Musée D'Art Et D'Histoire (Geneva)
The Musée d’Art et d’Histoire (''Museum of Art and History'') is the largest art museum in Geneva, Switzerland. The building The museum is located in Les Tranchées, in the city centre, on the site of the former fortification ring. It was built by the architect Marc Camoletti (architect), Marc Camoletti between 1903 and 1910, and financed by a bequest from the banker Charles Galland (1816–1901).Présentation des Musées d'art et d'histoire History and outline of the museum, State of Geneva, 20 September 2007. Retrieved 22 September 2010. The building is square, with 60 m (200 ft) sides surrounding an inner courtyard. It has four storeys, with roof lanterns on the top floor, and a total exhibition space of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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32 Musée D'Art Et D'Histoire
3 (three) is a number, numeral (linguistics), numeral and numerical digit, digit. It is the natural number following 2 and preceding 4, and is the smallest odd prime number and the only prime preceding a square number. It has religious and cultural significance in many societies. Evolution of the Arabic digit The use of three lines to denote the number 3 occurred in many writing systems, including some (like Roman and Chinese numerals) that are still in use. That was also the original representation of 3 in the Brahmic numerals, Brahmic (Indian) numerical notation, its earliest forms aligned vertically. However, during the Gupta Empire the sign was modified by the addition of a curve on each line. The Nāgarī script rotated the lines clockwise, so they appeared horizontally, and ended each line with a short downward stroke on the right. In cursive script, the three strokes were eventually connected to form a glyph resembling a with an additional stroke at the bottom: ३. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Rodolphe Töpffer
Rodolphe Töpffer ( ; ; 31 January 1799 – 8 June 1846) was a Swiss teacher, author, painter, cartoonist, and caricaturist. He is best known for his illustrated books (''littérature en estampes'', " graphic literature"), which are possibly the earliest European comics. He is known as the father of comic strips and has been credited as the "first comics artist in history." Paris-educated, Töpffer worked as a schoolteacher at a boarding school, where he entertained students with his caricatures. In 1837, he published (published in the United States in 1842 as ''The Adventures of Obadiah Oldbuck''). Each page of the book had one to six captioned cartoon panels, much like modern comics. Töpffer published several more of these books, and wrote theoretical essays on the form. Biography Töpffer was born on 12 pluviôse of the seventh year of the French Republican calendar at ten hours after noon (« dix heures après midi »), that is on 31 January 1799, in Geneva, Lé ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Musée Ariana
The Musée Ariana, also known as the Musée suisse de la céramique et du verre (''Swiss Museum of Ceramics and Glass''), is a museum in Geneva, Switzerland. It is devoted to ceramic and glass artwork, and contains around 20,000 objects from the last 1,200 years, From the website. representing the historic, geographic, artistic and technological breadth of glass and ceramic manufacture during this time. The collection is the only one of its kind in Switzerland.Ariana Museum Geneva Tourism. Built between 1877 and 1884, the museum is shaped by [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Graphic Art
A category of fine art, graphic art covers a broad range of visual artistic expression, typically two-dimensional graphics, i.e. produced on a flat surface,Graphic art ''Encyclopædia Britannica''. Britannica.com. Retrieved 21 February 2016. today normally paper or a screen on various electronic devices. The term usually refers to the arts that rely more on line, color or tone, especially drawing and the various forms of ;"Graphic art." ''The Oxford Dictionary of Art''. 3rd ed. Ed. Ian Chilvers. Oxford: Oxford University Press, 2004. p. 309. it is sometimes understood to refer specifically to [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Le Courrier
(, ) is a Swiss French-language daily newspaper published in Geneva. Founded on 5 January 1868, it was originally supported by the Roman Catholic Church, but has been completely independent since 1996. History Founded on 5 January 1868, it was originally financially supported by the Roman Catholic Church, and was created to defend Catholic interests in Geneva, otherwise largely protestant. Its original subtitle was . Initially it published weekly on Sundays, before becoming a daily in 1892. In 1923, it began focusing less on Catholic causes, before returning as the Church funded it. In 1966, it began collaborating with , a Fribourg paper, from which it sources its national, international and economic news. Since the early 1980s, it has been a humanist opinion paper with focuses on societal and Christian topics, and is left-wing politically. It has been completely independent from the Catholic Church since 1996. It is the only left-wing daily paper in Switzerland, and has supp ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Archaeology
Archaeology or archeology is the study of human activity through the recovery and analysis of material culture. The archaeological record consists of Artifact (archaeology), artifacts, architecture, biofact (archaeology), biofacts or ecofacts, archaeological site, sites, and cultural landscapes. Archaeology can be considered both a social science and a branch of the humanities. It is usually considered an independent academic discipline, but may also be classified as part of anthropology (in North America – the four-field approach), history or geography. The discipline involves Survey (archaeology), surveying, Archaeological excavation, excavation, and eventually Post excavation, analysis of data collected, to learn more about the past. In broad scope, archaeology relies on cross-disciplinary research. Archaeologists study human prehistory and history, from the development of the first stone tools at Lomekwi in East Africa 3.3 million years ago up until recent decades. A ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Natural History
Natural history is a domain of inquiry involving organisms, including animals, fungi, and plants, in their natural environment, leaning more towards observational than experimental methods of study. A person who studies natural history is called a naturalist or natural historian. Natural history encompasses scientific research but is not limited to it. It involves the systematic study of any category of natural objects or organisms, so while it dates from studies in the ancient Greco-Roman world and the mediaeval Arabic world, through to European Renaissance naturalists working in near isolation, today's natural history is a cross-discipline umbrella of many specialty sciences; e.g., geobiology has a strong multidisciplinary nature. Definitions Before 1900 The meaning of the English term "natural history" (a calque of the Latin ''historia naturalis'') has narrowed progressively with time, while, by contrast, the meaning of the related term "nature" has widened (see also ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Musée Rath
The Musée Rath is an art museum in Geneva, used exclusively for temporary exhibitions. Its building is the oldest purpose-built art museum in Switzerland, and the original home of Musée d'Art et d'Histoire (Geneva), Geneva's Musée d'Art et d'Histoire. It is located on Place Neuve, in front of the old city walls, next to the Grand Théâtre de Genève, Grand Théâtre and near the Conservatoire de Musique de Genève, Conservatoire de Musique. History The museum was built between 1824 and 1826 by the architect Samuel Vaucher on behalf of the ''Société des arts''. It was partly paid for with funds that General Simon Rath (1766–1819) had bequeathed to his sisters, Jeanne-Françoise and Henriette Rath, for such a purpose; the remainder was paid by the state of Geneva. Vaucher designed the building as a temple of the muses, inspired by Ancient Greek temples. From 1826 to 1872, the school École Supérieure des Beaux-Arts, Genève was located in the basement of the Musée Rath ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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James Pradier
James Pradier (born Jean-Jacques Pradier, ; 23 May 1790 – 4 June 1852) was a Genevan-born French sculptor best known for his work in the neoclassical style. Life and work Born in Geneva (then the Republic of Geneva), Pradier was the son of a Protestant family from Toulouse. He left for Paris in 1807 to work with his elder brother, Charles-Simon Pradier, an engraver, and also attended the École des Beaux-Arts beginning in 1808. He won a Prix de Rome that enabled him to study in Rome from 1814 to 1818 at the Villa Medici. Pradier made his debut at the Salon of 1819 and quickly acquired a reputation as a competent artist. He studied under Jean-Auguste-Dominique Ingres in Paris. In 1827 he became a member of the ''Académie des beaux-arts'' and a professor at the École des Beaux-Arts Unlike many of his contemporaries, Pradier oversaw the finishing of his sculptures himself. He was a friend of the Romantic poets Alfred de Musset, Victor Hugo, Théophile Gautier, and the young ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jacques-Antoine Arlaud
Jacques Antoine Arlaud (1668 –1743) was a Genevan miniature painter. His family obtained in 1617 the citizenship (''bourgeoisie'') in Geneva Arlaud in the Historical Dictionary of Switzerland). Geneva was then an independent republic, which it remained until it joined Switzerland in 1815. Life Arlaud was born in Geneva in 1668. His father was a watchmaker from the Auvergne. He began his artistic career painting small ornamental miniatures for the jewellers at Dijon. He also attempted some portraits, which proved sufficiently successful to encourage him to move to Paris, at the age of about twenty. It was not long before he distinguished himself in the city, and his pleasing style of painting portraits and fancy subjects recommended him to the patronage of the Duke of Orleans, who, being fond of the art, became his pupil, and accommodated him with apartments in the palace of St. Cloud. He was also favoured with the protection of the Princess Palatine, who presented him with h ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jean Petitot
Jean Petitot (July 12, 1607 – April 3, 1691) was a Swiss enamel painter, who spent most of his career working for the courts of France and England. Life He was born at Geneva, a member of a Burgundian family which had fled from France on account of religious difficulties. His father, Faule, was a wood carver and architect, who obtained citizenship of the Republic of Geneva in 1615. in the Jean was the fourth son, and was apprenticed to a jeweller goldsmith named Pierre Bordier, with whom he struck up a close friendship. The two friends, dissatisfied with the progress they made in Geneva, went into France, and after workin ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Barthélemy Menn
Barthélemy Menn (20 May 1815 – 10 October 1893) was a Swiss people, Swiss painter and draughtsman who introduced the principles of ''plein-air'' painting and the ''paysage intime'' into Swiss art. Early life Menn was the youngest of four sons, born in Geneva to Louis John Menn, a confectioner from Scuol in the canton of Grisons, and Charlotte-Madeleine-Marguerite Bodmer, the daughter of a wealthy farmer from Coinsins in the Canton de Vaud. Already at the age of twelve, Menn took drawing lessons from the little-known Jean Duboi (1789–1849), and later, he entered the drawing school of the . The repeated claim that he was also a pupil of the famous enameller Abraham Constantin appears to be erroneous. In 1831, Menn was second in the annual drawing competition of the Geneva Art Society. The following year, he entered the studio of the Swiss history painter Jean-Léonard Lugardon, who was a pupil of Baron Gros and became acquainted with Jean-Auguste-Dominique Ingres. There, Menn w ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |