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Mingo Lewis
James "Mingo" Lewis (born 8 December 1953) is an American percussionist and drummer who played with Santana, Al Di Meola (he was a band member for Di Meola's first five albums), Return to Forever, and The Tubes. Playing Lewis plays congas, bongos, timbales, vibraslap, drums, bells, güiro, gong, Syndrum, bata, tambourine, cowbell and assorted percussion. Writing Lewis is credited with composition of one song on four of the first five Di Meola albums: "The Wizard" on ''Land of the Midnight Sun'', "Flight Over Rio" on ''Elegant Gypsy'', and "Chasin' The Voodoo" on ''Casino'' (retitled from his composition ''Frankinsence'' on his 1976 album ''Flight Never Ending''). For The Tubes album Now Lewis wrote "God-Bird-Change", which he reprised on Di Meola's Electric Rendezvous Selected discography As Band Leader * ''Flight Never Ending'' (1976) As session player * Santana - ''Caravanserai'' (1972) * '' Carlos Santana & Buddy Miles! Live!'' (1972) * Return To Forever - '' Hymn of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York City
New York, often called New York City (NYC), is the most populous city in the United States, located at the southern tip of New York State on one of the world's largest natural harbors. The city comprises five boroughs, each coextensive with a respective county. The city is the geographical and demographic center of both the Northeast megalopolis and the New York metropolitan area, the largest metropolitan area in the United States by both population and urban area. New York is a global center of finance and commerce, culture, technology, entertainment and media, academics, and scientific output, the arts and fashion, and, as home to the headquarters of the United Nations, international diplomacy. With an estimated population in 2024 of 8,478,072 distributed over , the city is the most densely populated major city in the United States. New York City has more than double the population of Los Angeles, the nation's second-most populous city. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Todd Rundgren
Todd Harry Rundgren (born June 22, 1948) is an American musician, singer, songwriter, and record producer who has performed a diverse range of styles as a solo artist and as a member of the bands Nazz and Utopia. He is known for his sophisticated and often unorthodox music, his occasionally lavish stage shows, and his later experiments with interactive art. He also produced music videos and was an early adopter and promoter of various computer technologies, such as using the Internet as a means of music distribution in the late 1990s. A native of Philadelphia, Rundgren began his professional career in the mid-1960s, forming the psychedelic band Nazz in 1967. After two years, he left Nazz to pursue a solo career and immediately scored his first US top 40 hit with " We Gotta Get You a Woman" (1970). His best-known songs include " Hello It's Me" and " I Saw the Light" from '' Something/Anything?'' (1972), which get frequent air time on classic rock radio stations, the 1978 " C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tambourine
The tambourine is a musical instrument in the percussion family consisting of a frame, often of wood or plastic, with pairs of small metal jingles, called "zills". Classically the term tambourine denotes an instrument with a drumhead, though some variants may not have a head. Tambourines are often used with regular percussion sets. They can be mounted, for example on a stand as part of a drum kit (and played with drum sticks), or they can be held in the hand and played by tapping, hitting, or shaking the instrument. Tambourines come in many shapes with the most common being circular. It is found in many forms of music: Albanian folk music, Arabic folk music, Israeli folk music, Turkish folk music, Greek folk music, Italian folk music, French folk music, classical music, Galician traditional music, Asturian traditional music, Persian music, samba, gospel music, pop music, country music, and rock music. History The origin of the tambourine is unknown, but it appea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Batá Drum
The Batá drum is a double-headed hourglass drum with one end larger than the other. The percussion instrument is still used for its original purpose as it is one of the most important drums in the Yoruba land and used for traditional and religious activities among the Yoruba of western Nigeria. Batá drums have been used in the religion known as Santería in Cuba since the 1800s, and in Puerto Rico and the United States since the 1950s. Today, they are also used for semi-religious musical entertainment in Nigeria and in secular, popular music. The early function of the batá was as a drum of different gods, of royalty, of ancestors and a drum of politicians, impacting all spheres of life in Yoruba land. Bata drums are made by fastening skin of goats with wires on a hollowed wood body. Bata drums are made from a solid wood log from the oma tree. The drum’s shells are carved by hands and assembled in traditionally. The drums are assembled without any metal parts, the playing h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syndrum
The Pollard Syndrum is the first commercially available electronic drum, invented by Joe Pollard and Mark Barton in 1976. There were 3 major types: The Syndrum 1, the Syndrum TwinDrum, and the Syndrum Quad, the last being the most famous. At the time of its conception, Pollard was a session drummer working for the Beach Boys and the Grass Roots. In 1976, he met Barton, who had designed and built some working prototypes which were previewed to some prominent drummers. Their reactions were encouraging, so Joe, Mark and Donald Stone incorporated Pollard Industries and starting selling Syndrums in Culver City, California. There were two models sold at the time, the single drum 177 and the four drum 477. Syndrums were a musical success with a surplus of endorsees, but a financial failure for the young company. Legacy Although the Syndrum was capable of many different sounds, the one favored by most recording artists was a sine wave that pitch-bends down; it can be heard at the begi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gong
A gongFrom Indonesian language, Indonesian and ; ; zh, c=鑼, p=luó; ; ; ; ; is a percussion instrument originating from Southeast Asia, and used widely in Southeast Asian and East Asian musical traditions. Gongs are made of metal and are circular and flat or bowl-like in shape, and can come in various sizes. They are typically struck with a mallet. They can be played alone, giving a characteristic "crashing" sound, or played as part of a tuned set that produce bell-like sounds. The earliest possible depictions of gongs is from the details on the surface of the Ngọc Lũ I Dong son drum, bronze drum () from the Dong Son culture of northern Vietnam. It depicts what looks like seven-gong ensembles along with other instruments (including cymbals/bells and the bronze drums themselves). The oldest undisputed historical mention of gongs can be found in sixth century AD Chinese records, which mentioned it as a foreign instrument that came from a country between Tibet and Bur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Güiro
The güiro () is a percussion instrument consisting of an open-ended, hollow gourd with parallel notches cut in one side. It is played by rubbing a stick or tines (see photo) along the notches to produce a ratchet sound. The güiro is commonly used in Cuban, Puerto Rican, and other forms of Latin American music, and plays a key role in the typical rhythm section of important genres like son, trova and salsa. Playing the güiro usually requires both long and short sounds, made by scraping up and down in long or short strokes. The güiro, like the maracas, is often played by a singer. It is closely related to the Cuban guayo, Dominican güira, and Haitian graj which are made of metal. Other instruments similar to the güiro are the Colombian guacharaca, the Brazilian reco-reco, the Cabo Verdean ferrinho, the quijada (cow jawbone) and the frottoir (French) or fwotwa (French Creole) ( washboard). Etymology In the Arawakan language, a language of the indigenous people of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bell (instrument)
A bell /ˈbɛl/ () is a directly struck idiophone percussion instrument. Most bells have the shape of a hollow cup that when struck vibrates in a single strong strike tone, with its sides forming an efficient resonator. The strike may be made by an internal "clapper" or "uvula", an external hammer, or—in small bells—by a small loose sphere enclosed within the body of the bell ( jingle bell). Bells are usually cast from bell metal (a type of bronze) for its resonant properties, but can also be made from other hard materials. This depends on the function. Some small bells such as ornamental bells or cowbells can be made from cast or pressed metal, glass or ceramic, but large bells such as a church, clock and tower bells are normally cast from bell metal. Bells intended to be heard over a wide area can range from a single bell hung in a turret or bell-gable, to a musical ensemble such as an English ring of bells, a carillon or a Russian zvon which are tuned to a common ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drums
The drum is a member of the percussion instrument, percussion group of musical instruments. In the Hornbostel–Sachs classification system, it is a membranophones, membranophone. Drums consist of at least one Acoustic membrane, membrane, called a drumhead or drum skin, that is stretched over a shell and struck, either directly with the player's hands, or with a percussion mallet, to produce sound. There is usually a resonant head on the underside of the drum. Other techniques have been used to cause drums to make sound, such as the thumb roll. Drums are the world's oldest and most ubiquitous musical instruments, and the basic design has remained virtually unchanged for thousands of years. Drums may be played individually, with the player using a single drum, and some drums such as the djembe are almost always played in this way. Others are normally played in a set of two or more, all played by one player, such as bongo drums and timpani. A number of different drums together ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vibraslap
The vibraslap is a percussion instrument consisting of a piece of stiff wire (bent into a U-shape) connecting a wooden ball to a hollow box of wood with metal "teeth" inside. The percussionist holds the metal wire in one hand and strikes the ball (usually against the palm of their other hand). The box acts as a resonating body for a metal mechanism placed inside with a number of loosely fastened pins or rivets that vibrate and rattle against the box.Vibra-Slap , ''Music.VT.edu''. URL last accessed December 11, 2009. The instrument is a modern version of the jawbone. History The vibraslap comes from the African[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timbales
Timbales () or pailas are shallow single-headed drums with metal casing. They are shallower than single-headed tom-toms and usually tuned much higher, especially for their size.Orovio, Helio 1981. ''Diccionario de la música cubana: biográfico y técnico''. Entries for ''Paila criolla''; ''Timbal criollo''. They were developed as an alternative to classical timpani in Cuba in the early 20th century and later spread across Latin America and the United States. Timbales are struck with wooden sticks on the heads and shells, although bare hands are sometimes used. The player (called a ''timbalero'') uses a variety of stick strokes, rim shots, and rolls to produce a wide range of percussive expression during solos and at transitional sections of music, and usually plays the shells (or auxiliary percussion such as a cowbell or cymbal) to keep time in other parts of the song. The shells and the typical pattern played on them are referred to as ''cáscara''. Common stroke patterns in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bongos
Bongos (Spanish language, Spanish: ''bongó'') are an Afro-Cubans, Afro-Cuban percussion instrument consisting of a pair of small open bottomed hand drums of different sizes. The pair consists of the larger ''hembra'' () and the smaller ''macho'' (), which are joined by a wooden bridge. They are played with both hands and usually held between the legs, although in some cases, as in classical music, they may be played with sticks or mounted on stands. Bongos are mainly employed in the rhythm section of son cubano and salsa music, salsa ensembles, often alongside other drums such as the larger congas and the stick-struck timbales. In these groups, the bongo player is known as ''bongosero'' and often plays a continuous eight-stroke pattern called ''martillo'' () as well as more rhythmically free parts, providing improvisatory flourishes and rhythmic counterpoint. Bongos originated in eastern Cuba at the end of the 19th century, possibly from a pair of larger drums such as the bokú. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
