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Museum Kunst Der Westküste
The Museum Kunst der Westküste (Museum of West Coast Art) is a non-profit foundation, located in Alkersum on the north Frisian island, Föhr. The museum collects, researches, communicates and exhibits art that deals with the themes of sea and coast. The museum began with a collection of paintings donated by the museum's founder, Frederik Paulsen, chairman of Ferring Pharmaceuticals. Collection The Sammlung Kunst der Westküste (Collection of West Coast Art) comprises Danish, German, Dutch and Norwegian art. Executed between 1830 and 1930, the works document life along the continental North Sea coast. Scandinavian and German artists of the 19th and 20th centuries are represented, including Anna Ancher, Michael Ancher, Max Beckmann, Johan Christian Dahl, Peder Severin Krøyer, Christian Krohg, Max Liebermann, Emil Nolde and Edvard Munch. The collection contains works by Dutch painters such as the Romantic artist, Andreas Schelfhout, and members of The Hague School, Jozef Isra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Non-profit Organization
A nonprofit organization (NPO), also known as a nonbusiness entity, nonprofit institution, not-for-profit organization, or simply a nonprofit, is a non-governmental (private) legal entity organized and operated for a collective, public, or social benefit, as opposed to an entity that operates as a business aiming to generate a Profit (accounting), profit for its owners. A nonprofit organization is subject to the non-distribution constraint: any revenues that exceed expenses must be committed to the organization's purpose, not taken by private parties. Depending on the local laws, charities are regularly organized as non-profits. A host of organizations may be non-profit, including some political organizations, schools, hospitals, business associations, churches, foundations, social clubs, and consumer cooperatives. Nonprofit entities may seek approval from governments to be Tax exemption, tax-exempt, and some may also qualify to receive tax-deductible contributions, but an enti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christian Krohg
Christian Krohg (13 August 1852 – 16 October 1925) was a Norwegian naturalist painter, illustrator, author and journalist. Krohg was inspired by the realism art movement and often chose motifs from everyday life. He was the director and served as the first professor at the Norwegian Academy of Arts from 1909 to 1925. Biography Christian Krohg was born at Vestre Aker (now Oslo), Norway. He was one of five children born to Georg Anton Krohg (1817–1873) and Sophie Amalia Holst (1822–1861). He was a grandson of Christian Krohg (1777–1828) who had served as a government minister. His father was a civil servant, journalist and author. His mother died when he was only 8 years old, and his father's sister took over responsibility for the household and the upbringing of the children. From 1861, he attended Hartvig Nissen School. His father had asked him to pursue a legal career. Krohg studied law at the University of Oslo (then Christiania) graduating cand.jur. in 1873 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Landscape Painting
Landscape painting, also known as landscape art, is the depiction in painting of natural scenery such as mountains, valleys, rivers, trees, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent Composition (visual arts), composition. In other works, landscape backgrounds for figures can still form an important part of the work. Sky is almost always included in the view, and weather is often an element of the composition. Detailed landscapes as a distinct subject are not found in all artistic traditions, and develop when there is already a sophisticated tradition of representing other subjects. Two main traditions spring from Western painting and Chinese art, going back well over a thousand years in both cases. The recognition of a spiritual element in landscape art is present from its beginnings in East Asian art, drawing on Daoism and other philosophical traditions, but in the West only becomes explicit with Romanticism. L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impressionism
Impressionism was a 19th-century art movement characterized by visible brush strokes, open Composition (visual arts), composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' (''Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a Satire, satirical 1874 review of the First Impressionist Exhibition published in the Parisian newspaper ''Le Charivari''. The development of Impressionism in the visual arts was soon foll ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugène Boudin
Eugène Louis Boudin (; 12 July 1824 – 8 August 1898) was one of the first French landscape painters to paint outdoors. Boudin was a marine painter, and expert in the rendering of all that goes upon the sea and along its shores. His pastels, summary and economic, garnered the splendid eulogy of Baudelaire; and Corot called him the "King of the skies". Biography Born at Honfleur, Boudin was the son of a harbor pilot, and at age 10 the young boy worked on a steamboat that ran between Le Havre and Honfleur. In 1835 the family moved to Le Havre, where Boudin's father opened a store for stationery and picture frames. Here the young Eugene worked, later opening his own small shop. Boudin's father had thus abandoned seafaring, and his son gave it up too, having no real vocation for it, though he preserved to his last days much of a sailor's character: frankness, accessibility, and open-heartedness. In his shop, in which pictures were framed, Boudin came into contact with artists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johan Barthold Jongkind
Johan Barthold Jongkind (; 3 June 1819 – 9 February 1891) was a Dutch painter and printmaker. He painted marine landscapes in a free manner and is regarded as a forerunner of impressionism. Biography Jongkind was born in the town of Lattrop in the Overijssel province of the Netherlands near the border with Germany. Trained at the art academy in The Hague under Andreas Schelfhout, in 1846 he moved to Montparnasse in Paris, France where he studied under Eugène Isabey and François-Édouard Picot. Two years later, the Paris Salon accepted his work for its exhibition, and he received acclaim from critic Charles Baudelaire and later on from Émile Zola. He was to experience little success, however, and he suffered bouts of depression complicated by alcoholism. Jongkind returned to live in Rotterdam in 1855, and remained there until 1860.Oxford Art Online: "Johan Barthold Jongkind" Back in Paris, in 1861 he rented a studio on the ''rue de Chevreuse'' in Montparnasse where ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hendrik Willem Mesdag
Hendrik Willem Mesdag (; 23 February 183110 July 1915) was a Dutch marine painter. Biography He was born in Groningen, the son of the banker Klaas Mesdag and his wife Johanna Wilhelmina van Giffen. Mesdag was encouraged by his father, an amateur painter, to study art. He married Sina van Houten in 1856, and when they inherited a fortune from her father, Mesdag retired from banking at the age of 35 to pursue a career as a painter. He studied in Brussels with Willem Roelofs and in 1868 moved to The Hague to paint the sea. In 1870 he exhibited at the Paris Salon and won the gold medal for ''The Breakers of the North Sea''. In 1880 he received a commission from a Belgian company to paint a panorama giving a view over the village of Scheveningen on the North Sea coast near The Hague. With the help of Sina and students he completed the enormous painting, '' Panorama Mesdag,''— 14 m high and 120 m around — by 1881. However, the vogue for panoramas was coming ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jozef Israëls
Jozef Israëls (; 27 January 1824 – 12 August 1911) was a Dutch Painting, painter. He was a leading member of the group of landscape painters referred to as the Hague School and was, during his lifetime, "the most respected Dutch artist of the second half of the nineteenth century." Early life He was born in Groningen (city), Groningen to Jewish parents. His father, Hartog Abraham Israëls, was a money changer and intended for Jozef to be a businessman. His mother was Mathilda Salomon née Polack, and she hoped that Jozef would become a rabbi. When he was eleven years old, he attended Minerva Academy in Groningen and he began to study painting. Jozef Israëls at the Netherlands Institute for Art History He subsequently continued his studies in Amsterdam, studying at the Royal Academy for Fine Arts, which later became the Rijksakademie, State ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hague School
The Hague School () is a group of artists who lived and worked in The Hague between 1860 and 1890. Their work was heavily influenced by the realist painters of the French Barbizon school. The painters of the Hague school generally made use of relatively somber colors, which is why the Hague School is sometimes called the ''Gray School''. Precursors After the great periods of Dutch art in the Golden Age of the 17th century, there were economic and political problems which diminished activity in art. The fine arts in the Netherlands enjoyed a revival around 1830, a time now referred to as the Romantic period in Dutch painting. The style was an imitation of the great 17th-century artists. The most widely accepted paintings of this period were landscapes and paintings which reflected national history. Andreas Schelfhout was a painter of landscapes, especially winter scenes, but also woodlands and the dunes between The Hague and Scheveningen. His best known pupils included Wijnan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andreas Schelfhout
Andreas Schelfhout (1787–1870) was a Dutch painter, etcher and lithographer, known for his landscape paintings. Schelfhout belongs to the Romantic movement. His Dutch winter scenes and frozen canals with skaters were already famous during his lifetime. He became one of the most influential Dutch landscape artists of his century. Biography Schelfhout started as a house painter in the framing business of his father. He already started painting pictures in his spare time. After a well-received first exhibition in The Hague, his father sent him to receive proper training to Joannes Breckenheimer (1772–1856), a stage designer, in The Hague. He learned not only the technical aspects of painting, but also made detailed studies of the 17th-century Dutch landscape artists Meindert Hobbema and Jacob van Ruisdael. In 1815, Schelfhout started his own workshop and became a member of the Pulchri studio. Through his technical excellence and sense of composition and his use of naturali ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanticism
Romanticism (also known as the Romantic movement or Romantic era) was an artistic and intellectual movement that originated in Europe towards the end of the 18th century. The purpose of the movement was to advocate for the importance of subjectivity and objectivity (philosophy), subjectivity, imagination, and appreciation of nature in society and culture in response to the Age of Enlightenment and the Industrial Revolution. Romanticists rejected the social conventions of the time in favour of a moral outlook known as individualism. They argued that passion (emotion), passion and intuition were crucial to understanding the world, and that beauty is more than merely an classicism, affair of form, but rather something that evokes a strong emotional response. With this philosophical foundation, the Romanticists elevated several key themes to which they were deeply committed: a Reverence (emotion), reverence for nature and the supernatural, nostalgia, an idealization of the past as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
