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Miyagawa Chōki
Miyagawa Chōki (, birth and death dates unknown) was a Japanese artist active in the early 17th century who specialized in ukiyo-e . Life and work No biographical details of Chōki survive. He was a follower of Miyagawa Chōshun, and considered Chōshun's leading pupil. Chōki's surviving works come from the Kyōhō (1716–1736) to the Kanpō eras; most are from Kyōhō. These paintings follow the style of Chōshun in depicting the tastes of the time in fine detail. The majority are set in the pleasure districts. See also References Works cited * External links * {{DEFAULTSORT:Miyagawa, Choki 17th-century Japanese artists Ukiyo-e artists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ukiyo-e
is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock printing, woodblock prints and Nikuhitsu-ga, paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Flora of Japan, flora and Wildlife of Japan#Fauna, fauna; and Shunga, erotica. In 1603, the city of Edo (Tokyo), Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The class (merchants, craftsmen and workers), positioned at the bottom of Four occupations, the social order, benefited the most from the city's rapid economic growth. They began to indulge in and patronize the entertainment of kabuki theatre, geisha, and oiran, courtesans of the Yūkaku, pleasure districts. The term ('floating world') came to describe this hedonistic lifestyle. Printed or painted ukiyo-e works were popular with the class, who had become wealthy enough to afford to decorate their homes wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miyagawa Chōshun
Miyagawa Chōshun (; 1683 – 18 December 1753) was a Japanese painter in the ukiyo-e style. Founder of the Miyagawa school, he and his pupils are among the few ukiyo-e artists to have never created woodblock prints. He was born in Miyagawa, in Owari Province was a province of Japan in the area that today forms the western half of Aichi Prefecture, including the modern city of Nagoya. The province was created in 646. Owari bordered on Mikawa, Mino, and Ise Provinces. Owari and Mino provinces w ..., but lived much of his later life in Edo, where he died. Chōshun trained under artists of the Tosa and Kanō schools, as well as under the master of early ukiyo-e, Hishikawa Moronobu. These influences are evident in his works, along with those of the Kaigetsudō school, but ultimately Chōshun, as the founder of a new school of painting, has a unique style all his own. His figures have a soft, warm femininity about them, and Richard Lane considers his colorin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kyōhō
, also pronounced Kyōho, was a after '' Shōtoku'' and before ''Genbun.'' This period spanned the years from July 1716 through April 1736. The reigning emperors were and . Change of era * 1716 : The era name of ''Kyōhō'' (meaning "Undergoing and Supporting") was created in response to the death of Tokugawa Ietsugu. The previous era ended and the new one commenced in ''Shōtoku'' 6, on the 22nd day of the 6th month. Events of the ''Kyōhō'' era * 1717 (''Kyōhō 2''): ''Kyōhō'' reforms are directed and overseen by Shōgun Yoshimune. * 1718 (''Kyōhō 3''): The ''bakufu'' repaired the Imperial mausolea.Ponsonby-Fane, Richard. (1956). ''Kyoto: the Old Capital, 794–1869'', p. 320. * 1718 (''Kyōhō 3, 8th month''): The ''bakufu'' established a at the office of the '' machi-bugyō'' in Heian-kyō. * 1720 (''Kyōhō 5, 6th month''): The 26th High Priest of Nichiren Shōshū, Nichikan Shōnin, who is considered a great reformer of the sect, inscribed the Gohonzon which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanpō
was a , also known as Kampō, after '' Genbun'' and before '' Enkyō.'' This period spanned the years from February 1741 through February 1744. The reigning emperor was . Change of era * 1741 : Based on the belief in Chinese astrology that the 58th year of the sexagenary cycle brings changes, the era name was changed to ''Kanpō'' (meaning "Keeping Lenient and Generous"). The previous era ended and the new one commenced in ''Genbun'' 6, on the 27th day of the 2nd month. Events of the ''Kanpō'' era * 1742 (''Kanpō 2''): A comet was seen in the sky.Titsingh, p. 418. * 1742 (''Kanpō 2, 8th month''): Persistent heavy rains create floods throughout the country, with noteworthy devastation in Musashi province, Kōzuke province, Shimotsuke province, and Shinano province. In Heian-kyō, the Sanjo Bridge is washed away in this destructive storm cycle. * 1743 (''Kanpō 3, 11th month''): A comet was sighted in the night sky; and this comet is likely to have been what is today ide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century Japanese Artists
The 17th century lasted from January 1, 1601 (represented by the Roman numerals MDCI), to December 31, 1700 (MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
