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Melozzo Da Forlì
Melozzo da Forlì ( – 8 November 1494) was an Italian Renaissance painter and architect. His fresco paintings are notable for the use of foreshortening. He was the most important member of the Forlì painting school. Biography Melozzo was supposedly from a wealthy family named Ambrosi from Forlì. Nothing is known about his early years. It is only a hypothesisThe theory is credited to Luigi Lanzi. See that he was formed by the Forlivese school of art, then dominated by Ansuino da Forlì; both were influenced by Andrea Mantegna. It has been said, also without confirmation, that he became a journeyman and color-grinder to master painters. His presence was first mentioned in his birthplace in 1460 and again in 1464. Around this period, and together with Antoniazzo Romano, he painted frescoes in the Bessarione chapel in the Basilica dei Santi Apostoli in Rome. Melozzo then moved to Urbino, probably between 1465 and 1474. There he met Piero della Francesca, who profoundly infl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Forlì
Forlì ( ; ; ; ) is a ''comune'' (municipality) and city in Emilia-Romagna, Northern Italy, and is, together with Cesena, the capital of the Province of Forlì-Cesena.The city is situated along the Via Emilia, to the east of the Montone river, and is an important agricultural centre. The city hosts some of Italy's culturally and artistically significant landmarks; it is also notable as the birthplace of painters Melozzo da Forlì and Marco Palmezzano, humanist historian Flavio Biondo, physicians Geronimo Mercuriali and Giovanni Battista Morgagni. The University Campus of Forlì (part of the University of Bologna) is specialized in Economics, Engineering, Political Sciences as well as the Advanced school of Modern Languages for Interpreters and Translators (SSLMIT). Climate The climate of the area is humid subtropical (''Cfa'' in the Köppen climate classification) with Mediterranean features, fairly mitigated by the relative closeness of the city to the sea. Forlì is c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoniazzo Romano
Antonio di Benedetto Aquilo degli Aquili (c. 1430 – c. 1510), known as Antoniazzo Romano, was an Italian Early Renaissance painter, the leading figure of the Roman school during the latter part of the 15th century. He "made a speciality of repainting or interpreting older images, or generating new cult images with an archaic flavor", in particular by very often using the gold ground style, which was unusual by this period. Biography Antoniazzo was born in the Colonna ''rione'' of Rome. His father was a painter. Antoniazzo was fined as a young man for brawling in the streets. He was influenced at first by the decorative manner of Benozzo Gozzoli and Beato Angelico, as well as by the local painters of Lazio. His first recorded work is from 1461, a replica (untraced) of the miraculous ''Virgin and Child of St. Luke'' in the Basilica of Santa Maria Maggiore of Rome, for the seignior of Pesaro, Alessandro Sforza. From 1464 he worked for the papal court, producing at first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Transfer Of Panel Paintings
The practice of conserving an unstable painting on panel by transferring it from its original decayed, worm-eaten, cracked, or distorted wood support to canvas or a new panel has been practised since the 18th century. It has now been largely superseded by improved methods of wood conservation. The practice evolved in Naples and Cremona in 1711–1725 and reached France by the middle of the 18th century. It was especially widely practiced in the second half of the 19th century. Similar techniques are used to transfer frescos. Oil paintings on canvas often receive additional support or are transferred to a new backing. Methods The process is described by Henry Mogford in his '' Handbook for the Preservation of Pictures''. Smooth sheets of paper were pasted over the painted surface of the panel, and a layer of muslin over that. The panel was then fixed, face down, to a table, and the wood planed away from the back until it was "as thin as a plane may safely go", and the remainde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basilica Di San Marco (Rome)
San Marco is a titular basilica in Rome dedicated to Saint Mark the Evangelist, located in the small Piazza di San Marco adjoining Piazza Venezia. It was first consecrated in 336 by Pope Mark and rebuilt in its present form in 833 by Pope Gregory IV. Today, the basilica is the national church of Venice in Rome. History Earlier buildings According to the ''Liber pontificalis'', Pope Mark established a basilica in a place called ''ad Pallacinas'' in 336. This first church was built atop preexisting, pre-Constantinian structures of unknown date or function, but excavations in the mid-20th century revealed a surviving ancient Roman mosaic with acanthus vine-scroll ornamentation underneath the present-day basilica's right aisle. Pope Mark's first church incorporated walls from this earlier structure, and featured a new colonnade, ''opus sectile'' pavements, and frescoed walls, of which a small fragment depicting several horses survives underneath the present-day basilica. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ducal Palace, Urbino
The Ducal Palace () is a Renaissance building in the Italian city of Urbino in the Marche. One of the most important monuments in Italy, it's been listed as a UNESCO World Heritage Site since 1998. History The construction of the Ducal Palace was begun for Duke Federico III da Montefeltro around the mid-fifteenth century by the Florentine Maso di Bartolomeo. The new construction included the pre-existing Palace of the Jole. The solid rock hillside salient was impregnable to siege but was problematic for carving out the foundation of a palace. Thus, a prominent fortress-builder, Luciano Laurana, from Dalmatia, was hired to build the substructure; but Laurana departed Urbino before the living quarters of the palace were begun. After Laurana, the designer or designers of the Ducal Palace are not known with certainty. Leading High Renaissance architect Donato Bramante was a native of Urbino and may have worked on the completion of the palace. The Ducal Palace is famous as the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cabinet (architecture)
A cabinet (also known by other terms) was a private room in the houses and palaces of early modern Europe serving as a study or retreat, usually for a man. The cabinet would be furnished with books and works of art, and sited adjacent to his bedchamber, the equivalent of the Italian Renaissance ''studiolo''. In the Late Medieval period, such newly perceived requirements for privacy had been served by the solar of the English gentry house, and a similar, less secular purpose had been served by a private oratory. Such a room might be used as a study or office, or just a sitting room. Heating the main rooms in large palaces or mansions in the winter was difficult, and small rooms were more comfortable. They also offered more privacy from servants, other household members, and visitors. Typically such a room would be for the use of a single individual, so that a house might have at least two (his and hers) and often more. Names varied: cabinet, closet, study (from the Italian ''stud ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pedro Berruguete
Pedro Berruguete (c. 1450 – 1504) was a Spanish painter whose art is regarded as a transitional style between Gothic art, Gothic and Renaissance art. Berruguete most famously created paintings of the first few years of the Inquisition and of religious imagery for Castilian retablos. He is considered by some as the first Renaissance painter in Spain. He was the father of Alonso Berruguete, considered the most important sculptor of the Spanish Renaissance. Because of the fame accrued by Alonso, Pedro Berruguete is sometimes referred to as Berruguete el Viejo ("Berruguete the Elder") to differentiate between the two. It is speculated that Pedro travelled to Italy in 1480 and worked in the court of Federico III da Montefeltro in Urbino, where he could have seen some works by Melozzo da Forlì. The ''Portrait of Federico da Montefeltro with His Son Guidobaldo'' (c. 1475), now at the Galleria nazionale delle Marche, has been attributed to Berruguete by some art historians but the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Justus Of Ghent
Justus van Gent or Joos van Wassenhove () was an Early Netherlandish painter, perhaps from Ghent, who after training and working in Flanders later moved to Italy where he worked for Federico da Montefeltro, duke of Urbino, and was known as Giusto da Guanto, or in modern Italian Giusto di Gand etc. The artist is known for his religious compositions executed in the early Netherlandish idiom and a series of portraits of famous men, which show the influence of early Italian Renaissance painting.Paula Nuttall. "Justus of Ghent." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 25 July 2014 Life Very little is known about the early life of Joos van Wassenhove. It is believed that the artist referred to by Vasari and Lodovico Guicciardini, Guicciardini as 'Giusto da Guanto' (i.e. 'Justus of Ghent') is the painter Joos van Wassenhove, who became a member of the Antwerp Guild of St. Luke in 1460 and a freemaster in the Ghent painters' guild in 1464. While in Ghent, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Federico Da Montefeltro
Federico da Montefeltro, also known as Federico III da Montefeltro Order of the Garter, KG (7 June 1422 – 10 September 1482), was one of the most successful mercenary captains (''condottiero, condottieri'') of the Italian Renaissance, and Duke of Urbino, lord of Urbino from 1444 (as Duke from 1474) until his death. A renowned intellectual Renaissance Humanist, humanist and civil leader in Urbino on top of his impeccable reputation for martial skill and honour, he commissioned the construction of a great library, perhaps the largest of Italy after the Vatican, with his own team of scribes in his scriptorium, and assembled around him a large humanistic court in the Ducal Palace, Urbino, Ducal Palace, Urbino, designed by Luciano Laurana and Francesco di Giorgio Martini. Biography Federico was born in Castello di Petroia in Gubbio. Guidantonio da Montefeltro, lord of Urbino, Gubbio and Casteldurante, and Duke of Spoleto acknowledged Federico as his illegitimate son. Two years lat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flanders
Flanders ( or ; ) is the Dutch language, Dutch-speaking northern portion of Belgium and one of the communities, regions and language areas of Belgium. However, there are several overlapping definitions, including ones related to culture, language, politics, and history, and sometimes involving neighbouring countries. The demonym associated with Flanders is Flemings, Fleming, while the corresponding adjective is Flemish people, Flemish, which can also refer to the collective of Dutch dialects spoken in that area, or more generally the Belgian variant of Standard Dutch. Most Flemings live within the Flemish Region, which is a federal state within Belgium with its own elected government. However, like Belgium itself, the official capital of Flanders is the City of Brussels, which lies within the Brussels, Brussels-Capital Region, not the Flemish Region, and the majority of residents there are French speaking. The powers of the Flemish Government in Brussels are limited mainly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bramante
Donato Bramante (1444 – 11 April 1514), born as Donato di Pascuccio d'Antonio and also known as Bramante Lazzari, was an Italian architect and painter. He introduced Renaissance architecture to Milan and the High Renaissance style to Rome, where his plan for St. Peter's Basilica formed the basis of the design executed by Michelangelo. His Tempietto (San Pietro in Montorio) marked the beginning of the High Renaissance in Rome (1502) when Pope Julius II appointed him to build a sanctuary over the spot where Peter was martyred. Life Urbino Bramante was born under the name Donato d'Augnolo, Donato di Pascuccio d'Antonio, or Donato Pascuccio d'Antonio in Fermignano near Urbino. Here, in 1467, Luciano Laurana was adding to the Palazzo Ducale an arcaded courtyard and other Renaissance features to Federico da Montefeltro's ducal palace. Bramante's architecture has eclipsed his painting skills: he knew the painters Melozzo da Forlì and Piero della Francesca well, who were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piero Della Francesca
Piero della Francesca ( , ; ; ; – 12 October 1492) was an Italian Renaissance painter, Italian painter, mathematician and List of geometers, geometer of the Early Renaissance, nowadays chiefly appreciated for his art. His painting is characterized by its serene humanism, its use of geometric forms and Perspective (graphical), perspective. His most famous work is the cycle of frescoes ''The History of the True Cross'' in the Basilica of San Francesco, Arezzo, Basilica of San Francesco in the Tuscany, Tuscan town of Arezzo. Biography Early years Piero was born Piero di Benedetto in the town of Sansepolcro, Borgo Santo Sepolcro, modern-day Tuscany, to Benedetto de' Franceschi, a tradesman, and Romana di Perino da Monterchi, members of the Florentine and Tuscan Franceschi noble family. His father died before his birth, and he was called Piero della Francesca after his mother, who was referred to as "la Francesca" due to her marriage into the Franceschi family (similar to Lisa d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
