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More Smiles
''More Smiles'' is an album by the Kenny Clarke/Francy Boland Big Band featuring performances recorded in Germany in 1969 and released on the MPS label. accessed September 20, 2016 Reception awarded the album 3 stars.AllMusic listingaccessed October 14, 2015 Track listing # " Johnny One Note" ( |
Kenny Clarke/Francy Boland Big Band
The Kenny Clarke/Francy Boland Big Band was a jazz big band co-led by American drummer Kenny Clarke and Belgian pianist François "Francy" Boland. They were one of the most noteworthy jazz big bands formed outside the United States, featuring top European musicians alongside expatriate and touring Americans. History American drummer Kenny Clarke and Belgian pianist Francy Boland started the band in Paris in 1960. A sextet became an octet before expanding into a big band that combined European musicians with American jazz expatriates. The debut album, '' Jazz Is Universal'', was released in 1962. The band collaborated with Stan Getz, Zoot Sims, Derek Watkins, and Phil Woods. Personnel * Benny Bailey * Francy Boland * Kenny Clare * Kenny Clarke * Tony Coe * Eddie "Lockjaw" Davis * Jimmy Deuchar * Carl Drevo * Muvaffak "Maffy" Falay * Art Farmer * Tony Fisher * Herb Geller * Dusko Goykovich * Johnny Griffin * Tootie Heath * Derek Humble * Tony Inzalaco * Shake Keane ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Hammerstein II
Oscar Greeley Clendenning Hammerstein II (; July 12, 1895 – August 23, 1960) was an American lyricist, librettist, theatrical producer, and director in musical theater for nearly 40 years. He won eight Tony Awards and two Academy Awards for Best Original Song. Many of his songs are standard repertoire for vocalists and jazz musicians. He co-wrote 850 songs. He is best known for his collaborations with composer Richard Rodgers, as the duo Rodgers and Hammerstein, whose musicals include '' Oklahoma!'', '' Carousel'', '' South Pacific'', '' The King and I'', '' Flower Drum Song'', and '' The Sound of Music''. Described by his protégé Stephen Sondheim as an "experimental playwright", Hammerstein helped bring the American musical to new maturity by popularizing musicals that focused on stories and character rather than the lighthearted entertainment that the musical had been known for beforehand. He also collaborated with Jerome Kern (with whom he wrote the 1927 music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duško Gojković
Duško Gojković ( sr-Cyrl, Душко Гојковић; 14 October 1931 – 5 April 2023) was a Serbian jazz trumpeter, composer, and arranger. Biography Gojković was born on 14 October 1931, in Jajce, Bosnia and Herzegovina, at the time part of Kingdom of Yugoslavia. He studied at the Belgrade Music Academy from 1948 to 1953. He played trumpet in dixieland bands and joined the big band of Radio Belgrade when he was eighteen. He moved to West Germany and first recorded as a member of the Frankfurt Allstars in 1956. He spent the next four years as a member of Kurt Edelhagen's orchestra. In these years, Gojković played with Chet Baker, Stan Getz, and Oscar Pettiford. In 1958, he performed at Newport Jazz Festival and drew attention on both sides of the Atlantic Ocean. In 1961, Gojkovic received a scholarship to attend Berklee College of Music, where he studied with Herb Pomeroy. In 1966, Gojković recorded in Cologne his album ''Swinging Macedonia'', produced by Eckart Rahn. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benny Bailey
Ernest Harold "Benny" Bailey (August 13, 1925 – April 14, 2005) was an American jazz trumpeter. Biography A native of Cleveland, Ohio, Bailey briefly studied flute and piano before turning to trumpet. He attended the Cleveland Conservatory of Music. He was influenced by Cleveland native Tadd Dameron and had a significant influence on other Cleveland musicians, such as Albert Ayler, Bob Cunningham, Bobby Few, Bill Hardman, and Frank Wright. Bailey played with Tony Lovano, father of Joe Lovano. In the early 1940s he worked with Bull Moose Jackson and Scatman Crothers. He later worked with Dizzy Gillespie and toured with Lionel Hampton. During a European tour with Hampton he remained in Europe and spent time in Sweden, where he worked with Harry Arnold's big band. He preferred big bands over small groups, and he became associated with several big bands in Europe, including the Kenny Clarke/Francy Boland Big Band. His time with Quincy Jones led to a brief return to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arrangement
In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings. Arranging is the art of giving an existing melody musical variety".(Corozine 2002, p. 3) In jazz, a memorized (unwritten) arrangement of a new or pre-existing composition is known as a ''head arrangement''. Classical music Arrangement and transcriptions of classical and serious music go back to the early history of classical music. Eighteenth century J. S. Bach frequently made arrangements of his own and other composers' p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
A piano is a keyboard instrument that produces sound when its keys are depressed, activating an Action (music), action mechanism where hammers strike String (music), strings. Modern pianos have a row of 88 black and white keys, tuned to a chromatic scale in equal temperament. A musician who specializes in piano is called a pianist. There are two main types of piano: the #Grand, grand piano and the #Upupright piano. The grand piano offers better sound and more precise key control, making it the preferred choice when space and budget allow. The grand piano is also considered a necessity in venues hosting skilled pianists. The upright piano is more commonly used because of its smaller size and lower cost. When a key is depressed, the strings inside are struck by felt-coated wooden hammers. The vibrations are transmitted through a Bridge (instrument), bridge to a Soundboard (music), soundboard that amplifies the sound by Coupling (physics), coupling the Sound, acoustic energy t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit or drum set (also known as a trap set, or simply drums in popular music and jazz contexts) is a collection of drums, cymbals, and sometimes other Percussion instrument, auxiliary percussion instruments set up to be played by one person. The drummer typically holds a pair of matching Drum stick, drumsticks or special wire or nylon brushes; and uses their feet to operate hi-hat and bass drum pedals. A standard kit usually consists of: * A snare drum, mounted on a snare drum stand, stand * A bass drum, played with a percussion mallet, beater moved by one or more foot-operated pedals * One or more Tom drum, tom-toms, including Rack tom, rack toms or floor tom, floor toms * One or more Cymbal, cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be played with a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Love For Sale (song)
"Love for Sale" is a song by Cole Porter introduced by Kathryn Crawford in the musical '' The New Yorkers,'' which opened on Broadway on December 8, 1930, and closed in May 1931 after 168 performances. The song is written from the viewpoint of a prostitute advertising "love for sale". Early versions The song's chorus, like many in the Great American Songbook, is written in the A-A-B-A format. However, instead of 32 bars, it has 64, plus an eight-bar tag. The tag is often dropped when the song is performed. The tune, like many of Porter's, shifts between a major and minor feeling. The A section is in the key of B-flat minor before modulating to B-flat major and back. Background When the song came out in 1930, a newspaper labelled it as "in bad taste";Schwartz, Charles (1979). ''Cole Porter''. Da Capo Press. , pp. 115–116 radio stations avoided broadcasting it. Because of the complaints, Porter shifted the setting of the song in the musical to the Cotton Club in Harlem, where ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
My Heart Belongs To Daddy
"My Heart Belongs to Daddy" is a song written by Cole Porter for the musical '' Leave It to Me!'' which premiered on November 9, 1938. It was originally performed by Mary Martin, who played Dolly Winslow, the young "protégée" of a rich newspaper publisher, her sugar daddy. In the musical, Dolly wears a fur coat while stranded at a Siberian railway station and surrounded by eager men. She performs a striptease and sings to them about how since she has her "daddy", she may still flirt with other men but won't "follow through". Later versions Martin sang it again in the 1940 movie '' Love Thy Neighbor''. Again she wears a fur coat, but the setting is a show within a show and the act is more conventional as she wears an evening gown beneath the fur. The words to the introduction are altered, the innuendoes being toned down. Her best-known movie performance is in the 1946 Cole Porter biopic '' Night and Day'' in which she plays herself. The film recreates Martin's audition then seg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became Standard (music), standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway theatre, Broadway and in Hollywood films. Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
All Through The Night (Cole Porter Song)
"All Through the Night" is a 1934 popular song written by Cole Porter for his 1934 musical ''Anything Goes''. The melody's distinguishing characteristic is a descending chromatic scale, starting on the third, interrupted by an octave leap after four bars. It was introduced by William Gaxton and Betina Hume. Hit versions in 1935 were recorded by Paul Whiteman (vocal by Bob Lawrence) and by Harry Rosenthal (vocal by Helen Ward). Other notable recordings *Bing Crosby - ''Anything Goes'' soundtrack (1956) *Ella Fitzgerald - ''Ella Fitzgerald Sings the Cole Porter Songbook'' (1956) *Julie London - '' All Through the Night: Julie London Sings the Choicest of Cole Porter'' (1965) *Johnny Mathis - '' Wonderful, Wonderful'' (1957) *Johnnie Ray – ''′Til Morning'' (1958) *Andy Williams – ''In the Arms of Love'' (1966) *Bill Charlap – ''All Through the Night'' (1998) *Sampled by The Prodigy The Prodigy are an English electronic music band formed in Braintree, Essex, in 1990 by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adolph Green
Adolph Green (December 2, 1914 – October 23, 2002) was an American lyricist and playwright who, with long-time collaborator Betty Comden, penned the screenplays and songs for musicals on Broadway (theatre), Broadway and in Cinema of the United States, Hollywood. Although they were not a romantic couple, they shared a unique comic genius and sophisticated wit that enabled them to forge a six-decade-long partnership. They received numerous accolades including four Tony Awards and nominations for two Academy Awards and a Grammy Award. Green was inducted into the Songwriters Hall of Fame in 1980 and American Theatre Hall of Fame in 1981. Comden and Green received the Kennedy Center Honor in 1991. They started their career alongside Leonard Bernstein on stage where they received the New York Drama Critics' Circle for Best Musical for ''Wonderful Town'' (1953). On Broadway they wrote the music and lyrics to musicals such as ''On the Town (musical), On the Town'' (1944), ''Two on the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
