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Metope (architecture)
A metope (; ) is a rectangular architectural element of the Doric order, filling the space between triglyphs in a frieze , a decorative band above an architrave. In earlier wooden buildings the spaces between triglyphs were first open, and later the free spaces in between triglyphs were closed with metopes; however, metopes are not load-bearing part of a building. Earlier metopes are plain, but later metopes were painted or ornamented with reliefs. The painting on most metopes has been lost, but sufficient traces remain to allow a close idea of their original appearance. In terms of structure, metopes were made out of clay or stone. A stone metope may be carved from a single block with a triglyph (or triglyphs), or they may be cut separately and slide into slots in the triglyph blocks as at the Temple of Aphaea. Sometimes the metopes and friezes were cut from different stone, so as to provide color contrast. Although they tend to be close to square in shape, some metopes are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Parthenon Sculptures, British Museum (14063376069) (2) (cropped)
''The'' is a grammatical article in English, denoting nouns that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pronoun ''thee' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paestum
Paestum ( , , ) was a major Ancient Greece, ancient Greek city on the coast of the Tyrrhenian Sea, in Magna Graecia. The ruins of Paestum are famous for their three ancient Greek temples in the Doric order dating from about 550 to 450 BCE that are in an excellent state of preservation. The city walls and amphitheatre are largely intact, and the bottom of the walls of many other structures remain, as well as paved roads. The site is open to the public, and there is a modern National Archaeological Museum of Paestum, national museum within it, which also contains the finds from the associated Greek site of Foce del Sele. Paestum was established around 600 BCE by settlers from Sybaris, a Greek colony in southern Italy, under the name of Poseidonia (). The city thrived as a Greek settlement for about two centuries, witnessing the development of democracy. In 400 BCE, the Lucani (ancient people), Lucanians seized the city. Ancient Rome, Romans took over in 273 BCE, renaming it Paestu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Roman Sculpture
The study of Roman sculpture is complicated by its relation to Sculpture of Ancient Greece, Greek sculpture. Many examples of even the most famous Greek sculptures, such as the ''Apollo Belvedere'' and ''Barberini Faun'', are known only from Roman Empire, Roman Imperial or Hellenistic "copies". At one time, this imitation was taken by art historians as indicating a narrowness of the Roman artistic imagination, but, in the late 20th century, Roman art began to be reevaluated on its own terms: some impressions of the nature of Greek sculpture may in fact be based on Roman artistry. The strengths of Roman sculpture are in portraiture, where they were less concerned with the ideal than the Greeks or Ancient Egyptians, and produced very characterful works, and in narrative relief scenes. Examples of Roman sculpture are abundantly preserved, in total contrast to Roman painting, which was very widely practiced but has almost all been lost. Latin literature, Latin and some ancient Greek ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Roman Architectural Elements
Ancient history is a time period from the beginning of writing and recorded human history through late antiquity. The span of recorded history is roughly 5,000 years, beginning with the development of Sumerian cuneiform script. Ancient history covers all continents inhabited by humans in the period 3000 BCAD 500, ending with the expansion of Islam in late antiquity. The three-age system periodises ancient history into the Stone Age, the Bronze Age, and the Iron Age, with recorded history generally considered to begin with the Bronze Age. The start and end of the three ages vary between world regions. In many regions the Bronze Age is generally considered to begin a few centuries prior to 3000 BC, while the end of the Iron Age varies from the early first millennium BC in some regions to the late first millennium AD in others. During the time period of ancient history, the world population was exponentially increasing due to the Neolithic Revolution, which was in full prog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greek Sculpture
The sculpture of ancient Greece is the main surviving type of fine ancient Greek art as, with the exception of painted ancient Greek pottery, almost no ancient Greek painting survives. Modern scholarship identifies three major stages in monumental sculpture in bronze and stone: Archaic Greek sculpture (from about 650 to 480 BC), Classical Greek sculpture, Classical (480–323 BC) and Hellenistic sculpture, Hellenistic thereafter. At all periods there were great numbers of Greek terracotta figurines and small sculptures in metal and other materials. The Greeks decided very early on that the human form was the most important subject for artistic endeavour. Since they pictured their gods as having human form, there was little distinction between the sacred and the secular in art—the human body was both secular and sacred. A male Heroic nudity, nude of Apollo or Heracles shows only slight differences in treatment from a sculpture of that year's Olympic boxing champion. The statue ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greek Architecture
Ancient Greek architecture came from the Greeks, or Hellenes, whose Ancient Greece, culture flourished on the Greek mainland, the Peloponnese, the Aegean Islands, and in colonies in Asia Minor, Anatolia and Italy for a period from about 900 BC until the 1st century AD, with the earliest remaining architectural works dating from around 600 BC. Ancient Greek architecture is best known for its Ancient Greek temple, temples, many of which are found throughout the region, with the Parthenon regarded, now as in ancient times, as the prime example. Most remains are very incomplete ruins, but a number survive substantially intact, mostly outside modern Greece. The second important type of building that survives all over the Hellenic world is the Theatre of Ancient Greece#Characteristics of the buildings, open-air theatre, with the earliest dating from around 525–480 BC. Other architectural forms that are still in evidence are the processional gateway (''propylon''), the public square ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Order
An order in architecture is a certain assemblage of parts subject to uniform established proportions, regulated by the office that each part has to perform. Coming down to the present from Ancient Greece, Ancient Greek and Ancient Roman civilization, the architectural orders are the styles of classical architecture, each distinguished by its proportions and characteristic profiles and details, and most readily recognizable by the type of column employed. The three orders of architecture—the Doric order, Doric, Ionic order, Ionic, and Corinthian order, Corinthian—originated in Greece. To these the Romans added, in practice if not in name, the Tuscan order, Tuscan, which they made simpler than Doric, and the Composite order, Composite, which was more ornamental than the Corinthian. The architectural order of a classical building is akin to the Musical mode, mode or Key (music), key of classical music; the grammar or rhetoric of a written composition. It is established by certai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bucranium
Bucranium (; , , referring to the skull of an ox) was a form of carved decoration commonly used in Classical architecture. The name is generally considered to originate with the practice of displaying garlanded, sacrificial oxen, whose heads were displayed on the walls of temples, a practice dating back to the sophisticated Neolithic site of Çatalhöyük in eastern Anatolia, where cattle skulls were overlaid with white plaster. Etymology and sphere of application The word "bucranium" (latin ''bucranium'') comes from Ancient Greek: βουκράνιον – being composed of βοῦς (''ox'') and κρανίον (''skull'') – and literally means "ox skull". Analogic, the Greek word αἰγικράνιον (''latin'' aegicranium) means a "goat skull", also used as a decorative element in architecture. The technical term "bucranium" was originally used in the description of classical architecture. Its application to the field of Palaeoarchaeology, prehistoric archeology is relat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hôtel De Beauvais
The Hôtel de Beauvais () is a hôtel particulier, a kind of large townhouse of France, at 68 rue Francois-Miron, 4th arrondissement, Paris. Until 1865 rue Francois-Miron formed part of the historic rue Saint Antoine and as such was part of the ceremonial route into Paris from the east. The hotel was built by the royal architect Antoine Le Pautre for Catherine Beauvais in 1657. It is an example of eclectic French Baroque architecture. History Catherine Beauvais was the first lady to Anne of Austria, and was rumored to have provided Louis XIV with his first heterosexual experience. Favoured by the Queen regent, Catherine Beauvais was given gifts of money and later expensive building materials that had been destined to be used in the extension of the Cour Carrée of the Louvre Palace. The Hôtel Beauvais was built partly over land that had belonged to Cistercian monks during the 13th century. All that is left of their town house is the vaulted cellar that has been preserved i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Mansart
François Mansart (; 23 January 1598 – 23 September 1666) was a French architect credited with introducing classicism into the Baroque architecture of France. The ''Encyclopædia Britannica'' identifies him as the most accomplished of 17th-century French architects whose works "are renowned for their high degree of refinement, subtlety, and elegance". Mansart, as he is generally known, popularized the mansard roof, a four-sided, double slope gambrel roof punctuated with windows on the steeper lower slope, which created additional habitable space in the garrets. Career François Mansart was born on 23 January 1598 to a master carpenter in Paris. He was not trained as an architect; his relatives helped train him as a stonemason and a sculptor. He is thought to have learned the skills of an architect in the studio of Salomon de Brosse, the most popular architect in France during the reign of Henry IV. Mansart was recognized from the 1620s onward for his style and skill as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Baroque Architecture
French Baroque architecture, usually called French classicism, was a style of architecture during the reigns of Louis XIII (1610–1643), Louis XIV (1643–1715) and Louis XV (1715–1774). It was preceded by French Renaissance architecture and Mannerism and was followed in the second half of the 18th century by French Neoclassical architecture. The style was originally inspired by the Italian Baroque architecture style, but, particularly under Louis XIV, it gave greater emphasis to regularity, the colossal order of façades, and the use of colonnades and cupolas, to symbolize the power and grandeur of the King. Notable examples of the style include the Grand Trianon of the Palace of Versailles, and the dome of Les Invalides in Paris. In the final years of Louis XIV and the reign of Louis XV, the colossal orders gradually disappeared, the style became lighter and saw the introduction of wrought iron decoration in rocaille designs. The period also saw the introduction of monum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Château De Maisons-Laffitte
A château (, ; plural: châteaux) is a manor house, or palace, or residence of the lord of the manor, or a fine country house of nobility or gentry, with or without fortifications, originally, and still most frequently, in French-speaking regions. Nowadays, a ''château'' may be any stately residence built in a French style; the term is additionally often used for a winegrower's estate, especially in the Bordeaux wine regions, Bordeaux region of France. Definition The word château is a French word that has entered the English language, where its meaning is more specific than it is in French. The French word ''château'' denotes buildings as diverse as a medieval fortress, a Renaissance palace and a fine 19th-century country house. Care should therefore be taken when translating the French word ''château'' into English, noting the nature of the building in question. Most French châteaux are "palaces" or fine "English country house, country houses" rather than "castles", an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
