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Masía Font Nova
A masia in Catalan (or and ) is a type of rural construction common to the east of Spain: Catalonia, Valencian Community, Aragon, Languedoc and Provence (in the south of France). The estate in which the masia is located is called a mas. They are often large but isolated structures, nearly always associated with a family farming or livestock operation. Through the ages, the materials used to construct masias varied, often determined by their location. In mountainous areas, rough stone was often used, except for doorways, windows and arches, where stone was worked. During the Middle Ages, mud was used as mortar, though later on it was replaced by quicklime or cement. In places where stone was hard to come by, adobe was more common as a construction material. For the most part, masias are oriented to the south. Constructions older than 16th century have an arched main entrance while those built after the 18th century usually have lintel entrances. Masies were typically constru ...
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La Masia (Can Planas) (Barcelona) - 1
La Masia de Can Planes, usually shortened to La Masia (; ), is FC Barcelona's youth academy. It includes more than 300 young players and has been an instrumental factor in Barcelona's European success, producing several world class players and is considered the best youth system in world football. In 2010 FIFA Ballon d'Or, 2010, La Masia became the first youth academy to have trained all three finalists for the Ballon d'Or in a single year: Lionel Messi, Andrés Iniesta and Xavi (footballer, born 1980), Xavi.totalbarca.comIt’s an all Barça affair at FIFA Ballon d’Or La Masia is also the name of FC Barcelona's football training facilities, originally located near the Camp Nou in the District of Les Corts, Les Corts district of Barcelona. The original building itself was an ancient country residence (in Catalan language, Catalan, ''masia'') built in 1702, and once Camp Nou was inaugurated in 1957, the building was remodelled and extended for use as the club's social headquar ...
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Arch
An arch is a curved vertical structure spanning an open space underneath it. Arches may support the load above them, or they may perform a purely decorative role. As a decorative element, the arch dates back to the 4th millennium BC, but structural load-bearing arches became popular only after their adoption by the Ancient Romans in the 4th century BC. Arch-like structures can be horizontal, like an arch dam that withstands the horizontal hydrostatic pressure load. Arches are usually used as supports for many types of vaults, with the barrel vault in particular being a continuous arch. Extensive use of arches and vaults characterizes an arcuated construction, as opposed to the trabeated system, where, like in the architectures of ancient Greece, China, and Japan (as well as the modern steel-framed technique), posts and beams dominate. Arches had several advantages over the lintel, especially in the masonry construction: with the same amount of material it can have ...
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The Farm (Miró)
''The Farm'' is an oil painting made by Joan Miró between the summer of 1921 in Mont-roig del Camp and winter 1922 in Paris. It is a kind of inventory of the masia (traditional Catalan farmhouse) owned by his family since 1911 in the town of Mont-roig del Camp. Miró himself regarded this work as a key in his career, describing it as "a summary of my entire life in the countryside" and "the summary of one period of my work, but also the point of departure for what was to follow." It now resides in the National Gallery of Art in Washington DC, where it was given in 1987 by Mary Hemingway, coming from the private collection of United States, American writer Ernest Hemingway, who had described it by saying, “It has in it all that you feel about Spain when you are there and all that you feel when you are away and cannot go there. No one else has been able to paint these two very opposing things.” History The painter, though born in Barcelona, was always linked with the rural wor ...
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Joan Miró
Joan Miró i Ferrà ( , ; ; 20 April 1893 – 25 December 1983) was a Catalan Spanish painter, sculptor and Ceramic art, ceramist. A museum dedicated to his work, the Fundació Joan Miró, was established in his native city of Barcelona in 1975, and another, the Fundació Pilar i Joan Miró in Mallorca, Fundació Pilar i Joan Miró, was established in his adoptive city of Palma de Mallorca, Palma in 1981. Earning international acclaim, his work has been interpreted as Surrealism but with a personal style, sometimes also veering into Fauvism and Expressionism. He was notable for his interest in the unconscious or the subconscious mind, reflected in his re-creation of the childlike. His difficult-to-classify works also had a manifestation of Catalonia, Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and declared an "assassination of painting" in favour ...
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Jujol Centre - Can Negre
José María Jujol Gibert (16 September 1879 – 1 May 1949) was a Catalan Spanish architect. Jujol's wide field of activity ranged from furniture designs and painting, to architecture. He worked with Antoni Gaudí on many of his most famous works. Among Jujol's projects are Casa Batlló, Casa Milà, Park Güell, and Our Lady of Montserrat, and among his design styles are Modernisme and Art Nouveau. Biography Early life Josep Maria Jujol was born in Tarragona where he lived until age 9. He was the son of Andreu Jujol, a school director, and of Teresa Gibert i Vives. He was born on the top floor of the public school, Sant Joan, where his father worked. He began to draw at an early age, and always had an admiration for nature. According to his biography, he would roam the hills of Tarragona and its Roman ruins. They lived at the school for nine years before his father was transferred in 1888 to Carrer Zurbano in Gràcia, which is now integrated into the City of Barcelona. A ...
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Vil·la Joana
Viŀla Joana is a masia located in Vallvidrera (Sarrià-Sant Gervasi district, Barcelona) in the middle of Collserola Natural Park. It is a two storey building with a watchtower and lateral galleries. One of its most distinctive elements is the clock on the main façade. Today, Viŀla Joana houses one of the branches of the Barcelona City History Museum (MUHBA), which updated the collection on display here in 2016. The museum deals with the history of the site, literature, and the Catalan poet Jacint Verdaguer, who died here in 1902. History Viŀla Joana was one of the most important ''masies'' of Vallvidrera. Documented since the 16th century, it became a property of the Miralles family in the 19th century. Then, it took the current name of Viŀla Joana, which symbolizes the transformation of the old farmhouse into a residential villa. In 1902, the prominent poet Jacint Verdaguer was hosted by the Miralles family, and he died here after a short stay. Beginning in 1920, the V ...
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