|
Großvatertanz
The "Großvatertanz" (Grandfather Dance) is a 17th-century German traditional dance folk tune from the region of Saxony. History The song was first mentioned in print in 1717 by the German ballet master Gottfried Taubert (1670–1746), but was known before. New lyrics to the first part of the tune were written by Klamer Eberhard Karl Schmidt in 1794 and August Friedrich Ernst Langbein in 1812, both "lengthy and dull pieces of ornate poetry" ( Franz Magnus Böhme, 1886).; Vol. II: Musikbeilagenp. 214–215/ref> (1766–1853) in 1823 composed a new tune to Langbein's lyrics, for which he has erroneously been claimed to be the real author. For many years, it was regularly played and danced at the end of wedding celebrations, and became known as the ("finale", turn-out). Melody and text The original melody has three parts: # 8 bars in time, slow # 4 bars of a different theme in time, fast (repeated) # 4 bars, a variation of the second theme (repeated). \language "deutsc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Papillons
''Papillons'' (French for "butterflies"), Opus number, Op. 2, is a Suite (music), suite of piano pieces written in 1831 by Robert Schumann when he was 21 years old. The work is meant to represent a masked ball and was inspired by Jean Paul's novel ' (''The Awkward Age''). The suite begins with a six-bar (music), measure introduction before launching into a variety of dance-like movement (music), movements. Each movement is unrelated to the preceding ones, except that the second, A major, theme of the sixth movement recurs in G major in the tenth movement, and the theme of the first movement returns in the finale. notes that the 11th movement is appropriately a polonaise because the novel's character Wina is Polish. The last movement starts out by musical quotation, quoting the theme of the traditional "Großvatertanz" (Grandfather's Dance), which was always played at the end of a wedding or similar celebration. Repeated notes near the end of the piece suggest a clock striking, sig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mer Hahn En Neue Oberkeet, BWV 212
''Mer hahn en neue Oberkeet'' (We have a new governor), 212, is a secular cantata by Johann Sebastian Bach. It was entitled the "Cantate burlesque" by Bach himself, but is now popularly known as the ''Peasant Cantata''. It is the last definitely dated Bach cantata. History and text This cantata's libretto was written by Christian Friedrich Henrici, known as Picander, and was written for performance on 30 August 1742 at near Leipzig. On that day the hereditary feudal lord and Kreishauptmann, , chamberlain to the Elector of Saxony, celebrated his thirty-sixth birthday with a huge fireworks display and, as was customary, took homage from the peasants on the same occasion. It is thought that Picander asked Bach to set his poetry to music. The text describes how an unnamed farmer laughs with the farmer's wife Mieke about the tax collector's machinations while praising the economy of Dieskau's wife, ending by especially cheering on Dieskau. In places it uses the dialect of Up ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnaval (Schumann)
''Carnaval'', Op. 9, is a work by Robert Schumann for piano solo, written in 1834–1835 and subtitled ''Scènes mignonnes sur quatre notes'' (Little Scenes on Four Notes). It consists of 21 short pieces representing masked revelers at Carnival, a festival before Lent. Schumann gives musical expression to himself, his friends and colleagues, and characters from improvised Italian comedy (''commedia dell'arte''). He dedicated the work to the violinist Karol Lipiński. Background ''Carnaval'' had its origin in a set of variations on a ''Sehnsuchtswalzer'' by Franz Schubert, whose music Schumann had discovered only in 1827. The catalyst for writing the variations may have been a work for piano and orchestra by Schumann's close friend Ludwig Schuncke, a set of variations on the same Schubert theme. Schumann felt that Schuncke's heroic treatment was an inappropriate reflection of the tender nature of the Schubert piece, so he set out to approach his variations in a more intimate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Spohr
Louis Spohr (, 5 April 178422 October 1859), baptized Ludewig Spohr, later often in the modern German form of the name Ludwig was a German composer, violinist and conductor. Highly regarded during his lifetime, Spohr composed ten symphonies, ten operas, eighteen violin concerti, four clarinet concerti, four oratorios, and various works for small ensemble, chamber music, and art songs.Clive Brown. "Spohr, Louis." Grove Music Online. Oxford Music Online. 18 May 2012 Spohr invented the violin chinrest and the orchestral rehearsal mark. His output spans the transition between Classical and Romantic music, but fell into obscurity following his death, when his music was rarely heard. The late twentieth century saw a modest revival of interest in his oeuvre primarily in Europe, but his reputation has never been restored to that during his lifetime. Life Spohr was born in Braunschweig in the duchy of Brunswick-Wolfenbüttel to Karl Heinrich Spohr and Juliane Ernestine Luise He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Folk Songs
German(s) may refer to: * Germany, the country of the Germans and German things **Germania (Roman era) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizenship in Germany, see also German nationality law **Germanic peoples (Roman era) *German diaspora * German language * German cuisine, traditional foods of Germany People * German (given name) * German (surname) * Germán, a Spanish name Places * German (parish), Isle of Man * German, Albania, or Gërmej * German, Bulgaria * German, Iran * German, North Macedonia * German, New York, U.S. * Agios Germanos, Greece Other uses * German (mythology), a South Slavic mythological being * Germans (band), a Canadian rock band * "German" (song), a 2019 song by No Money Enterprise * ''The German'', a 2008 short film * "The Germans", an episode of ''Fawlty Towers'' * ''The German'', a nickname for Congolese rebel André Kisase Ngandu See also * Germanic (disambiguat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo (journal)
''Tempo'' is a quarterly peer-reviewed academic journal that specialises in music of the 20th century and contemporary music. It was established in 1939 as the 'house magazine' of the music publisher Boosey & Hawkes. ''Tempo'' was the brain-child of Arnold Schoenberg's pupil Erwin Stein, who worked for Boosey & Hawkes as a music editor. The journal's first editor was Ernest Chapman and it was intended to be a bi-monthly publication. Issues 1 to 4 appeared from January to July 1939; but owing to the outbreak of World War II there was a hiatus in publication until August 1941, when issue 5 appeared, and another until February 1944, when regular publication resumed with issue 6 on a roughly quarterly basis. Meanwhile, the New York City office of Boosey & Hawkes set up a separate American edition which produced six issues in 1940–1942 (numbered 1–6, independent of the UK numbering) and an unnumbered 'wartime edition' in February 1944. In 1946, the journal was enlarged and red ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jörg Widmann
Jörg Widmann (; born 19 June 1973) is a German composer, conductor and clarinetist. In 2023, Widmann was the third most performed living contemporary composer in the world. Formerly a clarinet and composition professor at the University of Music Freiburg, he is composition professor at the Barenboim–Said Akademie. His most important compositions are the concert overture '' Con brio'', the opera '' Babylon'', an oratorio '' Arche'', Viola Concerto, '' Kantate'' and the trumpet concerto '' Towards Paradise''. Widmann has written musical tributes to Classical and Romantic composers. He was awarded the Bavarian Maximilian Order for Science and Art in 2018 and the Bach Prize of the Free and Hanseatic City of Hamburg in 2023. He was Gewandhaus Composer of the Gewandhaus Orchester Leipzig and Composer in Residence for the Berlin Philharmonic. Early life and education Widmann was born on 19 June 1973 in Munich, the son of a physicist and a teacher. His sister is the Germa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Nutcracker
''The Nutcracker'' (, ), Opus number, Op. 71, is an 1892 two-act classical ballet (conceived as a '; ) by Pyotr Ilyich Tchaikovsky, set on Christmas Eve at the foot of a Christmas tree in a child's imagination featuring a Nutcracker doll. The plot is an adaptation of Alexandre Dumas's 1844 short story ''The Nutcracker'', itself a retelling of E. T. A. Hoffmann's 1816 short story ''The Nutcracker and the Mouse King''. The ballet's first choreographer was Marius Petipa, with whom Tchaikovsky had worked three years earlier on ''The Sleeping Beauty'', assisted by Lev Ivanov. Although the complete and staged ''The Nutcracker'' ballet was not initially as successful as the 20-minute ''Nutcracker Suite'' that Tchaikovsky had premiered nine months earlier, it became popular in later years. Since the late 1960s, ''The Nutcracker'' has been danced by many ballet companies, especially in North America. Major American ballet companies generate around 40% of their annual ticket ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pyotr Ilyich Tchaikovsky
Pyotr Ilyich Tchaikovsky ( ; 7 May 1840 – 6 November 1893) was a Russian composer during the Romantic period. He was the first Russian composer whose music made a lasting impression internationally. Tchaikovsky wrote some of the most popular concert and theatrical music in the classical repertoire, including the ballets '' Swan Lake'' and ''The Nutcracker'', the '' 1812 Overture'', his First Piano Concerto, Violin Concerto, the ''Romeo and Juliet'' Overture-Fantasy, several symphonies, and the opera ''Eugene Onegin''. Although musically precocious, Tchaikovsky was educated for a career as a civil servant as there was little opportunity for a musical career in Russia at the time and no public music education system. When an opportunity for such an education arose, he entered the nascent Saint Petersburg Conservatory, from which he graduated in 1865. The formal Western-oriented teaching Tchaikovsky received there set him apart from composers of the contemporary nationalist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Schumann
Robert Schumann (; ; 8 June 181029 July 1856) was a German composer, pianist, and music critic of the early Romantic music, Romantic era. He composed in all the main musical genres of the time, writing for solo piano, voice and piano, chamber music, chamber groups, orchestra, choir and the opera. His works typify the spirit of the Romantic era in German music. Schumann was born in Zwickau, Saxony, to an affluent middle-class family with no musical connections, and was initially unsure whether to pursue a career as a lawyer or to make a living as a pianist-composer. He studied law at the universities of Leipzig University, Leipzig and Heidelberg University, Heidelberg but his main interests were music and Romantic literature. From 1829 he was a student of the piano teacher Friedrich Wieck, but his hopes for a career as a virtuoso pianist were frustrated by a worsening problem with his right hand, and he concentrated on composition. His early works were mainly piano pieces, inclu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Quotation
Musical quotation is the practice of directly quoting another work in a new composition. The quotation may be from the same composer's work (self-referential), or from a different composer's work (appropriation). Sometimes the quotation is done for the purposes of characterization, as in Puccini's use of ''The Star-Spangled Banner'' in reference to the American character Lieutenant Pinkerton in his opera ''Madama Butterfly'', or in Tchaikovsky's use of the Russian and French national anthems in the ''1812 Overture'', which depicted a battle between the Russian and French armies. Sometimes, there is no explicit characterization involved, as when Luciano Berio used brief quotes from Johann Sebastian Bach, Ludwig van Beethoven, Alban Berg, Pierre Boulez, Gustav Mahler, Claude Debussy, Paul Hindemith, Maurice Ravel, Arnold Schoenberg, Karlheinz Stockhausen, Richard Strauss, Igor Stravinsky, Anton Webern, and others in his ''Sinfonia (Berio), Sinfonia''. Quotation vs. variation Musical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
