Margarethe Düren
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Margarethe Düren
Margarete Düren or Margarethe Düren-Herrmann (24 September 1904 – c. 1988) was a German operatic soprano. She was based at the Staatsoper Stuttgart until 1939, where she appeared in the world premiere of Nico Dostal's operetta '' Monika'', in the title role. With her husband Josef Herrmann she moved on to the Semperoper in Dresden and further to Berlin. They appeared and recorded together. After his death, she moved to Cologne, where she served as a prompter until age 89. Life and career Düren was born in Magdeburg. After voice studies, she worked at Theater Chemnitz, first as a chorus member, then as soloist. She was engaged at the Würzburg municipal theatre from 1933 to 1935, then at the Theater Königsberg until 1937, and at the Staatsoper Stuttgart until 1939, where she appeared in the title role of Dostal's operetta '' Monika'' in its world premiere. She married the baritone Josef Herrmann, who made a career at the Semperoper in Dresden and after World War II at th ...
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Magdeburg
Magdeburg (; ) is the Capital city, capital of the Germany, German States of Germany, state Saxony-Anhalt. The city is on the Elbe river. Otto I, Holy Roman Emperor, Otto I, the first Holy Roman Emperor and founder of the Archbishopric of Magdeburg, was buried in the city's Magdeburg Cathedral, cathedral after his death. Magdeburg's version of German town law, known as Magdeburg rights, spread throughout Central Europe, Central and Eastern Europe. In the Late Middle Ages, Magdeburg was one of the largest and most prosperous German cities and a notable member of the Hanseatic League. One of the most notable people from the city was Otto von Guericke, famous for his experiments with the Magdeburg hemispheres. Magdeburg has experienced three major devastations in its history. In 1207 the first catastrophe struck the city, with a fire burning down large parts of the city, including the Magdeburg Cathedral#Previous building, Ottonian cathedral. The Catholic League (German), Catholi ...
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Undine (Lortzing)
''Undine'' is an opera in four acts by Albert Lortzing. The German libretto was by the composer after Friedrich de la Motte Fouqué's Undine (novella), novella of the same name. There had been a revival of interest in Fouqué following the writer's death in 1843 to which Lortzing responded. Unlike Lortzing's earlier comedies, this work is a serious one, described as a ''romantische Zauberoper'' ('romantic magic opera'). A number of other operas and ballets have been based on Fouqué's version of the myth of the water spirit Undine, including Pyotr Ilyich Tchaikovsky, Tchaikovsky's ''Undina (Tchaikovsky), Undina'', E. T. A. Hoffmann's ''Undine (Hoffmann), Undine'', Cesare Pugni's ''Ondine, ou La naïade'' and Hans Werner Henze's ''Ondine (ballet), Ondine''. Performance history The opera was first performed at the Stadttheater Magdeburg on 21 April 1845 in music#Opera, 1845. Roles Synopsis Act 1 The knight Hugo von Ringstetten, having won a tournament, has been given a quest ...
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1904 Births
Events January * January 7 – The distress signal ''CQD'' is established, only to be replaced 2 years later by ''SOS''. * January 8 – The Blackstone Library is dedicated, marking the beginning of the Chicago Public Library system. * January 12 – The Herero Wars in German South West Africa begin. * January 17 – Anton Chekhov's last play, ''The Cherry Orchard'' («Вишнëвый сад», ''Vishnevyi sad''), opens at the Moscow Art Theatre directed by Constantin Stanislavski, 6 month's before the author's death. * January 23 – The Ålesund fire destroys most buildings in the town of Ålesund, Norway, leaving about 10,000 people without shelter. * January 25 – Halford Mackinder presents a paper on "The Geographical Pivot of History" to the Royal Geographical Society of London in which he formulates the Heartland Theory, originating the study of geopolitics. February * February 7 – The Great Baltimore Fire in Baltimore, Maryland, destroys over 1,500 build ...
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German Operatic Sopranos
German(s) may refer to: * Germany, the country of the Germans and German things **Germania (Roman era) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizenship in Germany, see also German nationality law **Germanic peoples (Roman era) * German diaspora * German language * German cuisine, traditional foods of Germany People * German (given name) * German (surname) * Germán, a Spanish name Places * German (parish), Isle of Man * German, Albania, or Gërmej * German, Bulgaria * German, Iran * German, North Macedonia * German, New York, U.S. * Agios Germanos, Greece Other uses * German (mythology), a South Slavic mythological being * Germans (band), a Canadian rock band * "German" (song), a 2019 song by No Money Enterprise * ''The German'', a 2008 short film * "The Germans", an episode of ''Fawlty Towers'' * ''The German'', a nickname for Congolese rebel André Kisase Ngandu See also * Germanic (disa ...
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De Gruyter
Walter de Gruyter GmbH, known as De Gruyter (), is a German scholarly publishing house specializing in academic literature. History The roots of the company go back to 1749 when Frederick the Great granted the Königliche Realschule in Berlin the royal privilege to open a bookstore and "to publish good and useful books". In 1800, the store was taken over by Georg Reimer (1776–1842), operating as the ''Reimer'sche Buchhandlung'' from 1817, while the school's press eventually became the ''Georg Reimer Verlag''. From 1816, Reimer used a representative palace at Wilhelmstraße 73 in Berlin for his family and the publishing house, whereby the wings contained his print shop and press. The building later served as the Palace of the Reich President. Born in Ruhrort in 1862, Walter de Gruyter took a position with Reimer Verlag in 1894. By 1897, at the age of 35, he had become sole proprietor of the hundred-year-old company then known for publishing the works of German romantic ...
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Großes Sängerlexikon
''Großes Sängerlexikon'' (''Biographical Dictionary of Singers'', literally: Large singers' lexicon) is a single-field dictionary of singers in classical music, edited by Karl-Josef Kutsch and Leo Riemens and first published in 1987. The first edition was in two volumes and contained the biographies of nearly 7000 singers from the 1590s through the 1980s. It grew out of ''Unvergängliche Stimmen. Kleines Sängerlexikon'' (Immortal voices. Small singers' lexicon), published in 1962, which covered only singers who had made recordings. A 1992 review in ''Neue Zeitschrift für Musik'' described the ''Großes Sängerlexikon'' as "indispensable in the search for concise background information about those persons who are undoubtedly the most important to the performance of opera."Arndt, Michael (1992). "Reviewed Work: ''Großes Sängerlexikon Ergänzungsband'' by Karl-Josef Kutsch, Leo Riemens". ''Neue Zeitschrift für Musik'', Vol. 153, No. 9, p. 50. , 26 March 2019 . The fourt ...
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Operissimo
Operissimo is an online database based in Zürich, which is dedicated to recording details of classical music concerts and opera performances. The database currently includes biographies on over 7,500 composers and 44,000 performing artists,"Operissimo"
Mannheim University Library
encompassing both historical and contemporary figures. The biographies contain articles, without attribution, based on the third edition of the ''''. It also includes details on more than 47,000 performances, 340

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Der Zigeunerbaron
''The Gypsy Baron'' () is an operetta in three acts by Johann Strauss II which premiered at the Theater an der Wien on 24 October 1885. Its German libretto by Ignaz Schnitzer is based on the unpublished 1883 story ''Saffi'' by Mór Jókai. Jokai later published a novel ''A cigánybáró'' (') in 1885 using an expanded version of this same story. While an operetta, ''The Gypsy Baron'' was a departure from Strauss's earlier more comic and light hearted works; displaying more serious tones both musically and dramatically in what musicologist Andrew Lamb described as "a step in Strauss’s quest for the composition of a genuine opera". During the composer's lifetime, the operetta enjoyed great success internationally. It is considered one of Strauss's three best stage works, along with ''Die Fledermaus'' (1874) and ''Eine Nacht in Venedig'' (1883). Composition history Strauss was introduced to Jókai's story prior to its publication as a novel in Pest, Hungary in February 1883 by h ...
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Pagliacci
''Pagliacci'' (; literal translation, 'Clowns') is an Italian opera in a prologue and two acts, with music and libretto by Ruggero Leoncavallo. The opera tells the tale of Canio, actor and leader of a commedia dell'arte theatrical company, who murders his wife Nedda and her lover Silvio on stage during a performance. ''Pagliacci'' premiered at the Teatro Dal Verme in Milan on 21 May 1892, conducted by Arturo Toscanini, with Adelina Stehle as Nedda, Fiorello Giraud as Canio, Victor Maurel as Tonio, and Mario Ancona as Silvio. Soon after its Italian premiere, the opera played in London (with Nellie Melba as Nedda) and in New York (on 15 June 1893, with Agostino Montegriffo as Canio). ''Pagliacci'' is the best-known of Leoncavallo's ten operas and remains a staple of the repertoire. ''Pagliacci'' is often staged with ''Cavalleria rusticana'' by Pietro Mascagni, a double bill known colloquially as "Cav/Pag". Origin and disputes Leoncavallo was a little-known composer when Pietro Masc ...
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Der Waffenschmied
''Der Waffenschmied'' (The Armourer) is an opera Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically ... (Singspiel) in three acts by Albert Lortzing. The German-language libretto was by the composer after 's ''Liebhaber und Nebenbuhler in einer Person'' (Lover and Rival in One Person). This is often considered his third most popular work. His works are considered to be part of the Biedermeier period. It premiered in Vienna at the Theater an der Wien on 31 May 1846 conducted by Lortzing. The role of Marie was written with Jenny Lind in mind who he hoped would sing the part. The opera was eventually successful enough that Lortzing was offered the post of Kapellmeister at the theatre which he held until the revolution of 1848, when he had to return to Leipzig. Arnold Schoenberg, arranged L ...
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Zar Und Zimmermann
''Zar und Zimmermann'' (''Tsar and Carpenter'') is a comic opera in three acts, music by Albert Lortzing, libretto by the composer after Georg Christian Römer's ''Der Bürgermeister von Saardam, oder Die zwei Peter'', itself based on the French play ''Le Bourgmestre de Saardam, ou Les deux Pierre'' by Mélésville, Jean-Toussaint Merle, and Eugène Centiran de Boirie. Ultimately, it goes back to the historical Grand Embassy of Peter the Great. Gaetano Donizetti had set the same story in his 1827 opera '' Il borgomastro di Saardam''. Performance history The opera was first performed at the Stadttheater in Leipzig, on 22 December 1837. Lortzing's most successful and enduring work, it is still regularly performed in German-speaking countries. Roles Synopsis The action takes place in Saardam, Holland, in 1698. Peter the Great of Russia, disguised as Peter Michaelov, a common laborer, is working in a shipyard in the Dutch town of Saardam, to learn shipbuilding techniques fo ...
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Die Fledermaus
' (, ''The Bat'', sometimes called ''The Revenge of the Bat'') is an operetta composed by Johann Strauss II to a German libretto by Karl Haffner and Richard Genée, which premiered in 1874. Background The original literary source for ' was ' (''The Prison''), a farce by German playwright Julius Roderich Benedix that premiered in Berlin in 1851. On 10 September 1872, a three-act French vaudeville play by Henri Meilhac and Ludovic Halévy, ', loosely based on the Benedix farce, opened at the Théâtre du Palais-Royal. Meilhac and Halévy had provided several successful libretti for Offenbach. ''Le Réveillon'' later was adapted as the 1926 silent film '' So This Is Paris'', directed by Ernst Lubitsch. Meilhac and Halévy's play was soon translated into German by Karl Haffner (1804–1876), at the instigation of Max Steiner, as a non-musical play for production in Vienna. The French custom of a New Year's Eve '' réveillon'', or supper party, was not considered to provi ...
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