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Mario Bauzá
Prudencio Mario Bauzá Cárdenas (April 28, 1911 – July 11, 1993) was an Afro-Cuban jazz, Latin, and jazz musician. He was among the first to introduce Cuban music to the United States by bringing Cuban musical styles to the New York City jazz scene. While Cuban bands had had popular jazz tunes in their repertoire for years,Acosta, Leonardo 2003. ''Cubano be, cubano bop: one hundred years of jazz in Cuba''. Smithsonian, Washington, D.C.. Bauzá's composition "Tangá" was the first piece to blend jazz harmony and arranging technique, with jazz soloists and Afro-Cuban rhythms. It is considered the first true Afro-Cuban jazz or Latin jazz tune. Biography As a child he studied clarinet becoming recognized as a child prodigy on the instrument and was featured with the Havana Symphony at the age of 11. Bauzá then performed on clarinet and bass clarinet with pianist Antonio María Romeu's charanga (flute and violins) orchestra. This proved a fateful event as the orchestra visited N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Havana
Havana (; Spanish: ''La Habana'' ) is the capital and largest city of Cuba. The heart of the La Habana Province, Havana is the country's main port and commercial center.Cuba ''The World Factbook''. Central Intelligence Agency. The city has a population of 2.3million inhabitants, and it spans a total of – making it the largest city by area, the most populous city, and the List of metropolitan areas in the West Indies, fourth largest metropolitan area in the Caribbean region. The city of Havana was founded by the Spanish Empire, Spanish in the 16th century, it served as a springboard for the Spanish colonization of the Americas, Spanish conquest of the Americas becoming a stopping point for Spanish galleons returning to Spain. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Machin
Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language-speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male baby names in the United States since the late 19th century and has been among the top 200 since the mid 20th century. In the English language it is translated as Anthony, and has some female derivatives: Antonia, Antónia, Antonieta, Antonietta, and Antonella'. It also has some male derivatives, such as Anthonio, Antón, Antò, Antonis, Antoñito, Antonino, Antonello, Tonio, Tono, Toño, Toñín, Tonino, Nantonio, Ninni, Totò, Tó, Tonini, Tony, Toni, Toninho, Toñito, and Tõnis. The Portuguese equivalent is António (Portuguese orthography) or Antônio (Brazilian Portuguese). In old Portuguese the form Antão was also used, not just to differentiate between older and younger but also between more and less important. In Ga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palladium Ballroom
The Palladium Ballroom was a New York City night club. The US mambo craze that started in 1948 began at the Palladium Ballroom. On March 15, 1946, it opened at the northeast corner of Broadway and 53rd Street.''New York Post'', March 14, 1946; p. 35 Big Three In 1948, the Palladium Ballroom gained in stature because of the Big Three acts: Tito Puente, Tito Rodríguez, and Machito. The careers of the Big Three expanded on the strength of their bookings there. These bands recorded many mambo hits such as "Asia Minor" and "Babarabatiri", "Picadillo", "Ran Kan Kan", and "Mambo Mona". Dámaso Pérez Prado's " Mambo No. 5" (1952) was a cross-over hit. Dancers and dances The Palladium was known for its dancers as well as its music, fueled by weekly dance competitions and pie contests along with a Female Best Leg Contest. Ability to dance, not class or color, was the social currency. The Palladium's top dancers, Augie and Margo Rodríguez were the mambo dancing champions. Carlos Arroy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mambo (music)
Mambo is a genre of Cuban dance music pioneered by the charanga Arcaño y sus Maravillas in the late 1930s and later popularized in the big band style by Pérez Prado. It originated as a syncopated form of the danzón, known as danzón-mambo, with a final, improvised section, which incorporated the ''guajeos'' typical of son cubano (also known as '' montunos''). These ''guajeos'' became the essence of the genre when it was played by big bands, which did not perform the traditional sections of the danzón and instead leaned towards swing and jazz. By the late 1940s and early 1950s, mambo had become a "dance craze" in the United States as its associated dance took over the East Coast thanks to Pérez Prado, Tito Puente, Tito Rodríguez and others. In the mid-1950s, a slower ballroom style, also derived from the danzón, cha-cha-cha, replaced mambo as the most popular dance genre in North America. Nonetheless, mambo continued to enjoy some degree of popularity into the 1960s a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chano Pozo
Luciano Pozo González (January 7, 1915 – December 3, 1948), known professionally as Chano Pozo, was a Cuban jazz percussionist, singer, dancer, and composer. Despite only living to age 33, he played a major role in the founding of Latin jazz. He co-wrote some of Dizzy Gillespie's Latin-flavored compositions, such as " Manteca" and "Tin Tin Deo", and was the first Latin percussionist in Gillespie's band. Early life Luciano "Chano" Pozo González was born in Havana to Cecelio González and Carnación Pozo. Chano grew up with three sisters and a brother, as well as his older half brother, Félix Chappottín, who would later become one of the great Cuban '' soneros''. The family struggled with poverty throughout his youth. His mother died when Chano was eleven, and Cecelio took his family to live with his long-time mistress, Natalia, who was Felix's mother. Chano showed an early interest in playing drums, and performed ably in Afro-Cuban religious ceremonies in which drumming ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tito Puente
Ernest Anthony Puente Jr. (April 20, 1923 – June 1, 2000), commonly known as Tito Puente, was an American musician, songwriter, bandleader, and record producer of Puerto Rican descent. He is best known for dance-oriented mambo and Latin jazz compositions from his 50-year career. His most famous song is "Oye Como Va". Puente and his music have appeared in films including '' The Mambo Kings'' and Fernando Trueba's '' Calle 54''. He guest-starred on television shows, including ''Sesame Street'' and ''The Simpsons'' two-part episode " Who Shot Mr. Burns?". Early life Tito Puente was born on April 20, 1923, at Harlem Hospital Center in the New York borough of Manhattan, the son of Ernest and Felicia Puente, Puerto Ricans living in New York City's Spanish Harlem. His family moved frequently, but he spent the majority of his childhood in Spanish Harlem. Puente's father was the foreman at a razorblade factory. As a child, he was described as hyperactive, and after neighbors complai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timbales
Timbales () or pailas are shallow single-headed drums with metal casing. They are shallower than single-headed tom-toms and usually tuned much higher, especially for their size.Orovio, Helio 1981. ''Diccionario de la música cubana: biográfico y técnico''. Entries for ''Paila criolla''; ''Timbal criollo''. They were developed as an alternative to classical timpani in Cuba in the early 20th century and later spread across Latin America and the United States. Timbales are struck with wooden sticks on the heads and shells, although bare hands are sometimes used. The player (called a ''timbalero'') uses a variety of stick strokes, rim shots, and rolls to produce a wide range of percussive expression during solos and at transitional sections of music, and usually plays the shells (or auxiliary percussion such as a cowbell or cymbal) to keep time in other parts of the song. The shells and the typical pattern played on them are referred to as ''cáscara''. Common stroke patterns ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Decca Records
Decca Records is a British record label established in 1929 by Edward Lewis. Its U.S. label was established in late 1934 by Lewis, Jack Kapp, American Decca's first president, and Milton Rackmil, who later became American Decca's president. In 1937, anticipating Nazi aggression leading to World War II, Lewis sold American Decca and the link between the U.K. and U.S. Decca labels was broken for several decades. The British label was renowned for its development of recording methods, while the American company developed the concept of cast albums in the musical genre. Both wings are now part of the Universal Music Group. The U.S. Decca label was the foundation company that evolved into UMG (Universal Music Group). Label name The name dates back to a portable gramophone called the "Decca Dulcephone" patented in 1914 by musical instrument makers Barnett Samuel and Sons. The name "Decca" was coined by Wilfred S. Samuel by merging the word "Mecca" with the initial D of their log ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afro-Cubans (band)
The Afro-Cubans were a Latin jazz band founded by Machito in 1940; often billed as Machito and his Afro-Cubans. Their musical director was Mario Bauzá, Machito's brother-in-law. The Afro-Cubans combined Cuban music with orchestrations derived from swing. As well, the Afro-Cubans played with and incorporated the music of many figures in jazz, including Charlie Parker, Dizzy Gillespie, Flip Phillips, and Buddy Rich; but the association went both ways, as the Latin rhythms of the Afro-Cubans strongly influenced the jazz scene in New York. After making some early 78s for Decca, the Afro-Cubans came to increased prominence towards the end of World War II, appearing with Stan Kenton's orchestra. (Machito played maracas on Kenton's recordings of "The Peanut Vendor" and "Cuban Carnival") and recorded for Mercury and Clef. On Bauzá's urging, Machito's band featured American jazz soloists on its recordings from 1948 to 1960, including Howard McGhee, Harry "Sweets" Edison, Cannonball Add ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dizzy Gillespie
John Birks "Dizzy" Gillespie (; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality provided one of bebop's most prominent symbols. In the 1940s, Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman. He pioneered Afro-Cuban jazz and won several Grammy Awards. Scott Yanow wrote ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Armstrong
Louis Daniel Armstrong (August 4, 1901 – July 6, 1971), nicknamed "Satchmo", "Satch", and "Pops", was an American trumpeter and vocalist. He was among the most influential figures in jazz. His career spanned five decades and several eras in the history of jazz. Armstrong was born and raised in New Orleans. Coming to prominence in the 1920s as an inventive trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. Around 1922, he followed his mentor, Joe "King" Oliver, to Chicago to play in the . In Chicago, he spent time with other popular jazz musicians, reconnecting with his friend Bix Beiderbecke and spending time with Hoagy Carmichael and Lil Hardin. He earned a reputation at " cutting contests", and his fame reached band leader Fletcher Henderson. Henderson persuaded Armstrong to come to New York City, where he became a featured and musically influential band so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Azpiazú
Justo Ángel Azpiazú (Cienfuegos, 11 February 1893 – Havana, 20 January 1943), better known as Don Azpiazú, was a leading Cuban orchestral director in the 1920s and 1930s. His band introduced authentic Cuban dance music and Cuban musical instruments to the USA. It was his Havana Casino Orchestra which went to New York City in 1930, and recorded one of the biggest hits in Cuban music history, the "Peanut Vendor". It sold over one million copies, and was awarded a gold disc by the RIAA. The band included musicians such as trumpeter Julio Cueva and singer Antonio Machín. Azpiazú also used North American North America is a continent in the Northern Hemisphere and almost entirely within the Western Hemisphere. It is bordered to the north by the Arctic Ocean, to the east by the Atlantic Ocean, to the southeast by South America and the Ca ... singers such as Bob Burke or Chick Bullock to help popularize the genre.Yanow, Scott 2000. ''Afro-Cuban Jazz''. New Y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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