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Music Of Finland
The music of Finland can be roughly divided into folk music, Classical music, classical and contemporary art music, and contemporary popular music. The folk music of Finland belongs to a broader musical tradition, common amongst Baltic Finnic peoples, Balto-Finnic people, sung in the so-called ''Kalevala'' metre. Though folk songs of the old variety became progressively rarer in western Finland, they remained common in far eastern parts of the country, mainly Savonia and Karelia. After the publication of ''Kalevala'', this music gained popularity again. In the west, mainstream Traditional Nordic dance music, Nordic folk music traditions prevail. The Sami people of northern Finland have their own musical traditions, known as Sami music. Finnish folk music has undergone a roots revival, and has become a part of popular music. In the field of classical and contemporary art music, Finland has produced exceptional numbers of musicians and composers. Contemporary popular music incl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jouhikko
The ''jouhikko'' (Finnish: �jou̯hikːo is a traditional, two- or three-stringed bowed lyre, from Finland and Karelia. Its strings are traditionally of horsehair. The playing of this instrument died out in the early 20th century but has been revived and there are now a number of musicians playing it. Name The Jouhikko is also called ''jouhikannel'' (Finnish: �jou̯hiˈkɑnːe̞l or ''jouhikantele'' (Finnish: �jou̯hiˈkɑnt̪e̞le̞ʔ, meaning a bowed kantele.Nieminen 2007 , p. 19 In English, the usual modern designation is ''bowed lyre'', although the earlier preferred term ''bowed harp'' is also used. There are different names for the instrument in different languages. Jouhikko.jpg, Three-string jouhikko made by Rauno Nieminen Chadwickjouhikko.jpg, A Chadwick jouhikko History Perhaps the earliest definite depiction of this kind of instrument is the stone carving from Trondheim Cathedral, Norway, dating from the second quarter of the 14th century. 18th-century wri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chordophone
In musical instrument classification, string instruments, or chordophones, are musical instruments that produce sound from vibrating strings when a performer strums, plucks, strikes or sounds the strings in varying manners. Musicians play some string instruments, like Guitar, guitars, by plucking the String (music), strings with their fingers or a plectrum, plectrum (pick), and others by hitting the strings with a light wooden hammer or by rubbing the strings with a bow (music), bow, like Violin, violins. In some keyboard (music), keyboard instruments, such as the harpsichord, the musician presses a key that plucks the string. Other musical instruments generate sound by striking the string. With bowed instruments, the player pulls a rosined horsehair bow across the strings, causing them to vibrate. With a hurdy-gurdy, the musician cranks a wheel whose rosined edge touches the strings. Bowed instruments include the string section instruments of the orchestra in Western classic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kantele
A kantele () or kannel () is a traditional Finnish and Karelian plucked string instrument (chordophone) belonging to the southeast Baltic box zither family known as the Baltic psaltery along with the Estonian kannel, the Latvian kokles, the Lithuanian kanklės, and the Russian gusli. Construction Small kantele Modern instruments with 15 or fewer strings are generally more closely modeled on traditional shapes, and form a category of instrument known as small kantele, in contrast to the concert kantele. The oldest forms of kantele have five or six horsehair strings and a wooden body carved from one piece; more modern instruments have metal strings and a body made from several pieces. The traditional kantele has neither bridge nor nut, the strings run directly from the tuning pegs to a metal bar (''varras'') set into wooden brackets (''ponsi''). Though not acoustically efficient, this construction is part of the distinctive sound of the instrument. The most typical and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vantaa Chamber Choir
Vantaa Chamber Choir is a Finnish mixed choir which was established in the city of Vantaa in 1986. Conductors * Toivo Korhonen (1986–1998) * Ilona Korhonen (1998–2011) * Juha Kuivanen (2011–2012) * Tiia Mustonen (2013–2014) * Ilona Korhonen (2014–) Discography * ''Lauluja Kuninkaantien varrelta'' (1993) – Folk songs (VKCD 293) * ''Oi muistatko vielä sen virren'' (1997) – Hymns (Fazer Finnlevy CD 0630-19117-2) * ''Marian virsi'' (2005) – Poems from ''Kalevala The ''Kalevala'' () is a 19th-century compilation of epic poetry, compiled by Elias Lönnrot from Karelian and Finnish oral folklore and mythology, telling a story about the Creation of the Earth, describing the controversies and retaliatory ...'' with modern arrangements (VKCD 305) External links Vantaa Chamber Choir – homepage Finnish choirs Musical groups established in 1986 1986 establishments in Finland {{Finland-band-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kullervo
Kullervo () is an ill-fated character in the ''Kalevala'', the Finnish national epic compiled by Elias Lönnrot. Growing up in the aftermath of the massacre of his entire tribe, he comes to realise that the same people who had brought him up, the tribe of Untamo, were also the ones who had slain his family. As a child, he is sold into slavery and mocked and tormented further. When he finally runs away from his masters, he discovers surviving members of his family, only to lose them again. He seduces a girl who turns out to be his own sister, having thought his sister dead. When she finds out it was her own brother who seduced her, she commits suicide. Kullervo becomes mad with rage, returns to Untamo and his tribe, destroys them using his magical powers, and commits suicide. At the end of the poem the old sage Väinämöinen warns all parents against treating their children too harshly. Story The story of Kullervo is laid out in runes (chapters) 31 through 36 of the Kaleva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lemminkäinen
Lemminkäinen () or Lemminki () is a prominent figure in Finnish mythology. He is one of the heroes of the ''Kalevala'', where his character is a composite of several separate heroes of oral poetry. He is usually depicted as young and good-looking, with wavy red hair. Description The original, mythological Lemminkäinen is a shamanistic figure. In the Kalevala, he has been blended together with epic war-heroes Kaukomieli/Kaukamoinen and Ahti Saarelainen. In one myth, he drowns in the river of Tuonela (the underworld) in trying to capture or kill the black swan that lives there as part of an attempt, as Ilmarinen once made, to win a daughter of Louhi as his wife. In a tale somewhat reminiscent of Isis' search for Osiris, Lemminkäinen's mother searches heaven and earth to find her son. Finally, she learns of his fate and asks Ilmarinen to fashion her a rake of copper with which to dredge her son's body from the river of Tuonela. Thus equipped, she descends into the underwo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Väinämöinen
() is a deity, demigod, hero and the central character in Finnish folklore and the main character in the national epic ''Kalevala'' by Elias Lönnrot. Väinämöinen was described as an old and wise man, and he possessed a potent, magical singing voice. Name The name Väinämöinen has often been explained as coming from the Finnish word ''väinä'' ("stream pool") or ''väineä'' ("slow"). Janne Saarikivi brought forth a hypothesis of the name's possible connection of early Germanic forms of Odin's name: ''*wātenos'' could've been loaned into Proto-Karelian language, Proto-Karelian as ''*vätnä'' or ''*väinä'', and ''Auðunn'' could be compared to ''Äinemöinen''. In Finnish mythology The first extant mention of Väinämöinen in literature is in a list of Tavastia (historical province), Tavastian gods by Mikael Agricola in 1551, where it says: ''"Aeinemöinen wirdhet tacoi."'' () He and other writers described Väinämöinen as the god of chants, songs and poetry; in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alliteration
Alliteration is the repetition of syllable-initial consonant sounds between nearby words, or of syllable-initial vowels if the syllables in question do not start with a consonant. It is often used as a literary device. A common example is " Peter Piper picked a peck of pickled peppers". Historical use The word ''alliteration'' comes from the Latin word ''littera'', meaning "letter of the alphabet". It was first coined in a Latin dialogue by the Italian humanist Giovanni Pontano in the 15th century. Alliteration is used in the alliterative verse of Old English poems like Beowulf, Middle English poems like Sir Gawain and the Green Knight, Old Norse works like the Poetic Edda, and in Old High German, Old Saxon, and Old Irish. It was also used as an ornament to suggest connections between ideas in classical Latin, Greek, and Sanskrit poetry. Today, alliteration is used poetically in various languages around the world, including Arabic, Irish, German, Mongolian, Hungari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trochaic Tetrameter
In English poetry, trochaic tetrameter is a meter featuring lines composed of four trochaic feet. The etymology of ''trochaic'' derives from the Greek ''trokhaios'', from the verb ''trecho'', meaning ''I run''. In modern English poetry, a trochee is a foot consisting of a stressed syllable followed by an unstressed syllable. Thus a tetrameter contains four trochees or eight syllables. In classical metre, the word ''tetrameter'' means a line with four ''metra'', wherein each ''metron'' contains two trochees. Thus a classical trochaic tetrameter contains 16 syllables (15 syllables if catalectic). Example The rhythm of a line of an English trochaic tetrameter is: Using the symbols of classical poetry, the longum and the breve (brevis), a line of trochaic tetrameter is represented as: When the tetrameter is catalectic, the last syllable of the line is omitted. Literature ''The Song of Hiawatha'' An example of epic poetry written in trochaic tetrameter is '' The Song of H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
