Musée Des Beaux-Arts De Cambrai
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Musée Des Beaux-Arts De Cambrai
The Musée de Cambrai (English: Cambrai Museum), also known as the Musée des Beaux-arts de Cambrai, is the main museum in the northern French city of Cambrai. He moved in 1893 into the Hôtel de Francqueville, which dates back to 1720 and was renovated and expanded in 1994. It holds collections of archaeology, visual arts and local heritage. Of particular note among the holdings are works by Flemish and Dutch painters of the 17th century and French artists of the 19th and 20th centuries; a collection of osteoarchaeology which is unique in France. Great names in the history of art are represented at the Cambrai Museum (Auguste Rodin, Camille Claudel, James Tissot, Henri Matisse...), and the museum holds a very significant collection of geometric abstraction. The Hôtel de Francqueville Jean-Baptiste de Francqueville, Lord of Bourlon, had a mansion built between April 1719 and December 1720 in the Parisian style, with a courtyard and a garden. The use of French fashion is exp ...
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Ministry Of Culture (France)
The Ministry of Culture () is the ministry of the Government of France in charge of national museums and the . Its goal is to maintain the French identity through the promotion and protection of the arts (visual, plastic, theatrical, musical, dance, architectural, literary, televisual and cinematographic) on national soil and abroad. Its budget is mainly dedicated to the management of the (six national sites and hundred decentralised storage facilities) and the regional (culture centres). Its main office is in the in the 1st arrondissement of Paris on the . It is headed by the Minister of Culture, a cabinet member. The current officeholder has been Rachida Dati since 11 January 2024. History Deriving from the Italian and Burgundian courts of the Renaissance, the notion that the state had a key role to play in the sponsoring of artistic production and that the arts were linked to national prestige was found in France from at least the 16th century on. During the pre-revo ...
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Etruscan Art
Etruscan art was produced by the Etruscan civilization in central Italy between the 10th and 1st centuries BC. From around 750 BC it was heavily influenced by Greek art, which was imported by the Etruscans, but always retained distinct characteristics. Particularly strong in this tradition were figurative sculpture in terracotta (especially life-size on sarcophagi or temples), wall-painting and metalworking especially in bronze. Jewellery and engraved gems of high quality were produced. Etruscan sculpture in cast bronze was famous and widely exported, but relatively few large examples have survived (the material was too valuable, and recycled later). In contrast to terracotta and bronze, there was relatively little Etruscan sculpture in stone, despite the Etruscans controlling fine sources of marble, including Carrara marble, which seems not to have been exploited until the Romans. The great majority of survivals came from tombs, which were typically crammed with sarcophag ...
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Rue Des Vignes
''Ruta graveolens'', commonly known as rue, common rue or herb-of-grace, is a species of the genus ''Ruta'' grown as an ornamental plant and herb. It is native to the Mediterranean. It is grown throughout the world in gardens, especially for its bluish leaves, and sometimes for its tolerance of hot and dry soil conditions. It is also cultivated as a culinary herb, and to a lesser extent as an insect repellent and incense. Etymology The specific epithet ''graveolens'' refers to the strong-smelling leaves.J. D. Douglas and Merrill C. Tenney Description Rue is a woody, perennial shrub. Its leaves are oblong, blue green and arranged bipinnately with rounded leaflets; they release a strong aroma when they are bruised. The flowers are small with 4 to 5 dull yellow petals in cymes. The first flower in each cyme is pentamerous (five sepals, five petals, five stamens and five carpels. All the others are tetramerous (four of each part). They bear brown seed capsules when pollinate ...
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Georges Maroniez
Georges Philibert Charles Maroniez (17 January 1865 in Douai – 11 December 1933 in Paris) was a French painter, specializing in landscapes with figures. Biography Education and first works Maroniez was the son of an industrialist who owned a sugar refinery in Montigny-en-Ostrevent. He displayed artistic talent at an early age, but – although not discouraged – was expected to pursue a more professional career. Accordingly, he studied law, and afterwards served as a magistrate in, successively, Boulogne-sur-Mer (1891), Avesnes-sur-Helpe (1894) and Cambrai (1897). While attending law school, he also took courses at the École des Beaux-Arts of Douai and became a student of in Cantin. It was there that he met the painter Adrien Demont, the son-in-law of Jules Breton. Urged on by Breton, at the age of 22 he started exhibiting peasant genre and landscape scenes in Douai and Paris. He began vacationing in Wissant, where he stayed with Demont and his wife, Virginie Demont-Breto ...
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Conservator-restorer
A conservator-restorer is a professional responsible for the Conservation-restoration of cultural heritage, preservation of artistic and cultural artifacts, also known as cultural heritage. Conservators possess the expertise to preserve cultural heritage in a way that retains the integrity of the object, building or site, including its historical significance, context and aesthetic or visual aspects.Defining the Conservator: Essential Competencies. (2003). Retrieved from http://www.conservation-us.org/docs/default-source/governance/defining-the-conservator-essential-competencies.pdf. This kind of preservation is done by analyzing and assessing the condition of cultural property, understanding processes and evidence of deterioration, planning collections care or site management strategies that prevent damage, carrying out conservation treatments, and conducting research.Careers in Conservation. (2014). Retrieved from http://www.conservation-us.org/publications-resources/careers-in- ...
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La Voix Du Nord (daily)
''La Voix du Nord'' (; or 'The Voice of Nord') is a regional daily newspaper from the north of France. Its headquarters are in Lille. History ''Voix du Nord'' was one of the underground newspapers of the French Resistance founded in German-occupied France during World War II. The paper first appeared in Lille in April 1941 at a time when the region of Nord-Pas-de-Calais was being ruled by a German military government in Brussels. The newspaper's tag-line described itself as the "Resistance organ of French Flanders." The post-war version of the paper is part of the Belgian company, Rossel group, which also owns the major Belgian newspaper ''Le Soir'', which it bought from Socpresse in 2006. Origins in Occupied France is a clandestine newspaper that gave rise to a movement of political resistance. The resistance group was called ''Voix du Nord'' ("Voice of the North"—of France, or, "Voice of the '' Nord''"—a French department). Sixty-five copies of the first issue ...
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Second World War
World War II or the Second World War (1 September 1939 – 2 September 1945) was a World war, global conflict between two coalitions: the Allies of World War II, Allies and the Axis powers. World War II by country, Nearly all of the world's countries participated, with many nations mobilising all resources in pursuit of total war. Tanks in World War II, Tanks and Air warfare of World War II, aircraft played major roles, enabling the strategic bombing of cities and delivery of the Atomic bombings of Hiroshima and Nagasaki, first and only nuclear weapons ever used in war. World War II is the List of wars by death toll, deadliest conflict in history, causing World War II casualties, the death of 70 to 85 million people, more than half of whom were civilians. Millions died in genocides, including the Holocaust, and by massacres, starvation, and disease. After the Allied victory, Allied-occupied Germany, Germany, Allied-occupied Austria, Austria, Occupation of Japan, Japan, a ...
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Salon Des Artistes Français
The Salon (), or rarely Paris Salon (French: ''Salon de Paris'' ), beginning in 1667 was the official art exhibition of the in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world. At the Salon of 1761, thirty-three painters, nine sculptors, and eleven engravers contributed. Levey, Michael. (1993) ''Painting and sculpture in France 1700–1789''. New Haven: Yale University Press, p. 3. From 1881 onward, it was managed by the Société des Artistes Français. Origins In 1667, the royally sanctioned French institution of art patronage, the (a division of the Académie des beaux-arts), held its first semi-public art exhibit at the Salon Carré. The Salon's original focus was the display of the work of recent graduates of the École des Beaux-Arts, which was created by Cardinal Mazarin, chief minister of France, in 1648. Exhibition at the Salon de Paris was essential for any artist to achieve success in France for at least ...
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First World War
World War I or the First World War (28 July 1914 – 11 November 1918), also known as the Great War, was a World war, global conflict between two coalitions: the Allies of World War I, Allies (or Entente) and the Central Powers. Fighting took place mainly in European theatre of World War I, Europe and the Middle Eastern theatre of World War I, Middle East, as well as in parts of African theatre of World War I, Africa and the Asian and Pacific theatre of World War I, Asia-Pacific, and in Europe was characterised by trench warfare; the widespread use of Artillery of World War I, artillery, machine guns, and Chemical weapons in World War I, chemical weapons (gas); and the introductions of Tanks in World War I, tanks and Aviation in World War I, aircraft. World War I was one of the List of wars by death toll, deadliest conflicts in history, resulting in an estimated World War I casualties, 10 million military dead and more than 20 million wounded, plus some 10 million civilian de ...
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Cour D'honneur
A court of honor ( ; ) is the principal and formal approach and forecourt of a large building. It is usually defined by two secondary wings projecting forward from the main central block ('' corps de logis''), sometimes with a fourth side, consisting of a low wing or a railing. The Palace of Versailles (''illustration'') and Blenheim Palace (''plan'') both feature such entrance courts. Definition Technically, the term ''cour d'honneur'' can be used of any large building whether public or residential, ancient or modern, which has a symmetrical courtyard laid out in this way. History Some 16th-century symmetrical Western European country houses built on U-shaped groundplans resulted in a sheltered central door in a main range that was embraced between projecting wings, but the formalized ''cour d'honneur'' is first found in the great palaces and mansions of 17th-century Europe, where it forms the principal approach and ceremonial entrance to the building. Its open courtyard ...
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Hôtel Particulier
() is the French term for a grand urban mansion, comparable to a Townhouse (Great Britain), British townhouse. Whereas an ordinary (house) was built as part of a row, sharing party walls with the houses on either side and directly fronting on a street, an was often free-standing and, by the 18th century, would always be located – between the (an entrance court) and the garden behind. There are in many large cities in France. Etymology and meaning The word represents the Old French "" from the Latin "pertaining to guests", from , a stranger, thus a guest.Cassell's Latin Dictionary The adjective means "personal" or "private". The English word ''hotel'' developed a more specific meaning as a commercial building accommodating travellers; modern French also uses in this sense. For example, the Hôtel de Crillon on the Place de la Concorde was built as an and is today a public hotel. In French language, French, an or is a town hall and not a hotel, same for the police ...
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