, iconography, the analysis of symbols, and Design history, design history. Studying the history of art emerged as a means of documenting and critiquing artistic works, with influential historians and methods originating ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kinetic Sculpture
Kinetic art is art from any medium that contains movement perceivable by the viewer or that depends on motion for its effects. Canvas paintings that extend the viewer's perspective of the artwork and incorporate multidimensional movement are the earliest examples of kinetic art. More pertinently speaking, kinetic art is a term that today most often refers to three-dimensional sculptures and figures such as Mobile (sculpture), mobiles that move naturally or are machine operated (see e.g. videos on this page of works of George Rickey and Uli Aschenborn). The moving parts are generally powered by wind, a motor or the observer. Kinetic art encompasses a wide variety of overlapping techniques and styles. There is also a portion of kinetic art that includes virtual movement, or rather movement perceived from only certain angles or sections of the work. This term also clashes frequently with the term "apparent movement", which many people use when referring to an artwork whose movem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dada
Dada () or Dadaism was an anti-establishment art movement that developed in 1915 in the context of the Great War and the earlier anti-art movement. Early centers for dadaism included Zürich and Berlin. Within a few years, the movement had spread to New York City and a variety of artistic centers in Europe and Asia. Within the umbrella of the movement, people used a wide variety of artistic forms to protest the logic, reason, and aestheticism of modern capitalism and modern war. To develop their protest, artists tended to make use of nonsense, irrationality, and an anti-bourgeois sensibility. The art of the movement began primarily as performance art, but eventually spanned visual, literary, and sound media, including collage, sound poetry, cut-up technique, cut-up writing, and sculpture. Dadaist artists expressed their discontent toward violence, war, and nationalism and maintained political affinities with radical politics on the left-wing and far-left politics. The movem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Industrial Revolution
The Industrial Revolution, sometimes divided into the First Industrial Revolution and Second Industrial Revolution, was a transitional period of the global economy toward more widespread, efficient and stable manufacturing processes, succeeding the Second Agricultural Revolution. Beginning in Kingdom of Great Britain, Great Britain around 1760, the Industrial Revolution had spread to continental Europe and the United States by about 1840. This transition included going from craft production, hand production methods to machines; new Chemical industry, chemical manufacturing and Puddling (metallurgy), iron production processes; the increasing use of Hydropower, water power and Steam engine, steam power; the development of machine tools; and rise of the mechanisation, mechanised factory system. Output greatly increased, and the result was an unprecedented rise in population and population growth. The textile industry was the first to use modern production methods, and textiles b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Biennale
The ''Biennale de Paris'' (English: Paris Biennale) is a noted French art festival, established in 1959. In 1983, the organization ceased functions, until its reestablishment in 2000 with the first exhibition of the new era occurring in 2004. The Biennale's mission is to promote art and artists which challenge current conventions in the art world. History Inspired by the Venice Biennale and the São Paulo Art Biennial, the 'Biennale de Paris' was created by André Malraux, the Minister of Culture, in 1959 and headed by Raymond Cogniat. Cogniat held the position as director until 1967, when he resigned due to health concerns. He was succeeded by Jacques Lassaigne who lead the institution until its decommissioning in 1985. The initial goal of the Biennale was to present an overview of young creativity worldwide and to create a place of experiences and meetings; this was achieved partly with an international jury and the institution of an upper age limit of 35 years for submitt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Arp
Hans Peter Wilhelm Arp (; ; 16 September 1886 – 7 June 1966), better known as Jean Arp in English, was a German-French sculptor, painter and poet. He was known as a Dadaist and an abstract artist. Early life Arp was born Hans Peter Wilhelm Arp to a French mother and a German father in Strasbourg during the period between the Franco-Prussian War and World War I, when the city and surrounding region were under the control of the German Empire. Following the return of Alsace to France at the end of World War I, French law required Arp to adopt a French name, and he legally became Jean Arp, although he continued referring to himself as "Hans" when he spoke German. Career Dada In 1904, after leaving the École des Arts et Métiers in Strasbourg, he went to Paris where he published his poetry for the first time. From 1905 to 1907, he studied at the Weimar Saxon-Grand Ducal Art School, Weimarer Kunstschule in Germany, where he met his uncle, German landscape painter Carl Arp. In 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yves Klein
Yves Klein (; 28 April 1928 – 6 June 1962) was a French artist and an important figure in post-war European art. He was a leading member of the French artistic movement of Nouveau réalisme founded in 1960 by art critic Pierre Restany. Klein was a pioneer in the development of performance art, and is seen as an inspiration to and as a forerunner of Minimalism, minimal art, as well as pop art. He developed and used International Klein Blue. Biography Klein was born in Nice, in the Alpes-Maritimes department of France. His parents, Fred Klein and Marie Raymond, were both painters. His father painted in a loose Post-Impressionism, post-impressionist style, while his mother was a leading figure in Art informel, and held regular soirées with other leading practitioners of this Parisian abstract movement. Klein received no formal training in art, but his parents exposed him to different styles. His father was a figurative style painter, while his mother had an interest in abstract ex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Restany
Pierre Restany (22 June 1930 – 29 May 2003), was an internationally known French art critic and cultural philosopher. Restany was born in Amélie-les-Bains-Palalda, Pyrénées-Orientales, and spent his childhood in Casablanca. On returning to France in 1949 he attended the Lycée Henri-IV before studying at universities in France, Italy and Ireland. From their first meeting in 1955, Restany maintained a strong tie with Yves Klein (to whom is attributed Klein-blue). Conceptions of New Realism / Nouveau Realisme In 1960 Pierre Restany created the idea and coined the term Nouveau Réalisme with Yves Klein during a group show in the Apollinaire gallery in Milan. It was an idea that united a group of French and Italian artists. Nouveau Realisme was the European answer to the American Neo-Dada of Fluxus and Pop Art. The group included Martial Raysse, Arman, Yves Klein, François Dufrene, Raymond Hains, Daniel Spoerri, Jean Tinguely, Jacques Villeglé - and was later join ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Hartung
Hans Hartung (21 September 1904 – 7 December 1989) was a German-French painter, known for his gestural abstract style. He was also a decorated World War II veteran of the Legion d'honneur. Life Hartung was born in Leipzig, Germany, into an artistic family. He developed an early appreciation of Rembrandt, German painters such as Lovis Corinth, and the Expressionists Oskar Kokoschka and Emil Nolde. In 1924, he enrolled in Leipzig University, where he studied philosophy and art history.Alley, Ronald, "Hans Hartung", Oxford Art Online He subsequently studied at the Fine Arts academy of Dresden, where he copied the paintings of the masters. The modern French and Spanish works he saw in 1926 at the Internationale Kunstausstellung in Dresden were a revelation to him, and he decided that he would leave his native country to prevent succumbing to provincialism. Consequently, after a bicycle trip through Italy, he moved to Paris. In Paris, Hartung had little contact with other ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
