Mel Tormé Sings Fred Astaire
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Mel Tormé Sings Fred Astaire
''Mel Tormé Sings Fred Astaire'' is a 1956 album by Mel Tormé, recorded in tribute to Fred Astaire. This was Tormé's second recording with Marty Paich and his Dek-Tette. Track listing # " Nice Work If You Can Get It" (George Gershwin, Ira Gershwin) – 3:12 # " Something's Gotta Give" (Johnny Mercer) – 4:00 # "A Foggy Day" (G. Gershwin, I. Gershwin) – 2:47 # " A Fine Romance" (Dorothy Fields, Jerome Kern) – 3:04 # "Let's Call the Whole Thing Off" (G. Gershwin, I. Gershwin) – 3:29 # " Top Hat, White Tie and Tails" (Berlin) – 3:11 # "The Way You Look Tonight" (Fields, Kern) – 2:25 # "The Piccolino" (Berlin) – 2:38 # " They Can't Take That Away from Me" (G. Gershwin, I. Gershwin) – 3:04 # "Cheek to Cheek" (Berlin) – 3:01 # "Let's Face the Music and Dance" (Berlin) – 2:22 # "They All Laughed" (G. Gershwin, I. Gershwin) – 2:30 Personnel * Mel Tormé - vocals * Marty Paich - arranger, conductor * Herb Geller - alto * Jack Montrose - tenor * Jack DuLong - b ...
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Mel Tormé
Melvin Howard Tormé (September 13, 1925 – June 5, 1999), nicknamed "the Velvet Fog", was an American musician, singer, composer, arrangement, arranger, drummer, actor, and author. He composed the music for "The Christmas Song" ("Chestnuts Roasting on an Open Fire") and co-wrote the lyrics with Robert Wells (songwriter), Bob Wells. Tormé won two Grammy Awards and was nominated a total of 14 times. Early life and education Melvin Howard Tormé was born in Chicago, Illinois, to William David Tormé (born Wowe Torma, also spelled as Tarme or Tarmo), a History of the Jews in Poland, Polish Jewish immigrant from Brest, Belarus, Brest (now Belarus), and Sarah "Betty" Tormé (''née'' Sopkin), a New York City native. Named after the actor Melvyn Douglas, Tormé grew up in a home filled with music and entertainment. His father, whom he recalled as having the pure voice of a cantor, had been an amateur dancer in his youth. His aunt Faye Tormé had risen to local fame in Chicago, where, ...
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Jerome Kern
Jerome David Kern (January 27, 1885 – November 11, 1945) was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as "Ol' Man River", "Can't Help Lovin' Dat Man", "A Fine Romance (song), A Fine Romance", "Smoke Gets in Your Eyes", "The Song Is You", "All the Things You Are", "The Way You Look Tonight" and "Long Ago (and Far Away)". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and Yip Harburg. A native New Yorker, Kern created dozens of Broadway theatre, Broadway musicals and musical films, Hollywood films in a career that lasted for more than four decades. His musical innovations, such as 4/4 dance rhythms and the employment of syncopati ...
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Pete Candoli
Walter Joseph "Pete" Candoli(June 28, 1923 – January 11, 2008) was an American jazz trumpeter. He played with the big bands of Woody Herman and Stan Kenton and worked in the studios of the recording and television industries. Career A native of Mishawaka, Indiana, Candoli was the older brother of Conte Candoli. During the 1940s he was a member of big bands led by Sonny Dunham, Will Bradley, Ray McKinley, Tommy Dorsey, Teddy Powell, Woody Herman, Boyd Raeburn, Tex Beneke, and Jerry Gray. For his ability to hit high notes on the trumpet he was given the nickname "Superman". While he was a member of Woody Herman's First Herd, he sometimes wore a Superman costume during his solo. In the 1950s he belonged to the bands of Stan Kenton and Les Brown and in Los Angeles began to work as a studio musician. His studio work included recording soundtracks for the movies '' Bell, Book and Candle'' (in which the Brothers Candoli performed in scenes set in the movie's Zodiac nightclub), ...
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Jack Montrose
Jack Montrose (December 30, 1928 – February 7, 2006) was an American jazz tenor saxophonist and arranger. After attending college in Los Angeles, he worked with Jerry Gray and then Art Pepper. Montrose also did arrangements for Clifford Brown. He became known for cool jazz and/or West coast jazz. Montrose was born in Detroit. Beginning in the mid-1950s Montrose's heroin addiction became a liability and by the time he had overcome it his style of jazz was no longer popular. This led him to play in strip joints for a time until he relocated to Las Vegas where he worked in casinos. Montrose returned to recording in 1977 and in 1986 had some success in collaboration with Pete Jolly. All Music/ref> Jack Montrose (West Coast Jack) is not to be confused with tenorist J.R. Monterose (East Coast Jake) who played on Charles Mingus's album '' Pithecanthropus Erectus''. He died in Las Vegas. Discography As leader *'' Arranged by Montrose'' (Pacific Jazz, 1954) with Bob Gordon Quart ...
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Herb Geller
Herbert Arnold Geller (November 2, 1928 – December 19, 2013) was an American jazz saxophonist, composer and arranger. He was born in Los Angeles. Early life His mother, Frances ''(née'' Frances Mildred Fullman, also known as Fannie Fullman; 1899–1980), worked at the Hollywood neighborhood cinemas playing piano, accompanying silent movies. At the age of 8, Geller was presented with an alto saxophone, purchased from a local music store owner and music teacher who was also a family friend and had a used instrument for sale. Two years later, he started playing the clarinet. Geller attended Dorsey High School in the southwestern part of Los Angeles and joined the school band which among others included the musicians Eric Dolphy and Vi Redd. At the age of 14, he heard Benny Carter perform at the Orpheum Theatre in Los Angeles and was so impressed that he decided to pursue a career in music, specializing on the alto saxophone. Two years later, he had his first professional eng ...
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Conducting
Conducting is the art of directing a musical performance, such as an orchestral or Choir, choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the Sheet music, score in a way that reflects the specific indications in that score, set the tempo, ensure correct entries by Musical ensemble, ensemble members, and "shape" the musical phrasing, phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a Baton (conducting), baton, and may use other gestures or signals such as facial expression and eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal. The conductor typically stands on a raised podium with a large music stand for the full score, which contains the musical notation for all the instruments or voices. S ...
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Arrangement
In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings. Arranging is the art of giving an existing melody musical variety".(Corozine 2002, p. 3) In jazz, a memorized (unwritten) arrangement of a new or pre-existing composition is known as a ''head arrangement''. Classical music Arrangement and transcriptions of classical and serious music go back to the early history of classical music. Eighteenth century J. S. Bach frequently made arrangements of his own and other composers' p ...
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Singing
Singing is the art of creating music with the voice. It is the oldest form of musical expression, and the human voice can be considered the first musical instrument. The definition of singing varies across sources. Some sources define singing as the act of creating musical sounds with the voice. Other common definitions include "the utterance of words or sounds in tuneful succession" or "the production of musical tones by means of the human voice". A person whose profession is singing is called a singer or a vocalist (in jazz or popular music). Singers perform music (arias, recitatives, songs, etc.) that can be sung accompaniment, with or a cappella, without accompaniment by musical instruments. Singing is often done in an ensemble (music), ensemble of musicians, such as a choir. Singers may perform as Soloist (music), soloists or accompanied by anything from a single instrument (as in art songs or some Jazz, jazz styles) up to a symphony orchestra or big band. Many styles o ...
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They All Laughed (song)
"They All Laughed" is a song composed by George Gershwin, with lyrics by Ira Gershwin, written for the 1937 film ''Shall We Dance'' where it was introduced by Ginger Rogers as part of a song and dance routine with Fred Astaire. Lyrics The lyrics compare those who "laughed at me, wanting you" with those who laughed at some of history's famous scientific and industrial pioneers, asking, "Who's got the last laugh now?" People and advances mentioned are Christopher Columbus's proof the Earth is round; Thomas Edison's phonograph; Guglielmo Marconi's wireless telegraphy; the Wright brothers's first flight; the Rockefeller Center; Eli Whitney's cotton gin; Robert Fulton's ''North River Steamboat''; Milton S. Hershey's Hershey bar chocolate; and Henry Ford's "Tin Lizzy" Model T car. Recording and releases Fred Astaire with Johnny Green and His Orchestra recorded the song on March 18, 1937. Brunswick Records released it as a single, which appeared on the U.S. record charts. Astaire reco ...
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Let's Face The Music And Dance
"Let's Face the Music and Dance" is a song published in 1936 by Irving Berlin for the film ''Follow the Fleet'', where it was introduced by Fred Astaire and featured in a celebrated dance duet with Astaire and Ginger Rogers. The jazz song has also been covered by various artists years following its release, including Nat King Cole, Ella Fitzgerald, Frank Sinatra, Mel Torme, Todd Gordon and others. Background The song was composed and written by Irving Berlin. Berlin's repertoire of Hollywood compositions was growing at the time, as he ‘adapted’ to the trends and ideas in vogue in Cinema of the United States, Hollywood. “Let’s Face the Music and Dance’s” debut as an original song for the Hollywood film, ''Follow the Fleet'', signified the popularisation of jazz, demonstrating a notable example of jazz on the silver screen. This jazz composition adheres to the typical conventions within the genre of jazz in the 1930s paradigm, classed as part of the ‘classical age ...
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Cheek To Cheek
"Cheek to Cheek" is a song written by Irving Berlin in 1934–35, specifically for Fred Astaire, the star of his new musical, ''Top Hat'', co-starring Ginger Rogers."Cheek to Cheek" by Fred Astaire, 1935
; from the University of Virginia's American Studies website, subsection

: 1935-1939"; retrieved 2012-03-07.
In the movie, Astaire sings the song to Rogers as they dance. The song was nominated for the Best Song for 1936, which it lost to " Lullaby o ...
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