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Matsumoto Kōshirō VII
was a Japanese actor. He was one of the leading ''tachiyaku'' Kabuki actors of Japan's Meiji period (1868–1912) through the late 1940s. Names Like most Kabuki actors, Kōshirō took various stage names ('' gō'') over the course of his career. A member of the Kōraiya guild, he was often called by that name, particularly in the practice of ''yagō'', in which an actor's guild name is shouted out as a cheer or encouragement during a performance. Following in his birth father's footsteps as a master of traditional dance, he bore the stage name Fujima Kan'emon III in that context. In his first appearance on the Kabuki stage, he took the name Ichikawa Kintarō, and would later take the names Ichikawa Somegorō IV and Ichikawa Komazō VIII before coming to be known as the seventh Matsumoto Kōshirō. Early life The man who would later become known by the stage name Matsumoto Kōshirō VII was born as Hata Kintarō in 1870 in the village of Tōin, in the Mie Prefecture. He was th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yagō
, literally meaning "house name", is a term applied in traditional Japanese culture to Japanese name, names passed down within a guild, studio, or other circumstance other than blood relations. The term is synonymous with and . The term most often refers to the guild names of kabuki actors, but is also applicable to the names artists take from their masters or studios, names taken from one's business, and a few other similar circumstances. The of , also often seen at the end of a name, means "house", "roof", or "shop", and helps to illuminate the origins and meanings of the term. A number of have associated emblems, some of which incorporate rebuses; see Japanese rebus monogram. History Originally, were place names of homes or buildings taken on by the inhabitants. Even when the house changed hands entirely from one family to another, the new family would take on the name of the house. However, the previous owners would frequently keep the house name when they moved. Often, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wagotoshi
, or ''soft style'', is a style of kabuki acting that emphasizes realistic speech and gestures. Wagoto actors typically do not employ the exaggerated makeup and costuming common to the more exaggerated ''aragoto'' (''rough'') style. Wagoto was pioneered by Sakata Tōjūrō I, an actor in the Kamigata (Osaka-Kyoto) region. Plays that emphasize wagoto roles are typically tragic romances. Famous plays that emphasize wagoto roles include '' Sonezaki Shinjū'' (''The Love Suicides at Sonezaki'') and ''Kuruwa Bunshō'' (''Tales of the Licensed Quarter''). Wagotoshi refers to Kabuki actors who specialize in wagoto roles. Notable wagotoshi include Bandō Kakitsu I and Matsumoto Kōshirō VII. See also *Aragoto , or 'rough style', is a style of kabuki acting that uses exaggerated, dynamic (forms or movements) and speech. roles are characterised by the bold red or blue makeup () worn by actors, as well as their enlarged and padded costumes. The term ... References * Kabuki ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Onnagata
, also , are male actors who play female roles in kabuki theatre. It originated in 1629 after women were banned from performing in kabuki performances. There are many specific techniques that actors must learn to master the role of ''onnagata''. History Edo Period In the early 17th century, shortly after the emergence of the genre, many kabuki theaters had an all-female cast (, or ''kabukimono''), with women playing men's roles as necessary. ('adolescent-boy kabuki'), with a cast composed entirely of young men playing both male and female roles, and frequently dealing in erotic themes, originated circa 1612. The role of the ''onnagata'' was shaped during the Edo period as an expression of femininity that was meant to align with the femininity of real women in Edo society. Both and (or ), actors specializing in adolescent female roles (and usually adolescents themselves), were the subject of much appreciation by both male and female patrons, and were often prostitutes. Al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shūmei
''Shūmei'' (, "name succession") are grand naming ceremonies held in kabuki theatre. Most often, a number of actors will participate in a single ceremony, taking on new stage names. These stage names, most often those of the actor's father, grandfather, or teacher, are passed down between generations of actors' lineages, and hold great honor and importance. Many names are associated with certain roles or acting styles, and the new possessor of each name must live up to these expectations; there is the feeling almost of the actor not only taking a name, but embodying the spirit, style, or skill of each actor who previously had that name. Many actors will go through at least three names over the course of their career, their participation in a ''shūmei'' representing their passage into a new chapter of their performing career. The ''shūmei'' usually is followed by a performance significant to the actors' new names; these might involve larger parts, a new play, or roles traditio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Imperial Garden Theater
The , often referred to simply as the Teigeki (帝劇), and previously the Imperial Garden Theater, is a Japanese theater located in Marunouchi, Chiyoda, Tokyo, Japan operated by Toho. History Opened in 1911 as the first Western-style theater in Japan, it stages a varied program of musicals and operas. The original structure was rebuilt in 1966 as Toho's "flagship" theater, opening with the premiere of ''Scaretto'', a local adaptation of ''Gone With the Wind Gone with the Wind most often refers to: * Gone with the Wind (novel), ''Gone with the Wind'' (novel), a 1936 novel by Margaret Mitchell * Gone with the Wind (film), ''Gone with the Wind'' (film), the 1939 adaptation of the novel Gone with the Wind ...'', which drew 380,000 attendees over the course of the theater's first five months of operation. The theatre is set to temporarily close in mid-February 2025 as part of a redevelopment plan that will involve reconstructing the building. References External links Website o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ichikawa Ennosuke III
may refer to: Places *Ichikawa, Chiba, a city in Chiba, Japan **Ichikawa Gakuen (Ichikawa Junior and Senior High School), a large private boys and girls school in Moto-kita-kata, Ichikawa, Chiba * Ichikawa, Hyogo, a town in Hyōgo, Japan *Ichikawamisato, frequently known simply as Ichikawa, a city in Yamanashi, Japan *Ichi River The is a river which flows through the southwest of Hyōgo Prefecture, Japan. The Ibo, Kako, Ichi, Yumesaki, and Chikusa rivers are collectively referred to as the Harima Gokawa, the five major rivers that flow into the Harima Sea. Geography ..., a river in Hyōgo Prefecture Other uses * Ichikawa (surname) {{disambiguation, geo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
