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Miroirs
file:Ravel Pierre Petit.jpg, upRavel in 1907 ''Miroirs'' (, ) is a five-movement suite (music), suite for solo piano written by French composer Maurice Ravel between 1904 and 1905."Miroirs". Maurice Ravel Frontispice. First performed by Ricardo Viñes in 1906, ''Miroirs'' contains five movements, each dedicated to a fellow member of the French avant-garde artist group Les Apaches."Miroirs". Piano Society. http://www.pianosociety.com/cms/index.php?section=171 History Around 1900, Maurice Ravel joined a group of innovative young artists, poets, critics, and musicians referred to as Les Apaches or "hooligans", a term coined by Ricardo Viñes to refer to his band of "artistic outcasts". To pay tribute to his fellow artists, Ravel began composing ''Miroirs'' in 1904 and finished it the following year. It was first published by Eugène Demets in 1906. The third and fourth movements were subsequently orchestrated by Ravel, while the fifth was orchestrated by Percy Grainger, among others. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ravel Pierre Petit
Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism in music, Impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and 1930s Ravel was internationally regarded as France's greatest living composer. Born to a music-loving family, Ravel attended France's premier music college, the Paris Conservatoire; he was not well regarded by its conservative establishment, whose biased treatment of him caused a scandal. After leaving the conservatoire, Ravel found his own way as a composer, developing a style of great clarity and incorporating elements of modernism (music), modernism, baroque music, baroque, Neoclassicism (music), neoclassicism and, in his later works, jazz. He liked to experiment with musical form, as in his best-known work, ''Boléro'' (1928), in which repetition takes the place of development. Renowned for his abi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Apaches
Les Apaches (or Société des Apaches) was a group of musicians, writers and artists which formed in Paris, France, in 1903. The core was formed by the French composer Maurice Ravel, the Spanish pianist Ricardo Viñes and the writer and critic Michel-Dimitri Calvocoressi. The group was private but never formal, and the wider membership was fluid; over 20 unofficial members would attend meetings of Les Apaches until it came to an end during World War I. During their active years, ''Les Apaches'' met weekly. The meetings were a chance for the members to perform and show new works or ideas to a small group, discuss contemporary artistic interests and collaborate. Origins In the early 20th century the term ''Les Apaches'' was used to describe European street gangs who were of intense interest to the French media at the time. Supposedly, the term was adopted by the diverse circle of artists after a newspaper seller mockingly called ''"attention! Les Apaches"'' as members of the gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Sordes
Paul Sordes (9 February 1877 – 20 May 1937) was a French painter from Paris and set designer who was an original member of '' Les Apaches'', a group of artists in early 20th-century Paris whose most famous member was Maurice Ravel. It was at Sordes' studio home at 39 rue Dulong above Montmartre that the group regularly met on Saturdays. In fact, the first meeting of the group occurred at his studio in either June 1902 or May 1903. Around 1900, Tristan Klingsor first met Sordes at the Salon des Indépendants in Paris, where he was impressed by Sordes' drawings and watercolors. Klingsor called him ''une sorte de Ravel de la palette'' in an obituary, and Ravel dedicated ''Une barque sur l'océan'' from the piano suite ''Miroirs file:Ravel Pierre Petit.jpg, upRavel in 1907 ''Miroirs'' (, ) is a five-movement suite (music), suite for solo piano written by French composer Maurice Ravel between 1904 and 1905."Miroirs". Maurice Ravel Frontispice. First performed by Ricardo V ...'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Delage
Maurice Charles Delage (13 November 1879 – 19 or 21 September 1961) was a French composer and pianist. Life and career Maurice Charles Delage was born and died in Paris. He first worked as a clerk for a maritime agency in Paris, and later as a fishmonger in Boulogne. He also served for a time in the French army, before embarking on a music career in his twenties. A student of Ravel, who proclaimed him one of the supreme French composers of his day, and member of Les Apaches, he was influenced by travels to India and Japan in 1912, when he accompanied his father on a business trip. Ravel's "La vallée des cloches" from ''Miroirs'' was dedicated to Delage. Delage's best known piece is '' Quatre poèmes hindous'' (1912–1913).Georges Jean-Aubry (1917''An Introduction to French Music'' p.67, Cecil Palmer & Hayward, London His ''Ragamalika'' (1912–1922), based on the classical music of India, is significant in that it calls for prepared piano; the score specifies that a piece ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suite (music)
A suite, in Western classical music, is an ordered set of instrumental or orchestral/concert band pieces. It originated in the late 14th century as a pairing of dance tunes; and grew in scope so that by the early 17th century it comprised up to five dances, sometimes with a Prelude (music), prelude. The separate Movement (music), movements were often thematically and tonally linked. The term can also be used to refer to similar forms in other musical traditions, such as the Ottoman Classical Music, Turkish fasıl and the Arab music, Arab nuubaat. In the Baroque music, Baroque era, the suite was an important musical form, also known as ''Suite de danses'', ''Ordre'' (the term favored by François Couperin), ''Partita'', or ''Ouverture'' (after the theatrical "overture" which often included a series of dances) as with the orchestral suites of Christoph Graupner, Georg Philipp Telemann, Telemann and Johann Sebastian Bach, J.S. Bach. During the 18th century, the suite fell out of fav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel-Dimitri Calvocoressi
Michel-Dimitri Calvocoressi (2 October 1877 – 1 February 1944) was a French-born music critic and musicologist of Greek descent who was a British citizen and resident in England from 1914 onwards. He is especially noted for his writings on Russian classical music, particularly on the life and works of Modest Mussorgsky, and his close association with the French musical establishment. Born in Marseille, Calvocoressi learned numerous languages in his youth and attempted various careers before settling on music criticism. His early career was spent as an influential music critic in Paris, where he contributed to English and French newspapers: '' Gil Blas'', the '' Comoedia Illustré'', ''The Morning Post'' and ''The Musical Times'', among others. He was well acquainted with the city's musical figures, particularly Maurice Ravel. Alongside Ravel and the pianist Ricardo Viñes, Calvocoressi founded the Apaches musical society. After serving as a cryptographer in England for World ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugène Demets
Eugène Louis Demets (6 April 1858 – 25 April 1923) was one of the most prestigious music publishers in early 20th-century Paris. Life Demets was born in Passy, west of Paris. Originally an orchestral musician, Demets set up his music publishing house in Paris in 1899, first in 20, rue des Marais, and from 1903 in 2, rue de Louvois. He was not able to join SACEM, the French publishers association, before 24 April 1901, because he had apparently several times issued defamatory remarks towards that association. Only after he had formally apologised, he was admitted.Anik Devriès & François Lesure: ''Dictionnaire des éditeurs de musique français'', vol. 2: ''De 1820 à 1914'' (Geneva: Minkoff, 1988), p. 139–140. In addition to his publishing activities, he also operated an "Agence musicale", an agency organising concerts, mainly for the purpose of bringing his publications to the public. Within a short period of time, Demets was able to enlist a number of well known modern com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aubade
An aubade is a morning love song (as opposed to a serenade, intended for performance in the evening), or a song or poem about lovers separating at dawn. It has also been defined as "a song or instrumental composition concerning, accompanying, or evoking daybreak". In the strictest sense of the term, an aubade is a song sung by a departing lover to a sleeping woman. Aubades are generally conflated with what are strictly called Alba (poetry), albas, which are exemplified by a dialogue between parting lovers, a refrain with the word ''alba'', and a watchman warning the lovers of the approaching dawn. The tradition of ''aubades'' goes back at least to the troubadours of the Provençal literature, Provençal schools of courtly love in the High Middle Ages. The aubade gained in popularity again with the advent of the metaphysical poets, metaphysical fashion in the 17th century. John Donne's poem "The Sunne Rising" exemplifies an aubade in English. Aubades were written from time to tim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concert Harp
The pedal harp (also known as the concert harp) is a large and technologically modern harp, designed primarily for use in art music. It may be played solo, as part of a chamber ensemble, or in an orchestra. It typically has 47 strings with seven strings per octave, giving a range of six and a half octaves. In this type of harp the pedals alter the pitch of the strings, so that the pedal harp can easily play works written in any key. This is particularly important in the harmonically complex music of the Romantic period and later 20th-century classical music. Parts Body and strings A pedal harp typically stands about high, is deep, and wide at the bass end of the soundboard. It weighs about . The body of the harp consists of a straight upright pillar, sometimes adorned with a crown at the top; a soundboard, which in most harps is pear-shaped with additional width at the bottom, although some older instruments have soundboards that are straight-sided but widening toward ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trumpet
The trumpet is a brass instrument commonly used in classical and jazz musical ensemble, ensembles. The trumpet group ranges from the piccolo trumpet—with the highest Register (music), register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to the 2nd Millenium BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, appearing in orchestras, concert bands, chamber music groups, and jazz ensembles. They are also common in popular music and are generally included in school bands. Sound is produced by vibrating the lips in a mouthpiece, which starts a standing wave in the air column of the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Celesta
The celesta () or celeste (), also called a bell-piano, is a struck idiophone operated by a keyboard. It looks similar to an upright piano (four- or five-octave), albeit with smaller keys and a much smaller cabinet, or a large wooden music box (three-octave). The keys connect to hammers that strike a graduated set of metal (usually steel) plates or bars suspended over wooden resonators. Four- or five-octave models usually have a damper pedal that sustains or damps the sound. The three-octave instruments do not have a pedal because of their small "table-top" design. One of the best-known works that uses the celesta is Pyotr Ilyich Tchaikovskys "Dance of the Sugar Plum Fairy" from ''The Nutcracker''. The sound of the celesta is similar to that of the glockenspiel, but with a much softer and more subtle timbre. This quality gave the instrument its name, ''celeste'', meaning "heavenly" in French. The celesta is often used to enhance a melody line played by another instrument or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
