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Michèle Lagrange
Michèle Lagrange (born 29 May 1947) is a contemporary French operatic soprano. Biography Born in Couches (Burgundy), Lagrange studied at the Conservatoire de Paris (rue de Madrid) in 1972-74 and at the Opéra Studio from 1974 to 1977. She began her career in the troupe of the Opéra de Lyon then, from 1984, was frequently invited to play at the Opéra de Paris. Between 1978 and 1983 Lagrange performed the title role of Gounod's '' Mireille'', Fiordiligi in Mozart's ''Cosi fan tutte'', Agathe in Weber's ''Freischütz'' at the Opéra de Lyon. She began in 1972 at the Festival d'Aix-en-Provence in Rossini's ''Il turco in Italia'', sang in Buenos Aires in Berlioz's ''Benvenuto Cellini'' and made her debut in 1984 at the Paris Opera in Verdi's ''Jérusalem''. She played the role of Elvira in Bellini's ''I puritani'', Elisabeth in Verdi's ''Don Carlos'', Manon in Puccini's ''Manon Lescaut'', Alice in Meyerbeer's ''Robert le diable'', Norma in Bellini's ''Norma'', Imogène in '' I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hertz, Hz to A5 in Choir, choral music, or to soprano C (C6) or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura soprano, coloratura, soubrette, lyric soprano, lyric, spinto soprano, spinto, and dramatic soprano, dramatic soprano. Etymology The word "soprano" comes from the Italian word ''wikt:sopra, sopra'' (above, over, on top of),"Soprano" ''Encyclopædia Britannica'' as the soprano is the highest pitch human voice, often given to the leading female roles in operas. "Soprano" refers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Le Diable
''Robert le diable'' (''Robert the Devil'') is an opera in five acts composed by Giacomo Meyerbeer between 1827 and 1831, to a libretto written in French by Eugène Scribe and Germain Delavigne. ''Robert le diable'' is regarded as one of the first grand operas at the Paris Opéra. It has only a superficial connection to the medieval legend of ''Robert the Devil''. The opera was immediately successful from its first night on 21 November 1831 at the Opéra; the dramatic music, harmony and orchestration, its melodramatic plot, its star singers and its sensational stage effects compelled Frédéric Chopin, who was in the audience, to say, "If ever magnificence was seen in the theatre, I doubt that it reached the level of splendour shown in ''Robert''...It is a masterpiece...Meyerbeer has made himself immortal".Brown, ''Robert le diable'', p. 572 ''Robert'' initiated the European fame of its composer, consolidated the fame of its librettist, Scribe, and launched the reputation of the n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Love For Three Oranges
', Op. 33, is a 1921 satirical French-language opera by Sergei Prokofiev. He wrote his own libretto, basing it on the Italian play '' L'amore delle tre melarance'', or ''The Love for Three Oranges'' ( ''Lyubov k tryom apyelsinam'') by Carlo Gozzi, and conducted the premiere, which took place at the Auditorium Theatre in Chicago on 30 December 1921. History Composition The opera resulted from a commission during Prokofiev's first visit to the United States in 1918. After well-received concerts of his works in Chicago, including his First Symphony, Prokofiev was approached by the director of the Chicago Opera Association, Cleofonte Campanini, to write an opera. Conveniently the composer had already drafted a libretto during his voyage to America, one based on Gozzi's Italian play in mock ''commedia dell'arte'' style (itself an adaptation of Giambattista Basile's fairy tale). He had done so using Vsevolod Meyerhold's Russian translation of the Gozzi and had injected a dos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmonia Mundi
Harmonia Mundi is a record label that specializes in classical music, jazz, and world music (on the World Village label). It was founded in France in 1958 and is now a subsidiary of PIAS Entertainment Group, which is itself owned by Universal Music Group as of October 2024. Its Latin name ''harmonia mundi'' translates as "harmony of the world". History In the 1950s, two music entrepreneurs, Frenchman Bernard Coutaz and German Rudolf Ruby, met by chance on a train journey and started a friendship based on their musical interests. They formed a business relationship and set up two classical music record labels, both named ''Harmonia Mundi''. Coutaz's Harmonia Mundi (France) was founded in Saint-Michel-de-Provence, France, in 1958, and around the same time, Rudolf Ruby set up Deutsche Harmonia Mundi. The two labels shared similar aims and specialised in recordings of Early and Baroque music, with an emphasis on scholarly, historically informed performance and high-quality sou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serge Baudo
Serge Baudo (born 16 July 1927) is a French conductor, the son of the oboist Étienne Baudo. He is the nephew of the cellist Paul Tortelier. Baudo was conductor of the Orchestra of Radio Nice from 1959 to 1962. He then served as permanent conductor at the Paris Opera from 1962 to 1965. Baudo also worked on the music of two Jacques-Yves Cousteau films: in 1964 he composed and conducted the music of '' World Without Sun'' and in 1976 he conducted some Maurice Ravel musical pieces for '' Voyage to the Edge of the World'' (a Cousteau film about a four months expedition in Antarctica). He conducted the world premieres of the operas ''La mère coupable'' by Darius Milhaud in June 1966 in Geneva as well as ''Andrea del Sarto'' by Jean-Yves Daniel-Lesur in January 1969 in Marseille . Baudo became music director of the Orchestre philharmonique Rhône-Alpes, later the Orchestre National de Lyon, in 1971, and served in this post until 1987. During his time in Lyon Lyon (Franco-Prove ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestre National De Lyon
The Orchestre National de Lyon (ONL) is a French orchestra based in Lyon. Its primary concert venue is the Maurice Ravel Auditorium. The orchestra operates with the help of a subsidy from the Ministry of Culture (France), French Ministry of Culture and from the Regional Council of Rhône-Alpes, Rhône-Alpes regional council. The current general director of the orchestra is Aline Sam-Giao. History The orchestra's precursor was the Société des Grands Concerts de Lyon, which Georges Martin Witkowski established in 1905. Witkowski directed the society's concerts from 1905 to 1943. His son, Jean Witkowski, succeeded him from 1943 to 1953. In 1969, the city of Lyon formally organised an orchestra for the city, with the initial name of ''l'Orchestre Philharmonique Rhône-Alpes''. Louis Frémaux was the first music director of the orchestra, from 1969 to 1971. Serge Baudo then became music director in 1971. During his tenure, the orchestra took up residence at l'Auditorium de Lyo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stabat Mater (Poulenc)
Stabat Mater, FP 148, is a musical setting of the Stabat Mater sequence composed by Francis Poulenc in 1950. Background Poulenc wrote the piece in response to the death of his friend, artist Christian Bérard; he considered writing a Requiem for Bérard, but, after returning to the shrine of the Black Virgin of Rocamadour, he selected the medieval Stabat Mater text. Poulenc's setting, scored for soprano solo, mixed chorus, and orchestra, premiered on the 13th of June 1951 at the Strasbourg Festival. It was well received throughout Europe and in the United States where it won the New York Critic's Circle Award for Best Choral Work of the year.Hell. Structure The Stabat Mater is divided into twelve movements, which vary dramatically in character from somber to light and frivolous, even on the most serious of texts. All the movements, though, are relatively brief; Robert Shaw's Telarc recording runs just under 30 minutes, with the longest movement taking just over fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel Plasson
Michel Plasson (born 2 October 1933, Paris, France) is a French conductor. Plasson was a student of Lazare Lévy at the Conservatoire de Paris. In 1962, he was a prize-winner at the International Besançon Competition for Young Conductors. He studied briefly in the United States, including time with Charles Münch. He became the music director of the city of Metz for 3 years. In 1968, Plasson became principal conductor of the Orchestre et Chœurs du Capitole de Toulouse. His recordings with the orchestra include orchestral works, and operettas of Jacques Offenbach, including ''Orphée aux enfers'', '' La Vie parisienne'', ''La Périchole'' and ''La belle Hélène'', and Bizet's ''Carmen''. Plasson resigned as principal conductor in 2003 and now has the title of "Honorary Conductor", or conductor emeritus. From 1994 to 2001, he was principal conductor of the Dresden Philharmonic. Guest appearances include Grand Théâtre de Genève, De Nederlandse Opera (Amsterdam) a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guercœur
''Guercœur'' is an opera in three acts by the French composer Albéric Magnard to his own libretto. It was first performed posthumously at the Paris Opéra on 24 April 1931, though it had mostly been written between 1897 and 1901. The music shows the influence of Wagner. History Albéric Magnard, a composer whose chamber and symphonic works were performed, composed ''Guercœur'' as his second opera to his own libretto between 1897 and 1901. He then tried in vain to find a theatre ready to produce it. The composer died trying to save his house from the invading Germans at the beginning of World War I in 1914, and the score was partially destroyed in the resulting fire. Magnard's friend Guy Ropartz reconstructed the missing sections from the vocal score so the opera could be staged. It was first performed posthumously at the Paris Opéra on 24 April 1931. Performances After the premiere, the opera received its next production more than 80 years later at Theater Osnabrück in J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Vestale
''La vestale'' (''The Vestal Virgin'') is an opera composed by Gaspare Spontini to a French libretto by Étienne de Jouy. It takes the form of a '' tragédie lyrique'' in three acts. It was first performed on 15 December 1807 by the Académie Impériale de Musique (Paris Opera) at the Salle Montansier and is regarded as Spontini's masterpiece. The musical style shows the influence of Gluck and anticipates the works of Berlioz, Wagner, and French Grand opera. Composition history Spontini had finished ''La vestale'' by the summer of 1805 but had faced opposition from leading members of the Opéra and rivalry from fellow composers.Del Teatro The premiere was made possible with the help of Spontini's patron, the Empress Joséphine, but only after being rearranged by Jean-Baptiste Rey and Louis-Luc Loiseau de Persuis. ''La vestale'' was an enormous success, enjoying over two hundred performances by 1830. Performance history Its fame soon spread abroad; it appeared in Naples and in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Giovanni
''Don Giovanni'' (; K. 527; full title: , literally ''The Rake Punished, or Don Giovanni'') is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish legend about a libertine as told by playwright Tirso de Molina in his 1630 play '' El burlador de Sevilla y convidado de piedra''. It is a ''dramma giocoso'' blending comedy, melodrama and supernatural elements (although the composer entered it into his catalogue simply as ''opera buffa''). It was premiered by the Prague Italian opera at the National Theatre (of Bohemia), now called the Estates Theatre, on 29 October 1787. ''Don Giovanni'' is regarded as one of the greatest operas of all time and has proved a fruitful subject for commentary in its own right; critic Fiona Maddocks has described it as one of Mozart's "trio of masterpieces with librettos by Da Ponte". Composition and premiere The opera was commissioned after the success of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
