Musée Des Beaux-Arts De Dijon
The Musée des Beaux-Arts de Dijon is a museum of fine arts opened in 1787, in Dijon, France. It is one of the main and oldest museums of France. It is located in the historic city centre of Dijon and housed in the former ducal palace which was the headquarters of the Burgundy State in the 15th century. When the duchy was assimilated to the Kingdom of France, the palace became the house of the King. In the 17th century, it became the Palace of the Dukes of Burgundy following a project by Jules Hardouin-Mansart. Since 2006, the museum has been in a process of full renovation and extension. First, the work focused on one part including the renovated route "Middle-Ages – Renaissance", inaugurated on 7 September 2013. The fully-renovated museum displaying 1500 works of art in 50 different rooms was inaugurated on 17 May 2019 in the presence of the Minister for Culture Franck Riester, the former French President François Hollande and the Mayor François Rebsamen. Attendance soare ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Palace Of The Dukes Of Burgundy
The Palace of the Dukes and Estates of Burgundy or ''Palais des ducs et des États de Bourgogne'' is a remarkably well-preserved architectural assemblage in Dijon. The oldest part is the 14th and 15th century Gothic architecture, Gothic ducal palace and seat of the Dukes of Burgundy, made up of a logis still visible on Place de la Liberation, the ducal kitchens on Cour de Bar, the Tour de Philippe le Bon, a "guette" overlooking the whole city, and Tour de Bar. Most of what can be seen today, however, was built in the 17th and especially the 18th centuries, in a Neoclassical architecture, neoclassical style, when the palace was a royal residence building and housed the estates of Burgundy. Finally, the façade of the musée des Beaux-Arts de Dijon, musée on place de la Sainte-Chapelle was added in the 19th century: it was erected on the site of the palace's Sainte-Chapelle, demolished in 1802. The Palace houses the city's Hôtel de Ville (City Hall) and the musée des Beaux-Arts d ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Classical Antiquity
Classical antiquity, also known as the classical era, classical period, classical age, or simply antiquity, is the period of cultural History of Europe, European history between the 8th century BC and the 5th century AD comprising the interwoven civilizations of ancient Greece and ancient Rome, Rome known together as the Greco-Roman world, centered on the Mediterranean Basin. It is the period during which ancient Greece and Rome flourished and had major influence throughout much of Europe, North Africa, and West Asia. Classical antiquity was succeeded by the period now known as late antiquity. Conventionally, it is often considered to begin with the earliest recorded Homeric Greek, Epic Greek poetry of Homer (8th–7th centuries BC) and end with the fall of the Western Roman Empire in 476 AD. Such a wide span of history and territory covers many disparate cultures and periods. ''Classical antiquity'' may also refer to an idealized vision among later people of what was, in Ed ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tibetan Art
The vast majority of surviving Tibetan art created before the mid-20th century is religious, with the main forms being thangka, paintings on cloth, mostly in a technique described as gouache or distemper (paint), distemper, Tibetan Buddhist wall paintings, and small statues in bronze, or large ones in clay, stucco or wood. They were commissioned by Tibetan monasticism, religious establishments or by pious individuals for use within the practice of Tibetan Buddhism and were manufactured in large workshops by monks and lay artists, who are mostly unknown. Various types of religious objects, such as the ''phurbu, phurba'' or ritual dagger, are finely made and lavishly decorated. Secular objects, in particular jewellery and textiles, were also made, with Chinese influences strong in the latter. Himalayan art is an overall term for Tibetan art together with the art of Art of Bhutan, Bhutan, Nepal, Ladakh, Kashmir and neighbouring parts of Mongolia and China where Tibetan Buddhism is ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Suseok
''Suseok'' (), also called viewing stones or scholar's stones, is the Korean term for rocks resembling natural landscapes. retrieved 2013-2-7. The term also refers to the art of stone appreciation. The stone may be hand-carved or naturally occurring, with natural stones being of greater value. Such stones are similar to Chinese '' gongshi'' () and Japanese '' suiseki'' ().Brokaw, Charles. (2011) ''The Temple Mount Code,'' p. 73 [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Japanese Pottery And Porcelain
is one of the oldest Japanese crafts and art forms, dating back to the Neolithic period. Types have included earthenware, pottery, stoneware, porcelain, and blue-and-white ware. Japan has an exceptionally long and successful history of ceramic production. Earthenwares were made as early as the Jōmon period (10,500–300BC), giving Japan one of the oldest ceramic traditions in the world. Japan is further distinguished by the unusual esteem that ceramics hold within its artistic tradition, owing to the enduring popularity of the tea ceremony. During the Azuchi-Momoyama period (1573–1603), kilns throughout Japan produced ceramics with unconventional designs. In the early Edo period, the production of porcelain commenced in the Hizen-Arita region of Kyushu, employing techniques imported from Korea. These porcelain works became known as Imari wares, named after the port of Imari from which they were exported to various markets, including Europe. Japanese ceramic history reco ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Chinese Ceramics
Chinese ceramics are one of the most significant forms of Chinese art and ceramics globally. They range from construction materials such as bricks and tiles, to hand-built pottery vessels fired in bonfires or kilns, to the sophisticated Chinese porcelain wares made for the imperial court and for export. The oldest known pottery in the world was made during the List of Paleolithic sites in China, Paleolithic at Xianrendong Cave, Jiangxi Province, China. Chinese ceramics show a continuous development since Chinese Neolithic, pre-dynastic times. Porcelain was a Chinese invention and is so identified with China that it is still called "china" in everyday English usage. Most later Chinese ceramics, even of the finest quality, were made on an industrial scale, thus few names of individual potters were recorded. Many of the most important kiln workshops were owned by or reserved for the emperor, and large quantities of Chinese export porcelain were exported as diplomatic gifts or for ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Traditional African Masks
Traditional African masks are worn in ceremonies and rituals across West, Central, and Southern Africa. They are used in events such as harvest celebrations, funerals, rites of passage, weddings and coronations. Some societies also use masks to resolve disputes and conflicts. For example, members of the masquerade cult and Uma-Ada fraternity facilitate social justice and reconciliation processes among Igbo communities in Eastern Nigeria through masquerade performances. Mende and Vai women of the Sande society in Sierra Leone don the Sowei mask during rites of passage, specifically initiation ceremonies for young girls. The Plank Mask (Nwantantay) among the Bobo, Bwa, and Mossi people of Burkina Faso makes an appearance during public events such as funerals and agricultural festivals. Origins Masks are a prominent feature of African cultural heritage. The history, use, and symbolism of masks vary across national, ethnic, and cultural identities. In West Africa, masking t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ivory
Ivory is a hard, white material from the tusks (traditionally from elephants) and Tooth, teeth of animals, that consists mainly of dentine, one of the physical structures of teeth and tusks. The chemical structure of the teeth and tusks of mammals is the same, regardless of the species of origin, but ivory contains structures of mineralised collagen. The trade in certain teeth and tusks other than elephant is well established and widespread; therefore, "ivory" can correctly be used to describe any mammalian teeth or tusks of commercial interest which are large enough to be carved or scrimshawed. Besides natural ivory, ivory can also be produced synthetically, hence (unlike natural ivory) not requiring the retrieval of the material from animals. Tagua nuts can also be carved like ivory. The trade of finished goods of ivory products has its origins in the Indus Valley. Ivory is a main product that is seen in abundance and was used for trading in Harappan civilization. Finished iv ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Islamic Glass
Islamic glass is glass made in the Islamic world, especially in periods up to the 19th century. It built on pre-Islamic cultures in the Middle East, especially ancient Egyptian, Persian and Roman glass, and developed distinct styles, characterized by the introduction of new techniques and the reinterpreting of old traditions. It came under European influence by the end of the Middle Ages, with imports of Venetian glass documented by the late 15th century. It rarely has religious content, other than inscriptions, although the mosque lamp was mainly used in religious contexts, to light mosques, but it uses the decorative styles of Islamic art from the same times and places. The makers were not necessarily Muslims themselves. Though most glass was simple, and presumably cheap, finely formed and decorated pieces were expensive products, and often highly decorated, using several different techniques. Muhammad disapproved of the use of tableware and drinking vessels made from precio ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Contemporary Art
Contemporary art is a term used to describe the art of today, generally referring to art produced from the 1970s onwards. Contemporary artists work in a globally influenced, culturally diverse, and technologically advancing world. Their art is a dynamic combination of Medium (arts), materials, methods, concepts, and subjects that continue the challenging of boundaries that was already well underway in the 20th century. Diverse and eclectic, contemporary art as a whole is distinguished by the very lack of a uniform, organising principle, ideology, or "-ism". Contemporary art is part of a cultural dialogue that concerns larger contextual frameworks such as personal and cultural identity, family, community, and nationality. In English, ''modern'' and ''contemporary'' are synonyms, resulting in some conflation and confusion of the terms ''modern art'' and ''contemporary art'' by non-specialists. Some specialists also consider that the frontier between the two is blurry; for instance, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Louis XIV Of France
LouisXIV (Louis-Dieudonné; 5 September 16381 September 1715), also known as Louis the Great () or the Sun King (), was King of France from 1643 until his death in 1715. His verified reign of 72 years and 110 days is the List of longest-reigning monarchs, longest of any monarch in history. An emblem of the Absolutism (European history), age of absolutism in Europe, Louis XIV's legacy includes French colonial empire, French colonial expansion, the conclusion of the Thirty Years' War involving the Habsburgs, and a controlling influence on the Académie royale de peinture et de sculpture, style of fine arts and architecture in France, including the transformation of the Palace of Versailles into a center of royal power and politics. Louis XIV's pageantry and opulence helped define the French Baroque architecture, French Baroque style of art and architecture and promoted his image as absolute ruler of France in the early modern period. Louis XIV began his personal rule of France ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jean Sans Peur
John I (; ; 28 May 1371 – 10 September 1419) was a scion of the French royal family who ruled the Burgundian State from 1404 until his assassination in 1419. He played a key role in French national affairs during the early 15th century, particularly in his struggle to remove the mentally ill King Charles VI and during the Hundred Years' War against the Kingdom of England. A rash, ruthless and unscrupulous politician, John murdered Charles's brother, the Duke of Orléans, in an attempt to gain control of the government, which led to the eruption of the Armagnac–Burgundian Civil War in France and in turn culminated in his own assassination in 1419. The involvement of Charles, the heir to the French throne, in his assassination prompted John's son and successor Philip to seek an alliance with the English, thereby bringing the Hundred Years' War to its final phase. John, like his father Philip before him, played an important role in the development of gunpowder artillery i ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |