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Méléagre
''Méléagre'' (''Meleager'') is an opera by the French-Italian composer Jean-Baptiste Stuck, first performed at the Académie Royale de Musique (the Paris Opera) on 24 May 1709. It takes the form of a ''tragédie en musique'' in a prologue and five acts. The libretto, by François-Antoine Jolly, is based on the Greek legend of Meleager In Greek mythology, Meleager (, ) was a hero venerated in his '' temenos'' at Calydon in Aetolia. He was already famed as the host of the Calydonian boar hunt in the epic tradition that was reworked by Homer. Meleager is also mentioned as o .... Sources Libretto at "Livrets baroques"Félix Clément and Pierre Larousse ''Dictionnaire des Opéras'', Paris, 1881 page 448. French-language operas Tragédies en musique Operas by Jean-Baptiste Stuck Operas 1709 operas {{french-opera-stub ...
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Jean-Baptiste Stuck
Jean-Baptiste Stuck (also known by the single moniker "Baptistin," "Batistin" or "Battistin") (6 May 16808 December 1755) was an Italian-French composer and cellist of the Baroque era. Little is known of Stuck's early years. He was born at Livorno on the coast of Tuscany, came from a merchant family, and was the son of Giovanni-Giacomo Stuck and Barbera Hellerbeck. From 1702 he was in the service of Countess Lemos in Naples Naples ( ; ; ) is the Regions of Italy, regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 908,082 within the city's administrative limits as of 2025, while its Metropolitan City of N .... Stuck wrote arias for the performance of the opera ''L'innocente inganno'' of Tomaso Albinoni, which was performed under the new title ''Rodrigo in Algieri'' on 10 December 1702 in Naples at the Teatro San Bartolimeo. Shortly thereafter Stuck moved to Paris. In 1705, he published the collection ''Für das Jahr 17 ...
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Tragédie En Musique
''Tragédie en musique'' (, musical tragedy), also known as ''tragédie lyrique'' (, lyric tragedy), is a genre of French opera introduced by Jean-Baptiste Lully and used by his followers until the second half of the eighteenth century. Operas in this genre are usually based on stories from classical mythology or the Italian romantic epics of Tasso and Ariosto. The stories may not necessarily have a tragic ending – in fact, most do not – but the works' atmospheres are suffused throughout with an affect of nobility and stateliness. The standard ''tragédie en musique'' has five acts. Early works in the genre were preceded by an allegorical prologue and, during the lifetime of Louis XIV, these generally celebrated the king's noble qualities and his prowess in war. Each of the five acts usually follows a basic pattern, opening with an aria in which one of the main characters expresses their feelings, followed by dialogue in recitative interspersed with short arias (''petits a ...
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François-Antoine Jolly
François-Antoine Jolly (25 December 1662 in Paris – 30 July 1753) was an 18th-century French playwright and librettist. Jolly became royal censor and initially composed several works for theater including the lyrics of the five-act opera ''Méléagre'' by Battistin given on 24 May 1709 ; ''l’École des Amants'', comedy in three acts and in verse, successfully performed in 1718 and printed in 1719 ; ''la Capricieuse'', comédy in three acts and in verse, presented at the Théâtre-Italien in 1726, published in 1727 ; and ''la Femme jalouse'', comedy in three acts and in verse, given at the same theatre in 1726, printed in 1727. He gave accurate editions of ''Œuvres'' by Molière, 1734, 6 vol. in-4°, and 1739, 8 vol. in-12, enhanced with vignettes for each play ; ''Œuvres'' by Racine, 1 vol. in-12 ; ''Œuvres'' by P. Corneille, 5 vol. in-12 ; ''Théâtre'' by Montfleury father and son, 3 vol. in 12. Finally, he wrote ''Nouveau et grand Cérémonial de France'', a wor ...
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Paris Opera
The Paris Opera ( ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, wh ...
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Meleager
In Greek mythology, Meleager (, ) was a hero venerated in his '' temenos'' at Calydon in Aetolia. He was already famed as the host of the Calydonian boar hunt in the epic tradition that was reworked by Homer. Meleager is also mentioned as one of the Argonauts. Biography Meleager was a Calydonian prince as the son of Althaea and the vintner King Oeneus or according to some, of the god Ares. He was the brother of Deianeira, Toxeus, Clymenus, Periphas, Agelaus (or Ageleus), Thyreus (or Phereus or Pheres), Gorge, Eurymede and Melanippe. Antoninus Liberalis2as cited in Nicander's ''Metamorphoses'' Meleager was the father of Parthenopeus by Atalanta but he married Cleopatra, daughter of Idas and Marpessa. They had a daughter, Polydora, who became the bride of Protesilaus, who left her bed on their wedding-night to join the expedition to Troy. Mythology Calydonian boar hunt When Meleager was born, the Moirai (the Fates) predicted he would only live u ...
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French-language Operas
French opera is both the art of opera in France and opera in the French language. It is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV with Jean-Baptiste Lully's (1673), although there had been various experiments with the form before that, most notably by Robert Cambert. Lully and his librettist Quinault created , a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, Christoph Willibald Gluck was persuaded to produce six operas for the Paris Opera in the 1770s. They show the influence of Rameau, but simplified and with gre ...
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Operas By Jean-Baptiste Stuck
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western culture#Music, Western classical music, and Italian tradition in particular. Originally understood as an sung-through, entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous ...
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Operas
Opera is a form of Western theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western classical music, and Italian tradition in particular. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, si ...
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