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Message Poem
The sandesha kavya () or a duta kavya is a literary form and genre of Sanskrit poetry. Described as a messenger poem, the narrative of a sandesha kavya commonly consists of an exiled lover sending a message to a separated beloved through a messenger, who could be a natural element such as a bird, a cloud, the wind, or a human being. The genre combines the themes of love and separation with descriptions of the landscapes of the natural world. Kalidasa's '' Meghaduta'' is regarded to be the most popular example of this literary form. Etymology In Sanskrit, ''sandeśa'' (संदेश) means "message", and ''kāvya'' (काव्य) means "poem" or "poetry". Literature * Ghatakarparakavya'':'' The earliest example of a sandesha kavya is the ''Ghatakarparakavya'', a poem by the poet Ghatakarpara, on the message sent to a lover by a love-lorn woman, appealing to a morning cloud to act as her messenger. The poem is of twenty-four stanzas in five different metres. * Meghaduta: The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit Literature
Sanskrit literature is a broad term for all literature composed in Sanskrit. This includes texts composed in the earliest attested descendant of the Proto-Indo-Aryan language known as Vedic Sanskrit, texts in Classical Sanskrit as well as some mixed and non-standard forms of Sanskrit. Literature in the older language begins during the Vedic period with the composition of the Ṛg·veda between about 1500 and 1000 BCE, followed by other Vedic works right up to the time of the grammarian Pāṇini around 6th or 4th century BCE (after which Classical Sanskrit texts gradually became the norm). Vedic Sanskrit is the language of the extensive liturgical works of the Vedic religion, while Classical Sanskrit is the language of many of the prominent texts associated with the major Indian religions, especially Hinduism and the Hindu texts, but also Buddhism, and Jainism. Some Sanskrit Buddhist texts are also composed in a version of Sanskrit often called Buddhist Hybrid Sanskrit or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamsa-Sandesha
The ''Hamsa Sandesha'' (Sanskrit: ; IAST: ) or "The message of the Swan" is a Sanskrit love poem written by Vedanta Desika in the 13th century CE. A short lyric poem of 110 verses, it describes how Rama, hero of the ''Ramayana'' epic, sends a message via a swan to his beloved wife, Sita, who has been abducted by the demon king Ravana. The poem belongs to the ' "messenger poem" genre and is very closely modeled upon the ''Meghadūta'' of Kālidāsa. It has particular significance for Sri Vaishnavas, whose god, Vishnu, it celebrates. Sources The ''Hamsa-Sandesha'' owes a great deal to its two poetic predecessors, Kālidāsa's ''Meghadūta'' and Valmīki's '' Ramāyana''. Vedanta Desika's use of the ''Meghaduta'' is extensive and transparently deliberate; his poem is a response to one of India's most famous poems by its most celebrated poet. Vedanta Desika's debt to Valmīki is perhaps more pervasive but less obvious, and possibly less deliberate too. Where the poet conscio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kālidāsa
Kālidāsa (, "Servant of Kali (god), Kali"; 4th–5th century CE) was a Classical Sanskrit author who is often considered ancient India's greatest poet and playwright. His plays and poetry are primarily based on Hindu Puranas and philosophy. His surviving works consist of three plays, two epic poems and two shorter poems. Much about his life is unknown except what can be inferred from his poetry and plays. His works cannot be dated with precision, but they were most likely authored before the 5th century CE during the Gupta Empire, Gupta era. Kalidas is mentioned as one of the seven Brahma avatars in Dasam Granth, written by Guru Gobind Singh. Early life Scholars have speculated that Kālidāsa may have lived near the Himalayas, in the vicinity of Ujjain, and in Kalinga (historical region), Kalinga. This hypothesis is based on Kālidāsa's detailed description of the Himalayas in his ''Kumārasambhava, Kumārasambhavam'', the display of his love for Ujjain in ''Meghadūta'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandākrāntā
(Sanskrit: ) is the name of a metre commonly used in classical Sanskrit poetry. The name in Sanskrit means "slow-stepping" or "slowly advancing". It is said to have been invented by India's most famous poet Kālidāsa, (5th century CE), who used it in his well-known poem ("the Cloud-Messenger"). The metre characterises the longing of lovers who are separated from each other, expressed in the Sanskrit word "separation (of lovers), parting". Metrical pattern Modern analysis A line in has 17 syllables, divided into three sections, each separated by a pause. The first section consists of four long syllables, the second of 5 short syllables and one long, and the third a mixture of long and short alternating, in this pattern: :, – – – – , u u u u u – , – u – – u – x , As with other Sanskrit metres, the length of the final syllable is indifferent. Deo (2007) argues that the metre is basically trochaic (i.e. consisting of a "strong-weak, strong-weak" rhythm). Sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metre (poetry)
In poetry, metre ( Commonwealth spelling) or meter ( American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, " prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables comin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malayalam
Malayalam (; , ) is a Dravidian languages, Dravidian language spoken in the Indian state of Kerala and the union territories of Lakshadweep and Puducherry (union territory), Puducherry (Mahé district) by the Malayali people. It is one of 22 Languages with official status in India, scheduled languages of India. Malayalam was designated a "Classical Languages of India, Classical Language of India" in 2013. Malayalam has official language status in Kerala, Lakshadweep and Puducherry (Mahé, Puducherry, Mahé), and is also the primary spoken language of Lakshadweep. Malayalam is spoken by 35.6 million people in India. Malayalam is also spoken by linguistic minorities in the neighbouring states; with a significant number of speakers in the Kodagu and Dakshina Kannada districts of Karnataka, and Kanyakumari district, Kanyakumari, Coimbatore district, Coimbatore and Nilgiris district, Nilgiris district of Tamil Nadu. It is also spoken by the Malayali diaspora, Malayali Diaspora wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Unnuneeli Sandesham
''Uli Sandam'' is among the oldest works in Malayalam language. It is a '' sandesa kavyam'' (message poem), a message written in poetry, on the lines of the famous ''Meghadūta'' of Kalidasa. In the case of this work, it is a message written by a lover to his lady-love staying at a far-off place. The message is therefore written as if it is sent through a messenger. The work was written in the 14th century AD, when transport and communications were very limited in Kerala. The messenger in the poem is, therefore, a carrier pigeon. Apart from the message proper, the poem gives detailed instructions to the messenger pigeon, including the route to be taken and the landmarks in route. Besides the literary value of the work, it throws light on the geography of Kerala of that period. It, therefore, reads in part like a travelogue too. The journey starts in Thiruvananthapuram, the capital of the Venad (Travancore) Kingdom of that day, and ends at Kaduthuruthy Kaduthuruthy is a to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhavabhuti
Bhavabhūti (born Śrīkaṇṭha Nīlakaṇṭha; Devanagari: भवभूति; -) was a classical Sanskrit scholar, poet, and playwright of eighth-century India. He is considered a key successor to Kalidasa and is often regarded as matching his literary stature. His best known work '' Uttararamacarita'' (translated as ''The Later Deeds of Rama''), earned him the title "Poet of the Karunā Rasa". Background Bhavabhuti was born in Padmapura, Aamgaon, at Gondia district,in Maharashtra. He was born in a Audumbar/Udumbar Brahmin family of scholars. He is described as a scion of the Yāyāvara family, bearing the surname Udumbara. His Kāshyapa brahmin ancestors adhered to the Black Yajurveda and kept the five sacred fire. His real name was Srikantha Nilakantha, and he was the son of Nilakantha and Jatukarni. He received his education at 'Padmapawaya', a place some 42 km South-West of Gwalior. Dayananidhi Paramahansa is known to be his guru. He composed his historical plays a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hanuman
Hanuman (; , ), also known as Maruti, Bajrangabali, and Anjaneya, is a deity in Hinduism, revered as a divine ''vanara'', and a devoted companion of the deity Rama. Central to the ''Ramayana'', Hanuman is celebrated for his unwavering devotion to Rama and is considered a '' chiranjivi''. He is traditionally believed to be the spiritual offspring of the wind deity Vayu, who is said to have played a significant role in his birth. In Shaiva tradition, he is regarded to be an incarnation of Shiva, while in most of the Vaishnava traditions he is the son and incarnation of Vayu. His tales are recounted not only in the ''Ramayana'' but also in the '' Mahabharata'' and various ''Puranas''. Devotional practices centered around Hanuman were not prominent in these texts or in early archaeological evidence. His theological significance and the cultivation of a devoted following emerged roughly a millennium after the ''Ramayana'' was composed, during the second millennium CE.Paula Richman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramayana
The ''Ramayana'' (; ), also known as ''Valmiki Ramayana'', as traditionally attributed to Valmiki, is a smriti text (also described as a Sanskrit literature, Sanskrit Indian epic poetry, epic) from ancient India, one of the two important epics of Hinduism known as the ''Itihasas'', the other being the ''Mahabharata''. The epic narrates the life of Rama, the seventh ''avatar'' of the Hindu deity Vishnu, who is a prince of Ayodhya (Ramayana), Ayodhya in the kingdom of Kosala. The epic follows Exile of Lord Rama, his fourteen-year exile to the forest urged by his father King Dasharatha, on the request of Rama's stepmother Kaikeyi; his travels across the forests in the Indian subcontinent with his wife Sita and brother Lakshmana; the kidnapping of Sita by Ravana, the king of Lanka, that resulted in bloodbath; and Rama's eventual return to Ayodhya (Ramayana), Ayodhya along with Sita to be crowned as a king amidst jubilation and celebration. Scholarly estimates for the earliest stage ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lanka
Lanka (; ) is the name given in Hindu epics to the island fortress capital of the legendary Rakshasa king Ravana in the epics of the ''Ramayana'' and the ''Mahabharata''. The fortress was situated on a plateau between three mountain peaks known as the Trikuta Mountains. The ancient city of Lankapura is said to have been burnt down by Hanuman. After its king, Ravana was killed by Rama with the help of Ravana's brother Vibhishana, the latter was crowned king of Lankapura. His descendants were said to still rule the kingdom during the period of the Pandavas. According to the ''Mahabharata'', the Pandava Sahadeva visited this kingdom during his southern military campaign for the rajasuya of Yudhishthira. The palaces of Ravana were said to be guarded by four-tusked elephants. Ramayana Rulers of Lanka According to both the ''Ramayana'' and the ''Mahabharata'', Lanka was originally ruled by a rakshasa named Sumali. According to Uttara Kanda, Vishwakarma, the divine architect of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ravana
According to the Mahakavya, Hindu epic, ''Ramayana'', Ravana was a kingJustin W. Henry, ''Ravana's Kingdom: The Ramayana and Sri Lankan History from Below'', Oxford University Press, p.3 of the island of Lanka, in which he is the chief antagonist and is considered to be a Rakshasa (demon). In the ''Ramayana'', Ravana is described as the eldest son of sage Vishrava and Kaikesi, Kaikasi. He abducted Rama's wife, Sita, and took her to his kingdom of Lanka, where he held her in the Ashok Vatika, Ashoka Vatika. Rama, with the support of vanara King Sugriva and his army of vanaras, launched a rescue operation for Sita against Ravana in Lanka. Ravana was subsequently slain, and Rama rescued his beloved wife Sita. Ravana was well-versed in the six shastras and the four Vedas, including the Shiva Tandava Stotra. Ravana is also considered to be the most revered devotee of Shiva. Images of Ravana are often seen associated with Shiva at temples. He also appears in the Buddhist Mahayana t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
