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Mughal Art
Mughal painting is a South Asian style of painting on paper made in to miniatures either as book illustrations or as single works to be kept in albums ( muraqqa), originating from the territory of the Mughal Empire in the Indian subcontinent. It emerged from Persian miniature painting (itself partly of Chinese origin) and developed in the court of the Mughal Empire of the 16th to 18th centuries. Battles, legendary stories, hunting scenes, wildlife, royal life, mythology, as well as other subjects have all been frequently depicted in paintings. The Mughal emperors were Muslims and they are credited with consolidating Islam in the subcontinent, and spreading Muslim (and particularly Persian) arts and culture as well as the faith. Mughal painting immediately took a much greater interest in realistic portraiture than was typical of Persian miniatures. Animals and plants were the main subject of many miniatures for albums, and were more realistically depicted. Although many classi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Govardhan
Govardhan also called Giriraj, is a key pilgrimage centre in India and a municipal town; a nagar panchayat; seat of an MLA (Member of the Legislative Assembly (India), Member of Legislative Assembly) of Uttar Pradesh Legislative Assembly, Uttar Pradesh; a Tehsil, in Mathura district in India in the States and territories of India, state of Uttar Pradesh. About 23 kilometres from Mathura, the town is on the road link between Mathura, Uttar Pradesh, Mathura and Deeg. Geography Govardhana is located at . It has an average elevation of 179 metres (587 feet). Govardhana has been made Tehsil in Mathura District by the Uttar Pradesh government. Demographics In the 2011 Indian Census, Govardhana had a population of 22,576. Males constituted 55% of the population and females 45%. Govardhana has an average literacy rate of 62%, higher than the national average of 59.5%: male literacy is 70%, and female literacy is 52%. In Govardhana, 17% of the population is under 6 years of ag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mumtaz Mahal
Mumtaz Mahal (; ; born Arjumand Banu Begum; 27 April 1593 – 17 June 1631) was the empress consort of Mughal Empire from 1628 to 1631 as the chief consort of the fifth Mughal emperor, Shah Jahan. The Taj Mahal in Agra, often cited as one of the Wonders of the World, was commissioned by her husband to act as her tomb. Mumtaz Mahal was born Arjumand Banu Begum in Agra to a family of Persian nobility. She was the daughter of Abu'l-Hasan Asaf Khan, a wealthy Persian noble who held high office in the Mughal Empire, and the niece of Empress Nur Jahan, the chief consort of Emperor Jahangir and the power behind the emperor. Arjumand Banu was married at the age of 19 on 10 May 1612 or 16 June 1612 to Prince Khurram, later known by his regnal name Shah Jahan, who conferred upon her the title "Mumtaz Mahal" . Although betrothed to Shah Jahan since 1607, she ultimately became his second wife in 1612. Mumtaz and her husband had 14 children, including Jahanara Begum (Shah Jahan's favorit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baburnama
The ''Bāburnāma'' (; ) is the memoirs of Babur, Ẓahīr-ud-Dīn Muhammad Bābur (1483–1530), founder of the Mughal Empire and a great-great-great-grandson of Timur. It is written in the Chagatai language, known to Babur as ''Türki'' "Turkic", the spoken language of the Timurid dynasty, Timurids. During the reign of his grandson, the emperor Akbar, the work was translated into Classical Persian, the literary language of the Mughal court, by a courtier, Abdul Rahim Khan-i-Khanan, in 1589–90 CE (Hijri year, AH 998). Babur was an educated Timurid prince, and his observations and comments in his memoirs reflect an interest in nature, society, politics and economics. His vivid account of events covers not just his own life, but the history and geography of the areas he lived in as well as the people with whom he came into contact. The book covers topics as diverse as astronomy, geography, statecraft, military matters, weapons and battles, plants and animals, biographies and fam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rajput Painting
Rajput painting, painting of the regional Hindu courts during the Mughal era, roughly from the end of the 16th century to the middle of the 19th century. Traditionally, Rajput painting is further divided into Rajasthan and Pahari painting which flourished in two different areas "far apart from each other in terms of distance but all under the rule of Rajput chiefs, and bound together by a common culture". The nomenclature 'Rajput painting' was introduced by Ananda Coomaraswamy in his book ''Rajput Painting, Being an Account of the Hindu Paintings of Rajasthan and the Panjab Himalayas'' (1916), which was the first monography of the subject. Rajput painting evolved from the Hindu painting of the 16th century (sometimes called "Early Rajput Painting"), which substantially changed under the influence of Mughal painting. Different styles of Rajput painting range from conservative idioms that preserve traditional values of bright colour, flatness and abstract form (e.g. Mewar and B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Durbar (court)
Durbar is a Persian-derived term (from ) referring to the noble court of a king or ruler or a formal meeting where the king held all discussions regarding the state. It was used in South Asia for a ruler's court or feudal levy. A durbar may be either a feudal state council for administering the affairs of a princely state, or a purely ceremonial gathering, as was increasingly the case during British rule in India. The most famous durbars belonged to powerful emperors and kings. In the north of India, cities like Baroda, Gwalior, Udaipur, Jaipur, Jodhpur, Jaisalmer, Agra, and the city of Lahore in Pakistan have palaces and forts that adorn such halls. The Mughal emperor Akbar had two halls—one for his ministers, and the other for the general public. Usually, durbar halls are lavishly decorated with the best possible materials available at the time. In the south of India, the Mysore Palace had a number of such halls, especially the Peacock Hall, having colour tinted glasses i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allah
Allah ( ; , ) is an Arabic term for God, specifically the God in Abrahamic religions, God of Abraham. Outside of the Middle East, it is principally associated with God in Islam, Islam (in which it is also considered the proper name), although the term was used in pre-Islamic Arabia and continues to be used today by Arabic-speaking adherents of any of the Abrahamic religions, including God in Judaism, Judaism and God in Christianity, Christianity. It is thought to be derived by contraction from ''Arabic definite article, al-Ilah, ilāh'' (, ) and is linguistically related to God's names in other Semitic languages, such as Aramaic ( ) and Hebrew language, Hebrew ( ). The word "Allah" now conveys the superiority or sole existence of Monotheism, one God, but among the Religion in pre-Islamic Arabia#Role of Allah, pre-Islamic Arabs, Creator deity, Allah was a supreme deity and was worshipped alongside lesser deities in a Pantheon (religion), pantheon. Many Jews, Christians, and ea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iconography
Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style. The word ''iconography'' comes from the Ancient Greek, Greek ("image") and ("to write" or ''to draw''). A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production or study of the religious images, called "Icon, icons", in the Byzantine art, Byzantine and Eastern Orthodox Churches, Orthodox Christian tradition. This usage is mostly found in works translated from languages such as Greek or Russian, with the correct term being "icon painting". In art history, "an iconography" may also mean a particular depiction of a subject in terms of the content of the image, such as the number of figures used, their placing and gestures. The term is also used in many academic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Halo (religious Iconography)
A halo (), also called a nimbus, aureola, aureole, glory or gloriole (), is a crown of light rays, circle or disk of light that surrounds a person in works of art. The halo occurs in the iconography of many religions to indicate holy or sacred figures, and has at various periods also been used in images of rulers and heroes. In the religious art of Ancient Greece, Ancient Rome, Christianity, Hinduism, and Buddhism (among other religions), sacred persons may be depicted with a halo in the form of a circular glow, or flames in Asian art, around the head or around the whole body—this last form is often called a mandorla. Halos may be shown as almost any colour or combination of colours, but are most often depicted as golden, yellow or white (when representing light) or as red (when representing flames). The earliest artistic depictions of halos were probably in Ancient Egyptian art. Ancient Mesopotamia and Persia Sumerian religious literature frequently speaks of ( in Akkad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shah Jahan
Shah Jahan I, (Shahab-ud-Din Muhammad Khurram; 5 January 1592 – 22 January 1666), also called Shah Jahan the Magnificent, was the Emperor of Hindustan from 1628 until his deposition in 1658. As the fifth Mughal emperor, his reign marked the zenith of Mughal architectural and cultural achievements. The third son of Jahangir (), Shah Jahan participated in the military campaigns against the Sisodia dynasty, Sisodia Rajputs of Mewar and the rebel Lodi (Pashtun tribe), Lodi nobles of the Deccan Plateau, Deccan. After Jahangir's death in October 1627, Shah Jahan defeated his youngest brother Shahryar Mirza and crowned himself emperor in the Agra Fort. In addition to Shahryar, Shah Jahan executed most of his rival claimants to the throne. He commissioned many monuments, including the Red Fort, Shah Jahan Mosque, Thatta, Shah Jahan Mosque and the Taj Mahal, where his favorite consort Mumtaz Mahal is entombed. In foreign affairs, Shah Jahan presided over the aggressive campaigns agai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jharokha Darshan
''Jharokha Darshan'' () (Hindi: झरोखा दर्शन) was a daily practice of addressing the public audience ('' darshan'') at the balcony ('' jharokha'') at the forts and palaces of medieval kings in India. It was an essential and direct way of communicating face-to-face with the public, and was a practice which was adopted by the Mughal emperors. The balcony appearance in the name of ''Jharokha Darshan'' also spelled ''jharokha-i darshan'' was adopted by the 16th-century Mughal Emperor Akbar, even though it was contrary to Islamic injunctions. Earlier, Akbar's father Emperor Humayun had also adopted this Hindu practice of appearing before his subjects at the ''jharokha'' to hear their public grievances. '' Darshan'' is a Sanskrit word which means "sight" and "beholding" (also means: "the viewing of an idol or a saint") which was adopted by Mughals for their daily appearance before their subjects. This also showed a Hindu influence, It was first practiced by Humayu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jahangir
Nur-ud-din Muhammad Salim (31 August 1569 – 28 October 1627), known by his imperial name Jahangir (; ), was List of emperors of the Mughal Empire, Emperor of Hindustan from 1605 until his death in 1627, and the fourth Mughal emperors, Mughal Emperor. Born as Prince Salim, he was the third and only surviving son of Emperor Akbar and his chief empress, Mariam-uz-Zamani. Akbar's quest for a successor took him to visit the Hazrat Ishaan and Salim Chishti, List of Sufi saints, Sufi saints who prophesied the birth of three sons. Jahangir's birth in Fatehpur Sikri was seen as a fulfillment of Chishti's blessings, and he was named after him. His parents’ early life was marked by personal tragedy, including the death of his full twin brothers in infancy, which led to a sense of grief in his family. His early education was comprehensive, covering various subjects including Persian language, Persian, Hindustani language, Hindustani, and military tactics. Jahangir's upbringing was heav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
