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Halo (religious Iconography)
A halo (), also called a nimbus, aureola, aureole, glory or gloriole (), is a crown of light rays, circle or disk of light that surrounds a person in works of art. The halo occurs in the iconography of many religions to indicate holy or sacred figures, and has at various periods also been used in images of rulers and heroes. In the religious art of Ancient Greece, Ancient Rome, Christianity, Hinduism, and Buddhism (among other religions), sacred persons may be depicted with a halo in the form of a circular glow, or flames in Asian art, around the head or around the whole body—this last form is often called a mandorla. Halos may be shown as almost any colour or combination of colours, but are most often depicted as golden, yellow or white (when representing light) or as red (when representing flames). The earliest artistic depictions of halos were probably in Ancient Egyptian art. Ancient Mesopotamia and Persia Sumerian religious literature frequently speaks of ( in Akkad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gandhara Buddha (tnm)
Gandhara () was an ancient Indo-Aryan people, Indo-Aryan civilization in present-day northwest Pakistan and northeast Afghanistan. The core of the region of Gandhara was the Peshawar valley, Peshawar (Pushkalawati) and Swat valleys extending as far east as the Pothohar Plateau in Punjab, though the cultural influence of Greater Gandhara extended westwards into the Kabul, Kabul valley in Afghanistan, and northwards up to the Karakoram range. The region was a central location for the Silk Road transmission of Buddhism, spread of Buddhism to Central Asia and East Asia with many Chinese Buddhism, Buddhist pilgrims visiting the region. Between the third century BCE and third century CE, Gandhari language, Gāndhārī, a Middle Indo-Aryan languages, Indo-Aryan language written in the Kharosthi script and linked with the modern Dardic languages, Dardic language family, acted as the lingua franca of the region and through Buddhism, the language spread as far as China based on Gandhār ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phoenix (mythology)
The phoenix is a Legendary creature, legendary immortal bird that cyclically regenerates or is otherwise born again. Originating in Greek mythology, it has analogs in many cultures, such as Egyptian mythology, Egyptian and Persian mythology. Associated with the sun, a phoenix obtains new life by rising from the ashes of its predecessor. Some legends say it dies in a show of flames and combustion, while others say that it simply dies and decomposes before being born again. In the ''Motif-Index of Folk-Literature'', a tool used by folklore studies, folklorists, the phoenix is classified as motif B32.Thompson. (2001: 581). The origin of the phoenix has been attributed to Ancient Egypt by Herodotus and later 19th-century scholars, but other scholars think the Egyptian texts may have been influenced by classical folklore. Over time, the phoenix motif spread and gained a variety of new associations; Herodotus, Lucan, Pliny the Elder, Pope Clement I, Lactantius, Ovid, and Isidore of Sev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Achilles
In Greek mythology, Achilles ( ) or Achilleus () was a hero of the Trojan War who was known as being the greatest of all the Greek warriors. The central character in Homer's ''Iliad'', he was the son of the Nereids, Nereid Thetis and Peleus, king of Phthia and famous Argonauts, Argonaut. Achilles was raised in Phthia along with his childhood companion Patroclus and received his education by the centaur Chiron. In the ''Iliad'', he is presented as the commander of the mythical tribe of the Myrmidons. Achilles' most notable feat during the Trojan War was the slaying of the Trojan prince Hector outside the gates of Troy. Although the death of Achilles is not presented in the ''Iliad'', other sources concur that he was killed near the end of the Trojan War by Paris (mythology), Paris, who shot him with an arrow. Later legends (beginning with Statius' unfinished epic ''Achilleid'', written in the first century CE) state that Achilles was invulnerable in all of his body except ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thetis
Thetis ( , or ; ) is a figure from Greek mythology with varying mythological roles. She mainly appears as a sea nymph, a goddess of water, and one of the 50 Nereids, daughters of the ancient sea god Nereus. When described as a Nereid in Classical myths, Thetis was the daughter of Nereus and Doris (Oceanid), Doris, and a granddaughter of Tethys (mythology), Tethys with whom she sometimes shares characteristics. Often she seems to lead the Nereids as they attend to her tasks. Sometimes she also is identified with Metis (mythology), Metis. Some sources argue that she was one of the earliest of deities worshipped in Archaic Greece, the oral traditions and records of which are lost. Only one written record, a fragment, exists attesting to her worship and an early Alcman hymn exists that identifies Thetis as the creator deity, creator of the universe. Worship of Thetis as the goddess is documented to have persisted in some regions by historical writers, such as Pausanias (geograp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sphinx
A sphinx ( ; , ; or sphinges ) is a mythical creature with the head of a human, the body of a lion, and the wings of an eagle. In Culture of Greece, Greek tradition, the sphinx is a treacherous and merciless being with the head of a woman, the haunches of a lion, and the wings of a bird. According to Greek myth, she challenges those who encounter her to answer a riddle, and kills and eats them when they fail to solve the riddle. This deadly version of a sphinx appears in the myth and drama of Oedipus. In Egyptian mythology, in contrast, the sphinx is typically depicted as a man (an androsphinx ()), and is seen as a benevolent representation of strength and ferocity, usually of a pharaoh. Unlike Greek or Levantine/Mesopotamian ones, Egyptian sphinxes were not winged. Both the Greek and Egyptian sphinxes were thought of as guardians, and statues of them often flank the entrances to temples. During the Renaissance, the sphinx enjoyed a major revival in European decorative art. D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magna Graecia
Magna Graecia refers to the Greek-speaking areas of southern Italy, encompassing the modern Regions of Italy, Italian regions of Calabria, Apulia, Basilicata, Campania, and Sicily. These regions were Greek colonisation, extensively settled by Greeks beginning in the 8th century BC. Initially founded by their ''metropoleis'' (mother cities), the settlements evolved into independent and powerful Greek city-states (''poleis''). The settlers brought with them Ancient Greece, Hellenic civilization, which over time developed distinct local forms due to both their distance from Greece and the influence of the indigenous peoples of southern Italy. This interaction left a lasting imprint on Italy, including on Ancient Rome, Roman culture. The Greek settlers also influenced native groups such as the Sicels and the Oenotrians, many of whom adopted Greek culture and became Hellenization, Hellenized. In areas like architecture and urban planning, the colonies sometimes surpassed the achievem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polygnotos (vase Painter)
Polygnotos (active approx. 450 – 420 BCE), a Greek vase-painter in Athens, is considered one of the most important vase painters of the red figure style of the high- classical period. He received his training in the workshop of the Niobid Painter and specialized in monumental vases, as in the manner of Polygnotos of Thasos, after whom he probably designated himself. He was the leading vase painter of the Group of Polygnotos which carries his name. He painted particularly large containers such as '' stamnoi'', kraters, hydria and shoulder amphorae, as well as Nolan amphorae and '' pelike''. Beside this famous vase painter two further vase painters have the name Polygnotos. They have become known in the scholarly literature as the Lewis Painter and the Nausikaa Painter. File:NAMA Courtisane & client.jpg, Young man with a hetaera, pelike. Archaeological Museum of Athens. File:NAMA 18063 Helene Phœbe.JPG, Theseus abducts Helen, stamnos. Archaeological Museum of Athens. File: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red-figure Pottery
Red-figure pottery () is a style of Pottery of ancient Greece, ancient Greek pottery in which the background of the pottery is painted black while the figures and details are left in the natural red or orange color of the clay. It developed in Athens around 520 BC and remained in use until the late 3rd century AD. It replaced the previously dominant style of black-figure pottery within a few decades. Its modern name is based on the figural depictions in red color on a black background, in contrast to the preceding black-figure style with black figures on a red background. The most important areas of production, apart from Attica, were in Magna Graecia, Southern Italy. The style was also adopted in other parts of Greece. Etruria became an important center of production outside the Ancient Greece, Greek World. Attic red-figure vases were exported throughout Greece and beyond. For a long time, they dominated the market for fine ceramics. Few centers of pottery production could compe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medusa
In Greek mythology, Medusa (; ), also called Gorgo () or the Gorgon, was one of the three Gorgons. Medusa is generally described as a woman with living snakes in place of hair; her appearance was so hideous that anyone who looked upon her was Petrifaction in mythology and fiction, turned to stone. Medusa and her Gorgon sisters Euryale and Stheno were usually described as daughters of Phorcys and Ceto; of the three, only Medusa was mortal. Medusa was beheaded by the Greek hero Perseus, who then used her head, which retained its ability to turn onlookers to stone, as a weapon until he gave it to the goddess Athena to place on her Aegis, shield. In classical antiquity, the image of the head of Medusa appeared in the apotropaic magic, evil-averting device known as the ''Gorgoneion''. According to Hesiod and Aeschylus, she lived and died on Sarpedon, somewhere near Cisthene (Mysia), Cisthene. The 2nd-century BC novelist Dionysios Skytobrachion puts her somewhere in Ancient Libya, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perseus
In Greek mythology, Perseus (, ; Greek language, Greek: Περσεύς, Romanization of Greek, translit. Perseús) is the legendary founder of the Perseid dynasty. He was, alongside Cadmus and Bellerophon, the greatest Greek hero and slayer of monsters before the days of Heracles. He beheaded the Gorgon Medusa for Polydectes and saved Andromeda (mythology), Andromeda from the sea monster Cetus (mythology), Cetus. He was the son of Zeus and the mortal Danaë, as well as the half-brother and great-grandfather of Heracles (as they were both children of Zeus, and Heracles's mother was Perseus' granddaughter). Etymology Because of the obscurity of the name "Perseus" and the legendary character of its bearer, most etymologists presume that it might be pre-Greek; however, the name of Perseus's native city was Greek and so were the names of his wife and relatives. There is some idea that it descended into Greek from the Proto-Indo-European language. In that regard Robert Graves, Grave ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iliad
The ''Iliad'' (; , ; ) is one of two major Ancient Greek epic poems attributed to Homer. It is one of the oldest extant works of literature still widely read by modern audiences. As with the ''Odyssey'', the poem is divided into 24 books and was written in dactylic hexameter. It contains 15,693 lines in its most widely accepted version. The ''Iliad'' is often regarded as the first substantial piece of Western literature, European literature and is a central part of the Epic Cycle. Set towards the end of the Trojan War, a ten-year siege of the city of Troy by a coalition of Mycenaean Greece, Mycenaean Greek states, the poem depicts significant events in the war's final weeks. In particular, it traces the anger () of Achilles, a celebrated warrior, from a fierce quarrel between him and King Agamemnon, to the death of the Trojan prince Hector.Homer, ''Iliad, Volume I, Books 1–12'', translated by A. T. Murray, revised by William F. Wyatt, Loeb Classical Library 170, Cambridge, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Hero
Hero cults were one of the most distinctive features of ancient Greek religion. In Homeric Greek, "hero" (, ) refers to the mortal offspring of a human and a god. By the historical period, the word came to mean specifically a ''dead'' man, venerated and propitiated at his tomb or at a designated shrine, because his fame during life or his unusual manner of death gave him power to support and protect the living. A hero was more than human but less than a god, and various kinds of minor supernatural figures came to be assimilated to the class of heroes; the distinction between a hero and a god was less than certain, especially in the case of Heracles, the most prominent, but atypical hero. The grand ruins and tumuli (large burial mounds) remaining from the Bronze Age gave the pre-literate Greeks of the 10th century BC a sense of a once grand and now vanished age; they reflected this in the oral epic tradition, which would become famous by way of works such as the ''Iliad'' and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
