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Mer Hahn En Neue Oberkeet, BWV 212
''Mer hahn en neue Oberkeet'' (We have a new governor), 212, is a secular cantata by Johann Sebastian Bach. It was entitled the "Cantate burlesque" by Bach himself, but is now popularly known as the ''Peasant Cantata''. It is the last definitely dated Bach cantata. History and text This cantata's libretto was written by Christian Friedrich Henrici, known as Picander, and was written for performance on 30 August 1742 at near Leipzig. On that day the hereditary feudal lord and Kreishauptmann, , chamberlain to the Elector of Saxony, celebrated his thirty-sixth birthday with a huge fireworks display and, as was customary, took homage from the peasants on the same occasion. It is thought that Picander asked Bach to set his poetry to music. The text describes how an unnamed farmer laughs with the farmer's wife Mieke about the tax collector's machinations while praising the economy of Dieskau's wife, ending by especially cheering on Dieskau. In places it uses the dialect of Up ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Secular Cantatas By Johann Sebastian Bach
Apart from church cantata (Bach), his hundreds of church cantatas, Johann Sebastian Bach wrote secular cantatas in Weimar, Köthen and Leipzig, for instance for members of the Royal-Polish and Prince-electoral Saxonian family (e.g. ''Trauer-Ode''), or other public or private occasions (e.g. ''Hunting Cantata''). The text of these cantatas was occasionally in dialect (e.g. ''Peasant Cantata'') or in Italian (e.g. ''Amore traditore''). Many of the secular cantatas were lost, but for some of these the text and the occasion are known, for instance when Picander later published their libretto (e.g. BWV BWV Anh. 11, Anh. 11–BWV Anh. 12, 12). Some of the secular cantatas had a plot carried by mythological figures of Greek antiquity (e.g. ''Der Streit zwischen Phoebus und Pan''), others were almost miniature buffo operas (e.g. ''Coffee Cantata''). Extant secular cantatas are published in the New Bach Edition (Neue Bach-Ausgabe, NBA), Series I, volumes 35 to 40, with the two Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Western Concert Flute
The Western concert flute can refer to the common C concert flute or to the family of transverse flute, transverse (side-blown) flutes to which the C flute belongs. Almost all are made of metal or wood, or a combination of the two. A musician who plays the flute is called a “flautist” in British English, and a “flutist” in American English. This type of flute is used in many ensembles, including concert bands, military bands, marching bands, orchestras, Flute choir, flute ensembles, and occasionally jazz combos and big bands. Other flutes in this family include the piccolo, the alto flute, and the bass flute. A large Flute Repertoire, repertory of works has been composed for flute. Predecessors The flute is one of the oldest and most widely used wind instruments. The precursors of the modern concert flute were keyless wooden transverse flutes similar to modern Fife (instrument), fifes. These were later modified to include up to eight keys for chromatic notes. Six ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Telefunken
Telefunken was a German radio and television producer, founded in Berlin in 1903 as a joint venture between Siemens & Halske and the ''AEG (German company), Allgemeine Elektrizitäts-Gesellschaft'' (AEG) ("General electricity company"). Prior to World War I, the company set up the first world-wide network of communications and was the first in the world to sell electronic televisions with cathode-ray tubes, in Germany in 1934. The brand had several incarnations: * ''Gesellschaft für drahtlose Telegraphie Gesellschaft mit beschränkter Haftung, m.b.H., System Telefunken'', founded in 1903 as a joint venture between AEG and Siemens & Halske * ''Telefunken, Gesellschaft für drahtlose Telegraphie m.b.H.'', in 1923; since 1941 as subsidiary of AEG alone * ''Telefunken Gesellschaft mit beschränkter Haftung, GmbH'', in 1955 * ''Telefunken Aktiengesellschaft (AG)'', in 1963 * ''Allgemeine Elektrizitäts-Gesellschaft AEG-Telefunken'', created in 1967 through a merger between Telefunken ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concentus Musicus Wien
Concentus Musicus Wien (CMW) is an Austrian baroque music ensemble based in Vienna. The CMW is recognized as a pioneer of the period-instrument performance movement. History Nikolaus Harnoncourt and Alice Harnoncourt co-founded the CMW in 1953, along with several musicians from the Vienna Symphony Orchestra. The CMW did research and rehearsal for 4 years before their first official concert; although the ensemble made its 'unofficial' debut at the Konzerthaus, Vienna in 1954 with a production of Claudio Monteverdi's '' Orfeo'', the CMW's first public concert was in May 1957 at the Schwarzenberg Palace in Vienna. The CMW gave a regular concert series at the Schwarzenberg Palace from 1958 to 1962. The CMW made its formal debut in the ''Mozart-Saal'' of the Vienna ''Konzerthaus'' in February 1962, and performed concerts regularly there until 1971. The CMW staged its first opera at the 1971 Wiener Festwochen with Monteverdi's '' Il ritorno d'Ulisse in patria''. The CMW's first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikolaus Harnoncourt
Johann Nikolaus Harnoncourt (6 December 1929 – 5 March 2016) was an Austrian conductor, known for his historically informed performances. He specialized in music of the Baroque period, but later extended his repertoire to include Classical and early Romantic works. Among his best known recordings are those of Bach, whose 193 cantatas he recorded with Gustav Leonhardt. Starting out as a classical cellist, he founded his own period instrument ensemble, Concentus Musicus Wien, in 1953, and became a pioneer of the Early Music movement. Around 1970, Harnoncourt began conducting opera and concert performances, soon leading international symphony orchestras, and appearing at leading concert halls, operatic venues and festivals. In 2001 and 2003, he conducted the Vienna New Year's Concert. Harnoncourt was also the author of several books, mostly on subjects of performance history and musical aesthetics. Early life Johann Nikolaus Harnoncourt was born as an Austrian citizen i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Württemberg Chamber Orchestra
Württemberg ( ; ) is a historical German territory roughly corresponding to the cultural and linguistic region of Swabia. The main town of the region is Stuttgart. Together with Baden and Hohenzollern, two other historical territories, Württemberg now forms the Federal State of Baden-Württemberg. Württemberg was formerly also spelled Würtemberg and Wirtemberg. History Originally part of the old Duchy of Swabia, its history can be summarized in the following periods: *County of Württemberg (1083–1495) *Duchy of Württemberg (1495–1803) *Electorate of Württemberg (1803–1806) *Kingdom of Württemberg (1806–1918) *Free People's State of Württemberg (1918–1945) After World War II, it was split into Württemberg-Baden and Württemberg-Hohenzollern owing to the different occupation zones of the United States and France. Finally, in 1952, it was integrated into Baden-Württemberg. Stuttgart, the historical capital city of Württemberg, became the capital of the p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BWV 201
(Swift, swift, you swirling winds), BWV 201, is a secular cantata by Johann Sebastian Bach, on a libretto by Picander (pen name of Christian Friedrich Henrici). It is a dramma per musica, likely composed for a public performance in 1729, around which time its oldest extant printed libretto was published. The text, titled (''The Contest between Phoebus and Pan''), is based on the " Ears of a Donkey" story in Ovid's ''Metamorphoses'', and mocks unsophisticated music in favour of a more intelligent composition style. The music is scored for SATTBB singers, and a baroque orchestra which includes trumpets, timpani, traversos, oboes, strings and continuo. The cantata has been recorded several times from the 1950s to the 21st century. History was likely composed for Leipzig's autumn fair of 1729, or, in that year, for a weekly concert outside the periods of Leipzig's fairs. Its oldest extant separately printed libretto, which can not be dated exactly, was published arou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BWV Anh
The BWV Anh. () is a list of lost, doubtful, and spurious compositions by, or once attributed to, Johann Sebastian Bach. History First edition of the ''Bach-Werke-Verzeichnis'' (1950) In 1950 the ''Bach-Werke-Verzeichnis'' was published, allocating a unique number to every known composition by Bach. Wolfgang Schmieder, the editor of that catalogue, grouped the compositions by genre, largely following the 19th-century (BG) edition for the collation (e.g. BG cantata number = BWV number of the cantata): # List of compositions by Johann Sebastian Bach#BWV Chapter 1, Kantaten (Cantatas), BWV 1–224 # List of compositions by Johann Sebastian Bach#BWV Chapter 2, Motetten (Motets), BWV 225–231 # List of compositions by Johann Sebastian Bach#BWV Chapter 3, Messen, Messensätze, Magnificat (Masses, Mass movements, Magnificat), BWV 232–243 # List of compositions by Johann Sebastian Bach#BWV Chapter 4, Passionen, Oratorien (Passions, Oratorios), BWV 244–249 # List of compositions by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Internet Archive
The Internet Archive is an American 501(c)(3) organization, non-profit organization founded in 1996 by Brewster Kahle that runs a digital library website, archive.org. It provides free access to collections of digitized media including websites, Application software, software applications, music, audiovisual, and print materials. The Archive also advocates a Information wants to be free, free and open Internet. Its mission is committing to provide "universal access to all knowledge". The Internet Archive allows the public to upload and download digital material to its data cluster, but the bulk of its data is collected automatically by its web crawlers, which work to preserve as much of the public web as possible. Its web archiving, web archive, the Wayback Machine, contains hundreds of billions of web captures. The Archive also oversees numerous Internet Archive#Book collections, book digitization projects, collectively one of the world's largest book digitization efforts. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hermann Kretzschmar
August Ferdinand Hermann Kretzschmar (19 January 1848 – 10 May 1924) was a German musicologist and writer, and is considered a founder of hermeneutics in musical interpretation and study. Life and career Born in Olbernhau, Kingdom of Saxony, Saxony, Kretzschmar was son of the organist and cantor Karl Dankegott Kretzschmar and Karoline Wilhelmine, née Leupold. He was from 1862 a student in the Kreuzschule in Dresden, where from 1867–1868 he was twice Prefect of the Dresdner Kreuzchor. In addition, from 1870 he studied Philology at Leipzig University as well as Music at the Leipzig Conservatory and was awarded his doctorate there. From 1871 he was actively teaching in Theory, Composition, Piano and Organ at the Leipzig Conservatory, and acted as director/conductor for various musical societies. In 1876 he spent a year as theatre orchestra conductor in Metz (described as an "adventurous episode"), and undertook research expeditions in England and Italy for the study of mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Festschrift
In academia, a ''Festschrift'' (; plural, ''Festschriften'' ) is a book honoring a respected person, especially an academic, and presented during their lifetime. It generally takes the form of an edited volume, containing contributions from the honoree's colleagues, former pupils, and friends. ''Festschriften'' are often titled something like ''Essays in Honour of...'' or ''Essays Presented to... .'' Terminology The term, borrowed from German, and literally meaning "celebration writing" (cognate with ''feast-script''), might be translated as "celebration publication" or "celebratory (piece of) writing". An alternative Latin term is (literally: "book of friends"). A comparable book presented posthumously is sometimes called a (, "memorial publication"), but this term is much rarer in English. A ''Festschrift'' compiled and published by electronic means on the internet is called a (pronounced either or ), a term coined by the editors of the late Boris Marshak's , ''Eran ud Ane ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Großvatertanz
The "Großvatertanz" (Grandfather Dance) is a 17th-century German traditional dance folk tune from the region of Saxony. History The song was first mentioned in print in 1717 by the German ballet master Gottfried Taubert (1670–1746), but was known before. New lyrics to the first part of the tune were written by Klamer Eberhard Karl Schmidt in 1794 and August Friedrich Ernst Langbein in 1812, both "lengthy and dull pieces of ornate poetry" ( Franz Magnus Böhme, 1886).; Vol. II: Musikbeilagenp. 214–215/ref> (1766–1853) in 1823 composed a new tune to Langbein's lyrics, for which he has erroneously been claimed to be the real author. For many years, it was regularly played and danced at the end of wedding celebrations, and became known as the ("finale", turn-out). Melody and text The original melody has three parts: # 8 bars in time, slow # 4 bars of a different theme in time, fast (repeated) # 4 bars, a variation of the second theme (repeated). \language "deutsc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
