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Multivox
Multivox was an American-based synthesizer company since the mid-1970s until the 1980s. Originally it was founded in the mid-1940s as the guitar and amplifier manufacturing subsidiary of Peter Sorkin Music Company (Sorkin Music), a New York-based retailer/wholesaler. Then eventually it established separate corporate identity, and after the close of Sorkin Music in the mid-1970s, it continued in existence for fourteen years, according to the ''Blue Book of Guitar Values''. In addition to synthesizers, the company marketed several effects pedals. These included the Big Jam series guitar effects line. They specialized in delivering Japanese-designed and built equipment to the American market. They usually licensed from Japanese companies, such as Hillwood, also known as Firstman, founded in 1972 by Kazuo Morioka, who later worked for Akai in the early 1980s. Multivox were . Multivox ceased trading in the early 1980s having "faded into synth history", according to the ''Synthmuseum' ...
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Multivox Rhythm Ace FR-3S
Multivox was an American-based synthesizer company since the mid-1970s until the 1980s. Originally it was founded in the mid-1940s as the guitar and amplifier manufacturing subsidiary of Peter Sorkin Music Company (Sorkin Music), a New York City, New York-based retailer/wholesaler. Then eventually it established separate corporate identity, and after the close of Sorkin Music in the mid-1970s, it continued in existence for fourteen years, according to the ''Blue Book of Guitar Values''. In addition to synthesizers, the company marketed several effects pedals. These included the Big Jam series guitar effects line. They specialized in delivering Japanese-designed and built equipment to the United States, American market. They usually licensed from Japanese companies, such as Hillwood, also known as Firstman, founded in 1972 by Kazuo Morioka, who later worked for Akai in the early 1980s. Multivox were . Multivox ceased trading in the early 1980s having "faded into synth history", acco ...
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Multivox MX-75 Dual Voice Synthesizer (Pulser M-75) (clip)
Multivox was an American-based synthesizer company since the mid-1970s until the 1980s. Originally it was founded in the mid-1940s as the guitar and amplifier manufacturing subsidiary of Peter Sorkin Music Company (Sorkin Music), a New York-based retailer/wholesaler. Then eventually it established separate corporate identity, and after the close of Sorkin Music in the mid-1970s, it continued in existence for fourteen years, according to the ''Blue Book of Guitar Values''. In addition to synthesizers, the company marketed several effects pedals. These included the Big Jam series guitar effects line. They specialized in delivering Japanese-designed and built equipment to the American market. They usually licensed from Japanese companies, such as Hillwood, also known as Firstman, founded in 1972 by Kazuo Morioka, who later worked for Akai in the early 1980s. Multivox were . Multivox ceased trading in the early 1980s having "faded into synth history", according to the ''Synthmuseum' ...
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Multivox Premier
Multivox Premier was a guitar and amplifier brand of New York-based retailer/wholesaler, Peter Sorkin Music Company (Sorkin Music) and its manufacturing subsidiary Multivox founded in the mid-1940s. Multivox Premier products included: guitars, amplification equipment for guitar, bass and other instruments, PA amplifiers and Hi-fi stereo amplifiers. In modern times, many Premier amplifier models are sought after by blues harmonica players for use with their microphones to achieve a distorted and "fattened" tone, such as the Twin 8 and Model 50. The Premier Model 90 Reverberation unit was a direct competitor with the Fender Reverb Unit during the early to mid 1960s. They can still be found in the arsenal of many guitarists. Some Premier guitars were fitted with DeArmond pickups manufactured by Rowe Industries of Toledo, Ohio. — This site shows some premier guitar using DeArmond pickups. See also * Multivox Multivox was an American-based synthesizer company since t ...
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Sound On Sound
''Sound on Sound'' is a monthly music technology magazine. The magazine includes product tests of electronic musical performance and recording devices, and interviews with industry professionals. Due to its technical focus, it is predominantly aimed at the professional recording studio market as well as artist project studios and home recording enthusiasts. Independently owned, the magazine is published by SOS Publications Group in Cambridge, United Kingdom. History The magazine was conceived, created and founded by brothers Ian and Paul Gilby and their friend Godfrey Davies in 1985. It was originally launched in 1985 on the UK Channel 4 television programme, '' The Tube'', championing the convergence of MIDI, computer technology and recording equipment. At the time of its launch, text for the magazine was edited on BBC Model B computers and pages were physically pasted together with wax. The modern magazine is full-colour throughout and led the way in using colour as much a ...
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Leslie Speaker
The Leslie speaker is a combined amplifier and loudspeaker that projects the signal from an electric or electronic instrument and modifies the sound by rotating a baffle chamber ("drum") in front of the loudspeakers. A similar effect is provided by a rotating system of horns in front of the treble driver. It is most commonly associated with the Hammond organ, though it was later used for the electric guitar and other instruments. A typical Leslie speaker contains an amplifier, a treble horn and a bass speaker—though specific components depend upon the model. A musician controls the Leslie speaker by either an external switch or pedal that alternates between a low and high speed setting, known as "chorale" and " tremolo". The speaker is named after its inventor, Donald Leslie, who began working in the late 1930s to get a speaker for a Hammond organ that better emulated a pipe or theatre organ, and discovered that baffles rotating along the axis of the speaker cone gave the bes ...
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Keyboard (magazine)
''Keyboard'' is a magazine that originally covered electronic keyboard instruments and keyboardists, though with the advent of computer-based recording and audio technology, they have added digital music technology to their regular coverage, including those not strictly pertaining to the keyboard-related instruments. The magazine has its headquarters in San Bruno, California. History and profile Future is the owner of ''Keyboard'' which was launched in 1975. During the initial years the magazine was named ''Contemporary Keyboard''. Over the years, the print and online editions of the magazine have moved into discussions on anything related to gear. The editors and writers of the magazine have covered historical information and stories on the development of keyboards from their inception with pioneers such as Moog Music. At times, editorial and guest articles in the magazine have covered subjects including music philosophy, keyboarding instruction, music theory, and harmonics. ...
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Roland TB-303
The Roland TB-303 Bass Line (also known as the 303) is a bass synthesizer released by Roland Corporation in 1981. Designed to simulate bass guitars, it was a commercial failure and was discontinued in 1984. However, cheap second-hand units were adopted by electronic musicians, and its "squelching" or "chirping" sound became a foundation of electronic dance music genres such as acid house, Chicago house and techno. It has inspired numerous clones. Design and features The TB-303 was manufactured by the Japanese company Roland. It was designed by Tadao Kikumoto, who also designed the Roland TR-909 drum machine. It was marketed as a "computerised bass machine" to replace the bass guitar. However, according to ''Forbes'', it instead produces a "squelchy tone more reminiscent of a psychedelic mouth harp than a stringed instrument". The TB-303 has a single oscillator, which produces either a "buzzy" sawtooth wave or a "hollow-sounding" square wave. This is fed into a 24  ...
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Bass Synth
Keyboard bass (shortened to keybass and sometimes referred as a synth bass) is the use of a smaller, low-pitched keyboard with fewer notes than a regular keyboard or pedal keyboard to substitute for the deep notes of a bass guitar or double bass in music. History Early keyboard bass The pipe organ is the first, and the forefather of keyboard bass instruments. The bass pedal keyboard was developed in the 13th century. The keys for the hands are also capable of playing very low pipe tones. 1960s The earliest keyboard bass instrument was the 1960 Fender Rhodes piano bass, pictured to the right. The piano bass was essentially an electric piano containing the same pitch range as the most widely-used notes on an electric bass (or the double bass), which could be used to perform bass lines. It could be placed on top of a piano or organ, or mounted on a stand. Keyboard players such as The Doors' Ray Manzarek placed his Fender Rhodes piano bass on top of his Vox Continental or G ...
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Synthesizer
A synthesizer (also synthesiser or synth) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II, which was controlled with punch cards and used hundreds of vacuum tubes. The Moog synthesizer, developed by Robert Moog and first so ...
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Roland SH-1000
The Roland SH-1000, introduced in 1973, was the first compact synthesizer produced in Japan, and the first synthesizer produced by Roland. It resembles a home organ more than a commercial synth, with coloured tabs labelled with descriptions of its presets and of the "footage" of the divide-down oscillator system used in its manually editable synthesizer section. It produced electronic sounds that many professional musicians sought after whilst being easier to obtain and transport than its Western equivalents. The synthesizer has 10 simple preset voices combined with a manually editable section which can be manually tweaked around to create new interesting sounds. No user program memory is available. Its effects include white noise generator, portamento, octave transposition, two low frequency oscillators and a random note generator. Even with a single oscillator, it sounds like there are several thanks to the 8 sub-osc keys. The ninth is the (white or pink) noise. Notable S ...
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